American Cinematographer - December 2009 - 48

A Tapestry of Rodrigo Prieto, ASC, AMC combines 3 formats for Pedro Almodóvar’s Broken Embraces, which recounts a filmmaker’s doomed love affair with his star. by Patricia Thomson Unit photography by Emilio Pereda and Paola Ardizzoni 48 December 2009 T extures ombining noir, naturalism, melodrama and comedy, Pedro Almodóvar’s Broken Embraces is the work of a true cinephile. “This is Pedro’s ode to filmmaking and cinema,” says director of photography Rodrigo Prieto, ASC, AMC. The production itself was a cinematic Chinese box, incorporating a present-day storyline, flashbacks, a film-within-thefilm and video footage captured by an amateur spy. Prieto ultimately combined three formats — anamorphic 35mm, standard 35mm and Super 16mm — to render the complex narrative. The story opens by introducing Harry Caine (Lluís Homar), formerly known as Mateo Blanco, a film director who was blinded 14 years earlier in a car crash that killed his lover and leading lady, Lena (Penélope Cruz). The two began their affair on the set of Caine’s comedy Girls and Suitcases while Lena was living with wealthy industrialist Ernesto Martel (José Luis Gómez). In an effort to stay close to Lena, the jealous Martel offers to produce Caine’s film.

American Cinematographer - December 2009

Table of Contents for the Digital Edition of American Cinematographer - December 2009

American Cinematographer - December 2009
Contents
Editor’s Note
President’s Desk
Short Takes: We Are ODST
Tomorrow’s Technology
Production Slate: Red Cliff
Production Slate: The Loss of a Teardrop Diamond
Remixing Fellini
A Tapestry of Textures
Healing a Family
An Exceptionally Sly Fox
Post Focus: Virtual Sets for V
Filmmakers’ Forum: David Stump, ASC
New Products & Services
International Marketplace
Classified Ads/Ad Index
2009 AC Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Paul Ryan
American Cinematographer - December 2009 - Intro
American Cinematographer - December 2009 - American Cinematographer - December 2009
American Cinematographer - December 2009 - Cover2
American Cinematographer - December 2009 - Contents
American Cinematographer - December 2009 - 2
American Cinematographer - December 2009 - 3
American Cinematographer - December 2009 - 4
American Cinematographer - December 2009 - 5
American Cinematographer - December 2009 - 6
American Cinematographer - December 2009 - 7
American Cinematographer - December 2009 - Editor’s Note
American Cinematographer - December 2009 - 9
American Cinematographer - December 2009 - President’s Desk
American Cinematographer - December 2009 - 11
American Cinematographer - December 2009 - Short Takes: We Are ODST
American Cinematographer - December 2009 - 13
American Cinematographer - December 2009 - 14
American Cinematographer - December 2009 - 15
American Cinematographer - December 2009 - 16
American Cinematographer - December 2009 - 17
American Cinematographer - December 2009 - Tomorrow’s Technology
American Cinematographer - December 2009 - 19
American Cinematographer - December 2009 - 20
American Cinematographer - December 2009 - 21
American Cinematographer - December 2009 - Production Slate: The Loss of a Teardrop Diamond
American Cinematographer - December 2009 - 23
American Cinematographer - December 2009 - 24
American Cinematographer - December 2009 - 25
American Cinematographer - December 2009 - 26
American Cinematographer - December 2009 - 27
American Cinematographer - December 2009 - 28
American Cinematographer - December 2009 - 29
American Cinematographer - December 2009 - 30
American Cinematographer - December 2009 - 31
American Cinematographer - December 2009 - 32
American Cinematographer - December 2009 - 33
American Cinematographer - December 2009 - 34
American Cinematographer - December 2009 - 35
American Cinematographer - December 2009 - Remixing Fellini
American Cinematographer - December 2009 - 37
American Cinematographer - December 2009 - 38
American Cinematographer - December 2009 - 39
American Cinematographer - December 2009 - 40
American Cinematographer - December 2009 - 41
American Cinematographer - December 2009 - 42
American Cinematographer - December 2009 - 43
American Cinematographer - December 2009 - 44
American Cinematographer - December 2009 - 45
American Cinematographer - December 2009 - 46
American Cinematographer - December 2009 - 47
American Cinematographer - December 2009 - A Tapestry of Textures
American Cinematographer - December 2009 - 49
American Cinematographer - December 2009 - 50
American Cinematographer - December 2009 - 51
American Cinematographer - December 2009 - 52
American Cinematographer - December 2009 - 53
American Cinematographer - December 2009 - 54
American Cinematographer - December 2009 - 55
American Cinematographer - December 2009 - 56
American Cinematographer - December 2009 - 57
American Cinematographer - December 2009 - 58
American Cinematographer - December 2009 - 59
American Cinematographer - December 2009 - Healing a Family
American Cinematographer - December 2009 - 61
American Cinematographer - December 2009 - 62
American Cinematographer - December 2009 - 63
American Cinematographer - December 2009 - 64
American Cinematographer - December 2009 - 65
American Cinematographer - December 2009 - 66
American Cinematographer - December 2009 - 67
American Cinematographer - December 2009 - 68
American Cinematographer - December 2009 - 69
American Cinematographer - December 2009 - An Exceptionally Sly Fox
American Cinematographer - December 2009 - 71
American Cinematographer - December 2009 - 72
American Cinematographer - December 2009 - 73
American Cinematographer - December 2009 - 74
American Cinematographer - December 2009 - 75
American Cinematographer - December 2009 - 76
American Cinematographer - December 2009 - 77
American Cinematographer - December 2009 - 78
American Cinematographer - December 2009 - 79
American Cinematographer - December 2009 - 80
American Cinematographer - December 2009 - 81
American Cinematographer - December 2009 - Post Focus: Virtual Sets for V
American Cinematographer - December 2009 - 83
American Cinematographer - December 2009 - 84
American Cinematographer - December 2009 - 85
American Cinematographer - December 2009 - Filmmakers’ Forum: David Stump, ASC
American Cinematographer - December 2009 - 87
American Cinematographer - December 2009 - 88
American Cinematographer - December 2009 - 89
American Cinematographer - December 2009 - New Products & Services
American Cinematographer - December 2009 - 91
American Cinematographer - December 2009 - 92
American Cinematographer - December 2009 - 93
American Cinematographer - December 2009 - 94
American Cinematographer - December 2009 - 95
American Cinematographer - December 2009 - 96
American Cinematographer - December 2009 - 97
American Cinematographer - December 2009 - International Marketplace
American Cinematographer - December 2009 - 99
American Cinematographer - December 2009 - Classified Ads/Ad Index
American Cinematographer - December 2009 - 2009 AC Index
American Cinematographer - December 2009 - 102
American Cinematographer - December 2009 - 103
American Cinematographer - December 2009 - 104
American Cinematographer - December 2009 - 105
American Cinematographer - December 2009 - 106
American Cinematographer - December 2009 - 107
American Cinematographer - December 2009 - ASC Membership Roster
American Cinematographer - December 2009 - 109
American Cinematographer - December 2009 - Clubhouse News
American Cinematographer - December 2009 - 111
American Cinematographer - December 2009 - ASC Close-Up: Paul Ryan
American Cinematographer - December 2009 - Cover3
American Cinematographer - December 2009 - Cover4
https://www.nxtbook.com/nxtbooks/ac/ac1209
https://www.nxtbook.com/nxtbooks/ac/ac1109
https://www.nxtbook.com/nxtbooks/ac/ac1009
https://www.nxtbook.com/nxtbooks/ac/ac0909
https://www.nxtbook.com/nxtbooks/ac/ac0809
https://www.nxtbook.com/nxtbooks/ac/ac0709
https://www.nxtbook.com/nxtbooks/ac/ac0609
https://www.nxtbook.com/nxtbooks/ac/ac0509
https://www.nxtbook.com/nxtbooks/ac/ac0409
https://www.nxtbook.com/nxtbooks/ac/ac0309
https://www.nxtbook.com/nxtbooks/ac/ac0209
https://www.nxtbook.com/nxtbooks/ac/ac0109
https://www.nxtbook.com/nxtbooks/ac/ac1208
https://www.nxtbook.com/nxtbooks/ac/ac1108
https://www.nxtbook.com/nxtbooks/ac/ac1008
https://www.nxtbook.com/nxtbooks/ac/ac0908
https://www.nxtbook.com/nxtbooks/ac/ac0808
https://www.nxtbook.com/nxtbooks/ac/ac0708
https://www.nxtbook.com/nxtbooks/ac/ac0608
https://www.nxtbook.com/nxtbooks/ac/ac0508
https://www.nxtbook.com/nxtbooks/ac/ac0408
https://www.nxtbook.com/nxtbooks/ac/ac0308
https://www.nxtbook.com/nxtbooks/ac/ac0208
https://www.nxtbook.com/nxtbooks/ac/ac0108
https://www.nxtbook.com/nxtbooks/ac/ac1207
https://www.nxtbook.com/nxtbooks/ac/ac1107
https://www.nxtbook.com/nxtbooks/ac/ac1007
https://www.nxtbook.com/nxtbooks/ac/ac0907
https://www.nxtbook.com/nxtbooks/ac/ac0807
https://www.nxtbook.com/nxtbooks/ac/ac0707
https://www.nxtbook.com/nxtbooks/ac/ac0607
https://www.nxtbook.com/nxtbooks/ac/ac0507
https://www.nxtbook.com/nxtbooks/ac/ac0407
https://www.nxtbook.com/nxtbooks/ac/ac0307
https://www.nxtbook.com/nxtbooks/ac/acbest2006
https://www.nxtbook.com/nxtbooks/ac/ac0207
https://www.nxtbook.com/nxtbooks/ac/ac0107
https://www.nxtbook.com/nxtbooks/ac/ac200612
https://www.nxtbook.com/nxtbooks/ac/ac200611
https://www.nxtbook.com/nxtbooks/ac/ac200610
https://www.nxtbook.com/nxtbooks/ac/ac200609
https://www.nxtbook.com/nxtbooks/ac/ac200608
https://www.nxtbook.com/nxtbooks/ac/ac200607
https://www.nxtbook.com/nxtbooks/ac/ac200606
https://www.nxtbook.com/nxtbooks/ac/ac200605
https://www.nxtbook.com/nxtbooks/ac/ac200604
https://www.nxtbook.com/nxtbooks/ac/ac200603
https://www.nxtbook.com/nxtbooks/ac/ac200602
https://www.nxtbook.com/nxtbooks/ac/ac200601
https://www.nxtbook.com/nxtbooks/ac/ac200512
https://www.nxtbook.com/nxtbooks/ac/ac200511
https://www.nxtbook.com/nxtbooks/ac/ac200510
https://www.nxtbook.com/nxtbooks/ac/ac200509
https://www.nxtbook.com/nxtbooks/ac/ac200508
https://www.nxtbook.com/nxtbooks/ac/ac200507
https://www.nxtbook.com/nxtbooks/ac/ac200506
https://www.nxtbook.com/nxtbooks/ac/ac200505
https://www.nxtbook.com/nxtbooks/ac/ac200504
https://www.nxtbook.com/nxtbooks/ac/ac200503
https://www.nxtbook.com/nxtbooks/ac/ac200502
https://www.nxtbook.com/nxtbooks/ac/ac200501
https://www.nxtbook.com/nxtbooks/ac/ac200412
https://www.nxtbook.com/nxtbooks/ac/ac200411
https://www.nxtbook.com/nxtbooks/ac/ac200410
https://www.nxtbook.com/nxtbooks/ac/ac200409
https://www.nxtbook.com/nxtbooks/ac/ac200408
https://www.nxtbook.com/nxtbooks/ac/ac200407
https://www.nxtbook.com/nxtbooks/ac/ac200406
https://www.nxtbook.com/nxtbooks/ac/ac200405
https://www.nxtbook.com/nxtbooks/ac/ac200404
https://www.nxtbook.com/nxtbooks/ac/ac200403
https://www.nxtbook.com/nxtbooks/ac/ac200402
https://www.nxtbook.com/nxtbooks/ac/ac200401
https://www.nxtbook.com/nxtbooks/ac/ac200312
https://www.nxtbook.com/nxtbooks/ac/ac200311
https://www.nxtbook.com/nxtbooks/ac/ac200310
https://www.nxtbook.com/nxtbooks/ac/ac200309
https://www.nxtbook.com/nxtbooks/ac/ac200308
https://www.nxtbook.com/nxtbooks/ac/ac200307
https://www.nxtbook.com/nxtbooks/ac/ac200306
https://www.nxtbook.com/nxtbooks/ac/ac200305
https://www.nxtbook.com/nxtbooks/ac/ac200304
https://www.nxtbook.com/nxtbooks/ac/ac200303
https://www.nxtbook.com/nxtbooks/ac/ac200302
https://www.nxtbook.com/nxtbooks/ac/ac200301
https://www.nxtbook.com/nxtbooks/ac/ac200212
https://www.nxtbook.com/nxtbooks/ac/ac200211
https://www.nxtbook.com/nxtbooks/ac/ac200210
https://www.nxtbook.com/nxtbooks/ac/ac200209
https://www.nxtbook.com/nxtbooks/ac/ac200208
https://www.nxtbook.com/nxtbooks/ac/ac200207
https://www.nxtbook.com/nxtbooks/ac/ac200206
https://www.nxtbook.com/nxtbooks/ac/ac200205
https://www.nxtbook.com/nxtbooks/ac/ac200204
https://www.nxtbook.com/nxtbooks/ac/ac200203
https://www.nxtbook.com/nxtbooks/ac/ac200202
https://www.nxtbook.com/nxtbooks/ac/ac200201
https://www.nxtbook.com/nxtbooks/ac/ac200112
https://www.nxtbook.com/nxtbooks/ac/ac200111
https://www.nxtbook.com/nxtbooks/ac/ac200110
https://www.nxtbook.com/nxtbooks/ac/ac200109
https://www.nxtbook.com/nxtbooks/ac/ac200108
https://www.nxtbook.com/nxtbooks/ac/ac200107
https://www.nxtbook.com/nxtbooks/ac/ac200106
https://www.nxtbook.com/nxtbooks/ac/ac200105
https://www.nxtbook.com/nxtbooks/ac/ac200104
https://www.nxtbook.com/nxtbooks/ac/ac200103
https://www.nxtbook.com/nxtbooks/ac/ac200102
https://www.nxtbook.com/nxtbooks/ac/ac200101
https://www.nxtbook.com/nxtbooks/ac/ac200012
https://www.nxtbook.com/nxtbooks/ac/ac200011
https://www.nxtbook.com/nxtbooks/ac/ac200010
https://www.nxtbook.com/nxtbooks/ac/ac200009
https://www.nxtbook.com/nxtbooks/ac/ac200008
https://www.nxtbook.com/nxtbooks/ac/ac200007
https://www.nxtbook.com/nxtbooks/ac/ac200006
https://www.nxtbook.com/nxtbooks/ac/ac200005
https://www.nxtbook.com/nxtbooks/ac/ac200004
https://www.nxtbook.com/nxtbooks/ac/ac200003
https://www.nxtbook.com/nxtbooks/ac/ac200002
https://www.nxtbook.com/nxtbooks/ac/ac200001
https://www.nxtbookmedia.com