American Cinematographer - December 2008 - (Page 61) Overall, Dod Mantle was pleased with the Mini’s performance, especially its handling of highlights. Since wrapping Slumdog, he has used the Red One on three projects, and he found he had to be more careful about clipping the highlights with the One in Scandinavia than he did with the Mini in sun-baked India. Because the filmmakers decided to embrace all the colors of India, including their contrasts and inconsistencies, Dod Mantle strove to enhance their clarity and separation in the digital grade, which he carried out at MPC with colorist Jean-Clement Soret, a collaborator on 28 Days Later and Millions. One thing Dod Mantle always tries to do is accentuate a color by finessing its opposite. “For example, if I want to show something more yellow, I’ll push the blues in the shadows,” he says. When people talk about vitality in a movie, he adds, they’re responding to a visualization that matches the tone of the material. “The best thing you can do is hit that accurately and keep referring back to it. “This film was a battleground full of not enemies, but many diligent and dedicated collaborators who were willing to fight hard for what they believed to be right for the film,” he continues. “Over the course of five months away from home, that could bring its share of short-circuits between people, but I think Danny’s last line in his Christmas-hiatus message to the department heads summed it all up: ‘Remember, the aim is that everyone remembers the film, not the problems.’” Taking a chance on a new camera technology for an ambitious feature like Slumdog was, says Boyle, “like shooting in India: you have to be brave, and you have to be very hopeful.” I TECHNICAL SPECS 2.40:1 2K Digital Capture, Super 35mm (3-perf), Digital Stills Silicon Imaging SI-2K Mini; Arricam Lite, Studio; Arri 235, BL-4; Canon EOS-1D Mark III Zeiss Distagon, Planar, Superspeed, Standard Speed; Angenieux; Century; Canon; Cooke; Linos lenses Fuji Reala 500D 8592, Eterna 500 8573, Vivid 160 8543, F-64D 8522, Eterna 250D 8563 Digital Intermediate Printed on Kodak Vision 2383 61 http://www.k5600.com http://www.k5600.com
Table of Contents Feed for the Digital Edition of American Cinematographer - December 2008 American Cinematographer - December 2008 Contents Editor’s Note Short Takes: True Blood Titles Tomorrow’s Technology Production Slate: Closer to Truth A High Price for Progress Rags to Riches 1-Man Riot Squad The State of the Art: An Update Post Focus: Deluxe New York New Products & Services International Marketplace Classified Ads Ad Index 2008 AC Index ASC Membership Roster Clubhouse News ASC Close-Up: Donald McAlpine American Cinematographer - December 2008 American Cinematographer - December 2008 - American Cinematographer - December 2008 (Page Cover1) American Cinematographer - December 2008 - American Cinematographer - December 2008 (Page Cover2) American Cinematographer - December 2008 - American Cinematographer - December 2008 (Page 1) American Cinematographer - December 2008 - American Cinematographer - December 2008 (Page 2) American Cinematographer - December 2008 - Contents (Page 3) American Cinematographer - December 2008 - Contents (Page 4) American Cinematographer - December 2008 - Contents (Page 5) American Cinematographer - December 2008 - Contents (Page 6) American Cinematographer - December 2008 - Contents (Page 7) American Cinematographer - December 2008 - Editor’s Note (Page 8) American Cinematographer - December 2008 - Editor’s Note (Page 9) American Cinematographer - December 2008 - Short Takes: True Blood Titles (Page 10) American Cinematographer - December 2008 - Short Takes: True Blood Titles (Page 11) American Cinematographer - December 2008 - Short Takes: True Blood Titles (Page 12) American Cinematographer - December 2008 - Short Takes: True Blood Titles (Page 13) American Cinematographer - December 2008 - Short Takes: True Blood Titles (Page 14) American Cinematographer - December 2008 - Short Takes: True Blood Titles (Page 15) American Cinematographer - December 2008 - Tomorrow’s Technology (Page 16) American Cinematographer - December 2008 - Tomorrow’s Technology (Page 17) American Cinematographer - December 2008 - Tomorrow’s Technology (Page 18) American Cinematographer - December 2008 - Tomorrow’s Technology (Page 19) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 20) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 21) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 22) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 23) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 24) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 25) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 26) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 27) American Cinematographer - December 2008 - A High Price for Progress (Page 28) American Cinematographer - December 2008 - A High Price for Progress (Page 29) American Cinematographer - December 2008 - A High Price for Progress (Page 30) American Cinematographer - December 2008 - A High Price for Progress (Page 31) American Cinematographer - December 2008 - A High Price for Progress (Page 32) American Cinematographer - December 2008 - A High Price for Progress (Page 33) American Cinematographer - December 2008 - A High Price for Progress (Page 34) American Cinematographer - December 2008 - A High Price for Progress (Page 35) American Cinematographer - December 2008 - A High Price for Progress (Page 36) American Cinematographer - December 2008 - A High Price for Progress (Page 37) American Cinematographer - December 2008 - A High Price for Progress (Page 38) American Cinematographer - December 2008 - A High Price for Progress (Page 39) American Cinematographer - December 2008 - A High Price for Progress (Page 40) American Cinematographer - December 2008 - A High Price for Progress (Page 41) American Cinematographer - December 2008 - A High Price for Progress (Page 42) American Cinematographer - December 2008 - A High Price for Progress (Page 43) American Cinematographer - December 2008 - Rags to Riches (Page 44) American Cinematographer - December 2008 - Rags to Riches (Page 45) American Cinematographer - December 2008 - Rags to Riches (Page 46) American Cinematographer - December 2008 - Rags to Riches (Page 47) American Cinematographer - December 2008 - Rags to Riches (Page 48) American Cinematographer - December 2008 - Rags to Riches (Page 49) American Cinematographer - December 2008 - Rags to Riches (Page 50) American Cinematographer - December 2008 - Rags to Riches (Page 51) American Cinematographer - December 2008 - Rags to Riches (Page 52) American Cinematographer - December 2008 - Rags to Riches (Page 53) American Cinematographer - December 2008 - Rags to Riches (Page 54) American Cinematographer - December 2008 - Rags to Riches (Page 55) American Cinematographer - December 2008 - Rags to Riches (Page 56) American Cinematographer - December 2008 - Rags to Riches (Page 57) American Cinematographer - December 2008 - Rags to Riches (Page 58) American Cinematographer - December 2008 - Rags to Riches (Page 59) American Cinematographer - December 2008 - Rags to Riches (Page 60) American Cinematographer - December 2008 - Rags to Riches (Page 61) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 62) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 63) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 64) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 65) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 66) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 67) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 68) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 69) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 70) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 71) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 72) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 73) American Cinematographer - December 2008 - The State of the Art: An Update (Page 74) American Cinematographer - December 2008 - The State of the Art: An Update (Page 75) American Cinematographer - December 2008 - The State of the Art: An Update (Page 76) American Cinematographer - December 2008 - The State of the Art: An Update (Page 77) American Cinematographer - December 2008 - The State of the Art: An Update (Page 78) American Cinematographer - December 2008 - The State of the Art: An Update (Page 79) American Cinematographer - December 2008 - The State of the Art: An Update (Page 80) American Cinematographer - December 2008 - The State of the Art: An Update (Page 81) American Cinematographer - December 2008 - The State of the Art: An Update (Page 82) American Cinematographer - December 2008 - The State of the Art: An Update (Page 83) American Cinematographer - December 2008 - The State of the Art: An Update (Page 84) American Cinematographer - December 2008 - The State of the Art: An Update (Page 85) American Cinematographer - December 2008 - Post Focus: Deluxe New York (Page 86) American Cinematographer - December 2008 - Post Focus: Deluxe New York (Page 87) American Cinematographer - December 2008 - Post Focus: Deluxe New York (Page 88) American Cinematographer - December 2008 - Post Focus: Deluxe New York (Page 89) American Cinematographer - December 2008 - New Products & Services (Page 90) American Cinematographer - December 2008 - New Products & Services (Page 91) American Cinematographer - December 2008 - New Products & Services (Page 92) American Cinematographer - December 2008 - New Products & Services (Page 93) American Cinematographer - December 2008 - New Products & Services (Page 94) American Cinematographer - December 2008 - New Products & Services (Page 95) American Cinematographer - December 2008 - New Products & Services (Page 96) American Cinematographer - December 2008 - New Products & Services (Page 97) American Cinematographer - December 2008 - International Marketplace (Page 98) American Cinematographer - December 2008 - International Marketplace (Page 99) American Cinematographer - December 2008 - Ad Index (Page 100) American Cinematographer - December 2008 - 2008 AC Index (Page 101) American Cinematographer - December 2008 - 2008 AC Index (Page 102) American Cinematographer - December 2008 - 2008 AC Index (Page 103) American Cinematographer - December 2008 - 2008 AC Index (Page 104) American Cinematographer - December 2008 - 2008 AC Index (Page 105) American Cinematographer - December 2008 - 2008 AC Index (Page 106) American Cinematographer - December 2008 - 2008 AC Index (Page 107) American Cinematographer - December 2008 - ASC Membership Roster (Page 108) American Cinematographer - December 2008 - ASC Membership Roster (Page 109) American Cinematographer - December 2008 - Clubhouse News (Page 110) American Cinematographer - December 2008 - Clubhouse News (Page 111) American Cinematographer - December 2008 - ASC Close-Up: Donald McAlpine (Page 112) American Cinematographer - December 2008 - ASC Close-Up: Donald McAlpine (Page Cover3) American Cinematographer - December 2008 - ASC Close-Up: Donald McAlpine (Page Cover4)
For optimal viewing of this digital publication, please enable JavaScript and then refresh the page. If you would like to try to load the digital publication without using Flash Player detection, please click here.