American Cinematographer - December 2015 - 51

shot about the corrections we want to
make," Lucas explains. "Then, in a few
days, we see the reprint. We work roll by
roll, so we watch 10 minutes at a time,
instead of the traditional DI where you
can make changes instantly. Here, you
don't see results until a few days later.
"But the DI [for the digital
release] will also be different since it
needs to match [the film print]," he
continues. "I supervise the answer print
for the film release first, and then I will
finish the DI at my new facility [Shed in
Santa Monica]. I will work with a new
[FilmLight] Baselight Two [color
corrector] and a Christie 4K projector
projecting onto a 26-foot screen, but we
have also installed a 70mm projector to
screen the [film] print any time, in order
to make sure the digital version retains
the look and contrast of the film. This
will not be a traditional DI, because we
won't be making any [power windows].
The whole idea is to stay as close to the
print as we possibly can."

With production of The Hateful
Eight behind him, would Tarantino, in
retrospect, have liked a crack at the
Panavision Ultra 70 lenses on earlier
projects like Reservoir Dogs (AC Nov.
'92) - which also featured an ensemble
cast packed into a claustrophobic, single
set for extended scenes? "I wouldn't
have been ready to shoot that movie
with these lenses," he says. "It was my
first movie! That was challenge enough.
But having said that, people did question back then why I was shooting
Reservoir Dogs in 'Scope, and for almost
the same reasons."
‚óŹ

TECHNICAL SPECS
2.76:1
Anamorphic 65mm
Panavision Panaflex System
65 Studio, High Speed (HS)
Spinning Mirror Reflex
Ultra Panavision 70
Kodak Vision3 500T 5219,
250D 5207, 200T 5213,
50D 5203
Digital Intermediate

51



Table of Contents for the Digital Edition of American Cinematographer - December 2015

Contents
American Cinematographer - December 2015 - Cover1
American Cinematographer - December 2015 - Cover2
American Cinematographer - December 2015 - 1
American Cinematographer - December 2015 - 2
American Cinematographer - December 2015 - Contents
American Cinematographer - December 2015 - 4
American Cinematographer - December 2015 - 5
American Cinematographer - December 2015 - 6
American Cinematographer - December 2015 - 7
American Cinematographer - December 2015 - 8
American Cinematographer - December 2015 - 9
American Cinematographer - December 2015 - 10
American Cinematographer - December 2015 - 11
American Cinematographer - December 2015 - 12
American Cinematographer - December 2015 - 13
American Cinematographer - December 2015 - 14
American Cinematographer - December 2015 - 15
American Cinematographer - December 2015 - 16
American Cinematographer - December 2015 - 17
American Cinematographer - December 2015 - 18
American Cinematographer - December 2015 - 19
American Cinematographer - December 2015 - 20
American Cinematographer - December 2015 - 21
American Cinematographer - December 2015 - 22
American Cinematographer - December 2015 - 23
American Cinematographer - December 2015 - 24
American Cinematographer - December 2015 - 25
American Cinematographer - December 2015 - 26
American Cinematographer - December 2015 - 27
American Cinematographer - December 2015 - 28
American Cinematographer - December 2015 - 29
American Cinematographer - December 2015 - 30
American Cinematographer - December 2015 - 31
American Cinematographer - December 2015 - 32
American Cinematographer - December 2015 - 33
American Cinematographer - December 2015 - 34
American Cinematographer - December 2015 - 35
American Cinematographer - December 2015 - 36
American Cinematographer - December 2015 - 37
American Cinematographer - December 2015 - 38
American Cinematographer - December 2015 - 39
American Cinematographer - December 2015 - 40
American Cinematographer - December 2015 - 41
American Cinematographer - December 2015 - 42
American Cinematographer - December 2015 - 43
American Cinematographer - December 2015 - 44
American Cinematographer - December 2015 - 45
American Cinematographer - December 2015 - 46
American Cinematographer - December 2015 - 47
American Cinematographer - December 2015 - 48
American Cinematographer - December 2015 - 49
American Cinematographer - December 2015 - 50
American Cinematographer - December 2015 - 51
American Cinematographer - December 2015 - 52
American Cinematographer - December 2015 - 53
American Cinematographer - December 2015 - 54
American Cinematographer - December 2015 - 55
American Cinematographer - December 2015 - 56
American Cinematographer - December 2015 - 57
American Cinematographer - December 2015 - 58
American Cinematographer - December 2015 - 59
American Cinematographer - December 2015 - 60
American Cinematographer - December 2015 - 61
American Cinematographer - December 2015 - 62
American Cinematographer - December 2015 - 63
American Cinematographer - December 2015 - 64
American Cinematographer - December 2015 - 65
American Cinematographer - December 2015 - 66
American Cinematographer - December 2015 - 67
American Cinematographer - December 2015 - 68
American Cinematographer - December 2015 - 69
American Cinematographer - December 2015 - 70
American Cinematographer - December 2015 - 71
American Cinematographer - December 2015 - 72
American Cinematographer - December 2015 - 73
American Cinematographer - December 2015 - 74
American Cinematographer - December 2015 - 75
American Cinematographer - December 2015 - 76
American Cinematographer - December 2015 - 77
American Cinematographer - December 2015 - 78
American Cinematographer - December 2015 - 79
American Cinematographer - December 2015 - 80
American Cinematographer - December 2015 - 81
American Cinematographer - December 2015 - 82
American Cinematographer - December 2015 - 83
American Cinematographer - December 2015 - 84
American Cinematographer - December 2015 - 85
American Cinematographer - December 2015 - 86
American Cinematographer - December 2015 - 87
American Cinematographer - December 2015 - 88
American Cinematographer - December 2015 - 89
American Cinematographer - December 2015 - 90
American Cinematographer - December 2015 - 91
American Cinematographer - December 2015 - 92
American Cinematographer - December 2015 - 93
American Cinematographer - December 2015 - 94
American Cinematographer - December 2015 - 95
American Cinematographer - December 2015 - 96
American Cinematographer - December 2015 - 97
American Cinematographer - December 2015 - 98
American Cinematographer - December 2015 - 99
American Cinematographer - December 2015 - 100
American Cinematographer - December 2015 - 101
American Cinematographer - December 2015 - 102
American Cinematographer - December 2015 - 103
American Cinematographer - December 2015 - 104
American Cinematographer - December 2015 - 105
American Cinematographer - December 2015 - 106
American Cinematographer - December 2015 - 107
American Cinematographer - December 2015 - 108
American Cinematographer - December 2015 - 109
American Cinematographer - December 2015 - 110
American Cinematographer - December 2015 - 111
American Cinematographer - December 2015 - 112
American Cinematographer - December 2015 - Cover3
American Cinematographer - December 2015 - Cover4
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