American Cinematographer - December 2012 - 50

Seamus McGarvey, ASC, BSC creates lyrical imagery for Joe Wright’s Anna Karenina.
By Benjamin B •|•

Ravishing
nna Karenina, an adaptation of Leo Tolstoy’s novel about the impossible love between a married noblewoman and a cavalry officer in Czarist Russia, is director Joe Wright’s third feature collaboration with Seamus McGarvey, ASC, BSC, and the cinematographer says Wright’s unique take on the material inspired everyone to strive for bold results. “Joe has quite a daring sensibility in terms of mise-en-scène and production design, and this is probably his most expressive film yet,” he says. Anna (Keira Knightley) is married to Karenin ( Jude Law), a leading political figure, and is devoted to him and their son. On a train trip to Moscow, she meets a handsome, young officer, Vronsky (Aaron Johnson), and later shares a memorable dance with him at a ball. When Anna returns to St. Petersburg, Vronsky follows, declaring his love for her. The two become lovers, and when Anna reveals the affair to Karenin, he threatens to ruin her if she leaves him. Torn between staying with her husband or living with Vronsky and becoming a social pariah, Anna is driven to madness and a tragic fate.
50 December 2012

Romance
Anna and Vronsky’s affair is contrasted with the relationship between two secondary characters, Levin (Domhnall Gleeson), a farmer who proposes to Kitty (Alicia Vikander), a young woman enamored with Vronsky. When Kitty refuses Levin’s proposal, he retreats to the country, but finally returns to ask for Kitty’s hand again. A wiser Kitty accepts, and the couple offers an image of connubial happiness in their country home. After scouting locations in Russia and elsewhere, Wright decided to create an original vision of Tolstoy’s tale by placing almost all of the action in a theater, complete with footlights and backstage areas. “I try to find a concept and stick to it, and often I do that by imposing limitations on myself so that I can find a cohesive language for the film,” says Wright. “That’s something I was taught by Ryszard Lenczewski, a cinematographer who worked with me some time ago [on the TV miniseries The Last King]. I feel that setting the aesthetic boundaries of the project liberates everyone; if we have those boundaries, we can go anywhere and
American Cinematographer

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American Cinematographer - December 2012

Table of Contents for the Digital Edition of American Cinematographer - December 2012

American Cinematographer - December 2012
Contents
Editor's Note
President's Desk
Short Takes: Swimmer
Production Slate: Rust and BoneIt’s a SpongeBob Christmas!
MI6 Under Siege
Ravishing Romance
Freedom Fighter
An A-Plus Event
New Products & Services
International Marketplace
Classified Ads
Ad Index
2012 AC Index
In Memoriam: Harris Savides, ASC
ASC Membership Roster
Clubhouse News
ASC Close-Up: Jerzy Zielinski, ASC, PSC
American Cinematographer - December 2012 - American Cinematographer - December 2012
American Cinematographer - December 2012 - Cover2
American Cinematographer - December 2012 - 1
American Cinematographer - December 2012 - 2
American Cinematographer - December 2012 - Contents
American Cinematographer - December 2012 - 4
American Cinematographer - December 2012 - 5
American Cinematographer - December 2012 - 6
American Cinematographer - December 2012 - 7
American Cinematographer - December 2012 - Editor's Note
American Cinematographer - December 2012 - 9
American Cinematographer - December 2012 - President's Desk
American Cinematographer - December 2012 - 11
American Cinematographer - December 2012 - Short Takes: Swimmer
American Cinematographer - December 2012 - 13
American Cinematographer - December 2012 - 14
American Cinematographer - December 2012 - 15
American Cinematographer - December 2012 - 16
American Cinematographer - December 2012 - 17
American Cinematographer - December 2012 - Production Slate: Rust and BoneIt’s a SpongeBob Christmas!
American Cinematographer - December 2012 - 19
American Cinematographer - December 2012 - 20
American Cinematographer - December 2012 - 21
American Cinematographer - December 2012 - 22
American Cinematographer - December 2012 - 23
American Cinematographer - December 2012 - 24
American Cinematographer - December 2012 - 25
American Cinematographer - December 2012 - 26
American Cinematographer - December 2012 - 27
American Cinematographer - December 2012 - 28
American Cinematographer - December 2012 - 29
American Cinematographer - December 2012 - 30
American Cinematographer - December 2012 - 31
American Cinematographer - December 2012 - 32
American Cinematographer - December 2012 - 33
American Cinematographer - December 2012 - MI6 Under Siege
American Cinematographer - December 2012 - 35
American Cinematographer - December 2012 - 36
American Cinematographer - December 2012 - 37
American Cinematographer - December 2012 - 38
American Cinematographer - December 2012 - 39
American Cinematographer - December 2012 - 40
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American Cinematographer - December 2012 - 47
American Cinematographer - December 2012 - 48
American Cinematographer - December 2012 - 49
American Cinematographer - December 2012 - Ravishing Romance
American Cinematographer - December 2012 - 51
American Cinematographer - December 2012 - 52
American Cinematographer - December 2012 - 53
American Cinematographer - December 2012 - 54
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American Cinematographer - December 2012 - 61
American Cinematographer - December 2012 - 62
American Cinematographer - December 2012 - 63
American Cinematographer - December 2012 - 64
American Cinematographer - December 2012 - 65
American Cinematographer - December 2012 - Freedom Fighter
American Cinematographer - December 2012 - 67
American Cinematographer - December 2012 - 68
American Cinematographer - December 2012 - 69
American Cinematographer - December 2012 - 70
American Cinematographer - December 2012 - 71
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American Cinematographer - December 2012 - 73
American Cinematographer - December 2012 - 74
American Cinematographer - December 2012 - 75
American Cinematographer - December 2012 - 76
American Cinematographer - December 2012 - 77
American Cinematographer - December 2012 - An A-Plus Event
American Cinematographer - December 2012 - 79
American Cinematographer - December 2012 - 80
American Cinematographer - December 2012 - 81
American Cinematographer - December 2012 - 82
American Cinematographer - December 2012 - 83
American Cinematographer - December 2012 - 84
American Cinematographer - December 2012 - 85
American Cinematographer - December 2012 - 86
American Cinematographer - December 2012 - 87
American Cinematographer - December 2012 - 88
American Cinematographer - December 2012 - 89
American Cinematographer - December 2012 - New Products & Services
American Cinematographer - December 2012 - 91
American Cinematographer - December 2012 - 92
American Cinematographer - December 2012 - 93
American Cinematographer - December 2012 - 94
American Cinematographer - December 2012 - 95
American Cinematographer - December 2012 - 96
American Cinematographer - December 2012 - 97
American Cinematographer - December 2012 - International Marketplace
American Cinematographer - December 2012 - Classified Ads
American Cinematographer - December 2012 - Ad Index
American Cinematographer - December 2012 - 2012 AC Index
American Cinematographer - December 2012 - 102
American Cinematographer - December 2012 - 103
American Cinematographer - December 2012 - 104
American Cinematographer - December 2012 - 105
American Cinematographer - December 2012 - In Memoriam: Harris Savides, ASC
American Cinematographer - December 2012 - 107
American Cinematographer - December 2012 - ASC Membership Roster
American Cinematographer - December 2012 - 109
American Cinematographer - December 2012 - Clubhouse News
American Cinematographer - December 2012 - 111
American Cinematographer - December 2012 - ASC Close-Up: Jerzy Zielinski, ASC, PSC
American Cinematographer - December 2012 - Cover3
American Cinematographer - December 2012 - Cover4
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