American Cinematographer - December 2012 - 60
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Ravishing Romance
Top: The filmmakers prepare for a wintry night exterior set at a train station. Bottom: Anna disembarks in this frame grab from the scene.
off their flesh. They’re creating their own fill; as a hand or a face moves, light bounces back on them.” McGarvey returns to the importance of close-ups in the film’s visual language: “We wanted to evoke operatic richness, but there was a risk of tipping over into pure spectacle. The story had to be told emotionally, and we recognized that the emotion could be depicted most effectively in the closeup. I’m typically very sparing with the use of close-ups, but this was different; we had to see the dilemmas and the changes of the characters through their faces. So we made sure that there were these key moments with the human
60 December 2012
face. That was most important.” Many of the dialogues between Anna and Vronsky play out in static angle and reverse over-the-shoulder shots. Wright muses, “Seamus is very modern in his lighting, but I think he’s quite classical in his framing. I probably am, too.” The director contrasts the composition of the lovers with the isolated shots of Anna and her husband: “If they ain’t in the frame together, they ain’t in the moment together! There’s a lot more use of profile close-ups and close-ups in the relationship between Anna and Karenin.” Robertson recalls that the filmmakers sometimes put the protagonists
American Cinematographer
in the center of the frame for emphasis, “to focus on their emotion at that moment. We’re always taught not to target the actor with the crosshair, but sometimes it really does work.” The relationship between Anna and Vronsky is traced throughout the film by a progression of lush close-ups that are suffused by the glow of soft light. “Looking down camera at Seamus’ work is one of the pleasures of my job,” observes Robertson. “It’s great to be able to frame such beautiful lighting. You can see the opportunities you have in the frame — everything is considered. It’s all so brilliantly conceived from a lighting point of view.” The simplest close-ups occur when Vronsky and Anna exchange fleeting glances as he comes calling at her brother’s house, after Anna captivates him on the train. Both characters are lit by single sources against a dark background. Knightley is lit by a wedge light with a 5K bounced off an 8'x8' with double diffusion frames of 216 and ½ Grid Cloth, and she moves behind a post to slide into darkness. She is shot from below, and McGarvey jokes that Knightley “is the only actor that I know that you can either light or shoot Bela
American Cinematographer - December 2012
Table of Contents for the Digital Edition of American Cinematographer - December 2012
American Cinematographer - December 2012
Contents
Editor's Note
President's Desk
Short Takes: Swimmer
Production Slate: Rust and Bone • It’s a SpongeBob Christmas!
MI6 Under Siege
Ravishing Romance
Freedom Fighter
An A-Plus Event
New Products & Services
International Marketplace
Classified Ads
Ad Index
2012 AC Index
In Memoriam: Harris Savides, ASC
ASC Membership Roster
Clubhouse News
ASC Close-Up: Jerzy Zielinski, ASC, PSC
American Cinematographer - December 2012 - American Cinematographer - December 2012
American Cinematographer - December 2012 - Cover2
American Cinematographer - December 2012 - 1
American Cinematographer - December 2012 - 2
American Cinematographer - December 2012 - Contents
American Cinematographer - December 2012 - 4
American Cinematographer - December 2012 - 5
American Cinematographer - December 2012 - 6
American Cinematographer - December 2012 - 7
American Cinematographer - December 2012 - Editor's Note
American Cinematographer - December 2012 - 9
American Cinematographer - December 2012 - President's Desk
American Cinematographer - December 2012 - 11
American Cinematographer - December 2012 - Short Takes: Swimmer
American Cinematographer - December 2012 - 13
American Cinematographer - December 2012 - 14
American Cinematographer - December 2012 - 15
American Cinematographer - December 2012 - 16
American Cinematographer - December 2012 - 17
American Cinematographer - December 2012 - Production Slate: Rust and Bone • It’s a SpongeBob Christmas!
American Cinematographer - December 2012 - 19
American Cinematographer - December 2012 - 20
American Cinematographer - December 2012 - 21
American Cinematographer - December 2012 - 22
American Cinematographer - December 2012 - 23
American Cinematographer - December 2012 - 24
American Cinematographer - December 2012 - 25
American Cinematographer - December 2012 - 26
American Cinematographer - December 2012 - 27
American Cinematographer - December 2012 - 28
American Cinematographer - December 2012 - 29
American Cinematographer - December 2012 - 30
American Cinematographer - December 2012 - 31
American Cinematographer - December 2012 - 32
American Cinematographer - December 2012 - 33
American Cinematographer - December 2012 - MI6 Under Siege
American Cinematographer - December 2012 - 35
American Cinematographer - December 2012 - 36
American Cinematographer - December 2012 - 37
American Cinematographer - December 2012 - 38
American Cinematographer - December 2012 - 39
American Cinematographer - December 2012 - 40
American Cinematographer - December 2012 - 41
American Cinematographer - December 2012 - 42
American Cinematographer - December 2012 - 43
American Cinematographer - December 2012 - 44
American Cinematographer - December 2012 - 45
American Cinematographer - December 2012 - 46
American Cinematographer - December 2012 - 47
American Cinematographer - December 2012 - 48
American Cinematographer - December 2012 - 49
American Cinematographer - December 2012 - Ravishing Romance
American Cinematographer - December 2012 - 51
American Cinematographer - December 2012 - 52
American Cinematographer - December 2012 - 53
American Cinematographer - December 2012 - 54
American Cinematographer - December 2012 - 55
American Cinematographer - December 2012 - 56
American Cinematographer - December 2012 - 57
American Cinematographer - December 2012 - 58
American Cinematographer - December 2012 - 59
American Cinematographer - December 2012 - 60
American Cinematographer - December 2012 - 61
American Cinematographer - December 2012 - 62
American Cinematographer - December 2012 - 63
American Cinematographer - December 2012 - 64
American Cinematographer - December 2012 - 65
American Cinematographer - December 2012 - Freedom Fighter
American Cinematographer - December 2012 - 67
American Cinematographer - December 2012 - 68
American Cinematographer - December 2012 - 69
American Cinematographer - December 2012 - 70
American Cinematographer - December 2012 - 71
American Cinematographer - December 2012 - 72
American Cinematographer - December 2012 - 73
American Cinematographer - December 2012 - 74
American Cinematographer - December 2012 - 75
American Cinematographer - December 2012 - 76
American Cinematographer - December 2012 - 77
American Cinematographer - December 2012 - An A-Plus Event
American Cinematographer - December 2012 - 79
American Cinematographer - December 2012 - 80
American Cinematographer - December 2012 - 81
American Cinematographer - December 2012 - 82
American Cinematographer - December 2012 - 83
American Cinematographer - December 2012 - 84
American Cinematographer - December 2012 - 85
American Cinematographer - December 2012 - 86
American Cinematographer - December 2012 - 87
American Cinematographer - December 2012 - 88
American Cinematographer - December 2012 - 89
American Cinematographer - December 2012 - New Products & Services
American Cinematographer - December 2012 - 91
American Cinematographer - December 2012 - 92
American Cinematographer - December 2012 - 93
American Cinematographer - December 2012 - 94
American Cinematographer - December 2012 - 95
American Cinematographer - December 2012 - 96
American Cinematographer - December 2012 - 97
American Cinematographer - December 2012 - International Marketplace
American Cinematographer - December 2012 - Classified Ads
American Cinematographer - December 2012 - Ad Index
American Cinematographer - December 2012 - 2012 AC Index
American Cinematographer - December 2012 - 102
American Cinematographer - December 2012 - 103
American Cinematographer - December 2012 - 104
American Cinematographer - December 2012 - 105
American Cinematographer - December 2012 - In Memoriam: Harris Savides, ASC
American Cinematographer - December 2012 - 107
American Cinematographer - December 2012 - ASC Membership Roster
American Cinematographer - December 2012 - 109
American Cinematographer - December 2012 - Clubhouse News
American Cinematographer - December 2012 - 111
American Cinematographer - December 2012 - ASC Close-Up: Jerzy Zielinski, ASC, PSC
American Cinematographer - December 2012 - Cover3
American Cinematographer - December 2012 - Cover4
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