American Cinematographer - December 2015 - 93

enhanced signal-processing technology
allows an ultra-high signal readout speed of
1.25 billion pixels per second, eliminating
past problems with CMOS sensors that
include signal delays and slight discrepancies in timing.
This technology allows the capture
of ultra-high-pixel-count video at a speed of
up to 5 fps, at a resolution approximately
125 times that of Full HD (1920x1080
pixels) and approximately 30 times that of
4K UHD (3840x2160) video. Since this resolution clearly exceeds the typical needs of
the average photographer, the technology
will probably be applied for surveillance or
industrial purposes.
In addition to the technologies on
display, Canon Expo NY offered a variety of
instructive seminars - several of which
featured ASC members and associates, as
well as other filmmakers of note. Sam
Nicholson, ASC presented "Next-Gen VFX:
How Canon is Pushing the Possibilities,"
and associate Douglas Kirkland traced the
arc of his career as a renowned still photographer by showing examples of his work
during the talk "Douglas Kirkland - A Life
in Pictures." Other presenters included cinematographer Gale Tattersall, BSC; combat
journalist and filmmaker Sebastian Junger;
commercial director-cinematographers Tyler
Stableford and Vincent Laforet; two pairs of
documentary collaborators, Ben Powell and
Nicola Marsh and Joel Bach and David
Gelber; and Imax cinematographer James
Neihouse, who has supervised stunning
space documentaries in cooperation with
NASA.
Red Unveils Raven
Red Digital Cinema has added the
Red Raven to its line of professional camera
systems. Weighing in at only 3.5 pounds,
the Red Raven is Red's lightest and most
compact camera.
The Red Raven is equipped with a
4K Red Dragon sensor, and is capable of
recording Redcode Raw (R3D) in 4K at up to
120 fps and in 2K at up to 240 fps. The
camera also offers excellent dynamic range
and color science, and is capable of recording Redcode Raw and Apple ProRes simultaneously.
The Red Raven will begin shipping in
February 2016. Customers have the choice


http://www.evsonline.com http://www.nila.com http://www.zylight.com http://www.USHIO.com

Table of Contents for the Digital Edition of American Cinematographer - December 2015

Contents
American Cinematographer - December 2015 - Cover1
American Cinematographer - December 2015 - Cover2
American Cinematographer - December 2015 - 1
American Cinematographer - December 2015 - 2
American Cinematographer - December 2015 - Contents
American Cinematographer - December 2015 - 4
American Cinematographer - December 2015 - 5
American Cinematographer - December 2015 - 6
American Cinematographer - December 2015 - 7
American Cinematographer - December 2015 - 8
American Cinematographer - December 2015 - 9
American Cinematographer - December 2015 - 10
American Cinematographer - December 2015 - 11
American Cinematographer - December 2015 - 12
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American Cinematographer - December 2015 - 14
American Cinematographer - December 2015 - 15
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American Cinematographer - December 2015 - 18
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American Cinematographer - December 2015 - 20
American Cinematographer - December 2015 - 21
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American Cinematographer - December 2015 - 26
American Cinematographer - December 2015 - 27
American Cinematographer - December 2015 - 28
American Cinematographer - December 2015 - 29
American Cinematographer - December 2015 - 30
American Cinematographer - December 2015 - 31
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American Cinematographer - December 2015 - 33
American Cinematographer - December 2015 - 34
American Cinematographer - December 2015 - 35
American Cinematographer - December 2015 - 36
American Cinematographer - December 2015 - 37
American Cinematographer - December 2015 - 38
American Cinematographer - December 2015 - 39
American Cinematographer - December 2015 - 40
American Cinematographer - December 2015 - 41
American Cinematographer - December 2015 - 42
American Cinematographer - December 2015 - 43
American Cinematographer - December 2015 - 44
American Cinematographer - December 2015 - 45
American Cinematographer - December 2015 - 46
American Cinematographer - December 2015 - 47
American Cinematographer - December 2015 - 48
American Cinematographer - December 2015 - 49
American Cinematographer - December 2015 - 50
American Cinematographer - December 2015 - 51
American Cinematographer - December 2015 - 52
American Cinematographer - December 2015 - 53
American Cinematographer - December 2015 - 54
American Cinematographer - December 2015 - 55
American Cinematographer - December 2015 - 56
American Cinematographer - December 2015 - 57
American Cinematographer - December 2015 - 58
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American Cinematographer - December 2015 - 60
American Cinematographer - December 2015 - 61
American Cinematographer - December 2015 - 62
American Cinematographer - December 2015 - 63
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American Cinematographer - December 2015 - 67
American Cinematographer - December 2015 - 68
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American Cinematographer - December 2015 - 70
American Cinematographer - December 2015 - 71
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American Cinematographer - December 2015 - 73
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American Cinematographer - December 2015 - 79
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American Cinematographer - December 2015 - 90
American Cinematographer - December 2015 - 91
American Cinematographer - December 2015 - 92
American Cinematographer - December 2015 - 93
American Cinematographer - December 2015 - 94
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American Cinematographer - December 2015 - 110
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American Cinematographer - December 2015 - Cover3
American Cinematographer - December 2015 - Cover4
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