American Cinematographer - December 2012 - 49
and which was controlled by a camera operator with the help of a witness camera.” The chase across the moors was filmed inside the largest stage at Longcross Studios, just west of London. At this point in the story, the mansion has caught fire, and the action had to look as if it was being lit by the flames in the deep background. Higgins explains, “We built a tapered rig of 32 Dinos gelled with ¾ and ½ CTO, using each Dino bulb like a pixel on an LED screen, so we could program in images of fire and the lamps would mimic it. Roger had us make this rig very hot in the middle and then fading out toward the edge. We started running the Dinos at up to 80 percent, with the flicker, and then as the fire goes out, we dropped that off. We also filled the set with smoke because the weather was meant to be foggy. The effect was very eerie.” “The idea was to use the Dinos to make the smoke filling the stage look
like it was lit quite naturalistically by fire sources, and then replace the Dinos with CG fire in post,” adds Deakins. “We did much the same thing for the oil fires in Jarhead.” Summing up his latest collaboration with Deakins, Mendes observes, “I think we probably had more fun on this movie than on any we have done together in the past, even though it’s been the hardest work and the largest scale. I think we were able to use the resources of a Bond movie to achieve things that are simply not possible on a smaller budget. “Shooting digitally is a different rhythm of work, but in the end, it’s just a choice,” he continues. “Can I imagine shooting a movie on film again with Roger? Yes. Would there be moments where I thought, ‘This wouldn’t have happened with digital’? Yes, there would be. I will certainly shoot movies on film again, but perhaps not a movie of this scale.” ●
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American Cinematographer - December 2012
Table of Contents for the Digital Edition of American Cinematographer - December 2012
American Cinematographer - December 2012
Contents
Editor's Note
President's Desk
Short Takes: Swimmer
Production Slate: Rust and Bone • It’s a SpongeBob Christmas!
MI6 Under Siege
Ravishing Romance
Freedom Fighter
An A-Plus Event
New Products & Services
International Marketplace
Classified Ads
Ad Index
2012 AC Index
In Memoriam: Harris Savides, ASC
ASC Membership Roster
Clubhouse News
ASC Close-Up: Jerzy Zielinski, ASC, PSC
American Cinematographer - December 2012 - American Cinematographer - December 2012
American Cinematographer - December 2012 - Cover2
American Cinematographer - December 2012 - 1
American Cinematographer - December 2012 - 2
American Cinematographer - December 2012 - Contents
American Cinematographer - December 2012 - 4
American Cinematographer - December 2012 - 5
American Cinematographer - December 2012 - 6
American Cinematographer - December 2012 - 7
American Cinematographer - December 2012 - Editor's Note
American Cinematographer - December 2012 - 9
American Cinematographer - December 2012 - President's Desk
American Cinematographer - December 2012 - 11
American Cinematographer - December 2012 - Short Takes: Swimmer
American Cinematographer - December 2012 - 13
American Cinematographer - December 2012 - 14
American Cinematographer - December 2012 - 15
American Cinematographer - December 2012 - 16
American Cinematographer - December 2012 - 17
American Cinematographer - December 2012 - Production Slate: Rust and Bone • It’s a SpongeBob Christmas!
American Cinematographer - December 2012 - 19
American Cinematographer - December 2012 - 20
American Cinematographer - December 2012 - 21
American Cinematographer - December 2012 - 22
American Cinematographer - December 2012 - 23
American Cinematographer - December 2012 - 24
American Cinematographer - December 2012 - 25
American Cinematographer - December 2012 - 26
American Cinematographer - December 2012 - 27
American Cinematographer - December 2012 - 28
American Cinematographer - December 2012 - 29
American Cinematographer - December 2012 - 30
American Cinematographer - December 2012 - 31
American Cinematographer - December 2012 - 32
American Cinematographer - December 2012 - 33
American Cinematographer - December 2012 - MI6 Under Siege
American Cinematographer - December 2012 - 35
American Cinematographer - December 2012 - 36
American Cinematographer - December 2012 - 37
American Cinematographer - December 2012 - 38
American Cinematographer - December 2012 - 39
American Cinematographer - December 2012 - 40
American Cinematographer - December 2012 - 41
American Cinematographer - December 2012 - 42
American Cinematographer - December 2012 - 43
American Cinematographer - December 2012 - 44
American Cinematographer - December 2012 - 45
American Cinematographer - December 2012 - 46
American Cinematographer - December 2012 - 47
American Cinematographer - December 2012 - 48
American Cinematographer - December 2012 - 49
American Cinematographer - December 2012 - Ravishing Romance
American Cinematographer - December 2012 - 51
American Cinematographer - December 2012 - 52
American Cinematographer - December 2012 - 53
American Cinematographer - December 2012 - 54
American Cinematographer - December 2012 - 55
American Cinematographer - December 2012 - 56
American Cinematographer - December 2012 - 57
American Cinematographer - December 2012 - 58
American Cinematographer - December 2012 - 59
American Cinematographer - December 2012 - 60
American Cinematographer - December 2012 - 61
American Cinematographer - December 2012 - 62
American Cinematographer - December 2012 - 63
American Cinematographer - December 2012 - 64
American Cinematographer - December 2012 - 65
American Cinematographer - December 2012 - Freedom Fighter
American Cinematographer - December 2012 - 67
American Cinematographer - December 2012 - 68
American Cinematographer - December 2012 - 69
American Cinematographer - December 2012 - 70
American Cinematographer - December 2012 - 71
American Cinematographer - December 2012 - 72
American Cinematographer - December 2012 - 73
American Cinematographer - December 2012 - 74
American Cinematographer - December 2012 - 75
American Cinematographer - December 2012 - 76
American Cinematographer - December 2012 - 77
American Cinematographer - December 2012 - An A-Plus Event
American Cinematographer - December 2012 - 79
American Cinematographer - December 2012 - 80
American Cinematographer - December 2012 - 81
American Cinematographer - December 2012 - 82
American Cinematographer - December 2012 - 83
American Cinematographer - December 2012 - 84
American Cinematographer - December 2012 - 85
American Cinematographer - December 2012 - 86
American Cinematographer - December 2012 - 87
American Cinematographer - December 2012 - 88
American Cinematographer - December 2012 - 89
American Cinematographer - December 2012 - New Products & Services
American Cinematographer - December 2012 - 91
American Cinematographer - December 2012 - 92
American Cinematographer - December 2012 - 93
American Cinematographer - December 2012 - 94
American Cinematographer - December 2012 - 95
American Cinematographer - December 2012 - 96
American Cinematographer - December 2012 - 97
American Cinematographer - December 2012 - International Marketplace
American Cinematographer - December 2012 - Classified Ads
American Cinematographer - December 2012 - Ad Index
American Cinematographer - December 2012 - 2012 AC Index
American Cinematographer - December 2012 - 102
American Cinematographer - December 2012 - 103
American Cinematographer - December 2012 - 104
American Cinematographer - December 2012 - 105
American Cinematographer - December 2012 - In Memoriam: Harris Savides, ASC
American Cinematographer - December 2012 - 107
American Cinematographer - December 2012 - ASC Membership Roster
American Cinematographer - December 2012 - 109
American Cinematographer - December 2012 - Clubhouse News
American Cinematographer - December 2012 - 111
American Cinematographer - December 2012 - ASC Close-Up: Jerzy Zielinski, ASC, PSC
American Cinematographer - December 2012 - Cover3
American Cinematographer - December 2012 - Cover4
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