American Cinematographer - December 2015 - 96

Campilots Launches
RacingSlowMo
Building on the design of the awardwinning CableCam system, Munich-based
Campilots
has
introduced
the
RacingSlowMo. Designed to capture
moving images that seem to nearly freeze
time, the system rigs a Vision Research
Phantom Miro high-speed camera - capable of shooting at up to 1,500 fps - onto
a modified CableCam. The remote-operated system can span up to 200m (656') at
speeds up to 80 km/h (49 mph).
In cooperation with Dedo Weigert
Film, Campilots offers lighting equipment
and a large variety of camera lenses for the
specialized needs of high-speed cinematography.
For additional information and to
watch a video of the RacingSlowMo in
action, visit www.campilots.com/de/racingslowmo.html.

Kino Flo Controls Select LEDs
Kino Flo has introduced the Select
30 and Select 20 portable, high-output LED
fixtures as well as the 150-watt Universal
Controller, which can operate the Select
LED systems.
The Select 30 and Select 20 LED soft
lights combine the best of Kino Flo's Celeb
LED's flicker-free color and dimming
controls with the versatility of the
company's 4Bank, Double and Single lighting systems. The fixtures' built-in DMX
controls the expanded range of color
96

temperature while offering smooth
dimming and adjustable magenta and
green hues. The lightweight units can be
mounted on a stand, rigged into set
pieces or gaffer-taped into tight locations. Additionally, the detachable
Universal Controller can mount on any
Select fixture head, or it can be removed
to operate the fixture from up to 25'
away.
The Select 30 measures 40" long
and weighs 12 pounds; the Select 20 is
approximately 26" long and weighs less
than 10 pounds. Key features of both
fixtures include: Kelvin presets and custom
settings from 2,700K-6,500K; universal
input 100-240-volt AC and 24-volt DC; a
detachable 150-watt Universal Controller;
manual and DMX dimming with autoterminate; flicker-free, quiet operation;
built-in barn doors; and a twist-on locking
center mount.
All Kino Flo lighting systems
and fixtures are made in Burbank, Calif.
For additional information, visit
www.kinoflo.com.
Codex Ships V-Raw for
VariCam 35
Codex has begun delivering the
Codex V-Raw Recorder for the Panasonic
VariCam 35 camera. The V-Raw Recorder
adds uncompressed raw capture to the
VariCam 35 camera platform and enables
the recording of 4K raw files at up to
120 fps.
The V-Raw Recorder records to the
next-generation Codex Capture Drive 2.0,
which boasts a 20Gb/s bandwidth. The VRaw Recorder comes as a direct-attach
module for the VariCam 35 camera, eliminating the need for cables and making
operation straightforward. Adding even
more functionality to the camera package,
the V-Raw Recorder also powers the
camera and has three 24-volt accessory


http://www.kinoflo.com http://www.campilots.com/de/racing-slowmo.html http://www.campilots.com/de/racing-slowmo.html http://www.theasc.com

Table of Contents for the Digital Edition of American Cinematographer - December 2015

Contents
American Cinematographer - December 2015 - Cover1
American Cinematographer - December 2015 - Cover2
American Cinematographer - December 2015 - 1
American Cinematographer - December 2015 - 2
American Cinematographer - December 2015 - Contents
American Cinematographer - December 2015 - 4
American Cinematographer - December 2015 - 5
American Cinematographer - December 2015 - 6
American Cinematographer - December 2015 - 7
American Cinematographer - December 2015 - 8
American Cinematographer - December 2015 - 9
American Cinematographer - December 2015 - 10
American Cinematographer - December 2015 - 11
American Cinematographer - December 2015 - 12
American Cinematographer - December 2015 - 13
American Cinematographer - December 2015 - 14
American Cinematographer - December 2015 - 15
American Cinematographer - December 2015 - 16
American Cinematographer - December 2015 - 17
American Cinematographer - December 2015 - 18
American Cinematographer - December 2015 - 19
American Cinematographer - December 2015 - 20
American Cinematographer - December 2015 - 21
American Cinematographer - December 2015 - 22
American Cinematographer - December 2015 - 23
American Cinematographer - December 2015 - 24
American Cinematographer - December 2015 - 25
American Cinematographer - December 2015 - 26
American Cinematographer - December 2015 - 27
American Cinematographer - December 2015 - 28
American Cinematographer - December 2015 - 29
American Cinematographer - December 2015 - 30
American Cinematographer - December 2015 - 31
American Cinematographer - December 2015 - 32
American Cinematographer - December 2015 - 33
American Cinematographer - December 2015 - 34
American Cinematographer - December 2015 - 35
American Cinematographer - December 2015 - 36
American Cinematographer - December 2015 - 37
American Cinematographer - December 2015 - 38
American Cinematographer - December 2015 - 39
American Cinematographer - December 2015 - 40
American Cinematographer - December 2015 - 41
American Cinematographer - December 2015 - 42
American Cinematographer - December 2015 - 43
American Cinematographer - December 2015 - 44
American Cinematographer - December 2015 - 45
American Cinematographer - December 2015 - 46
American Cinematographer - December 2015 - 47
American Cinematographer - December 2015 - 48
American Cinematographer - December 2015 - 49
American Cinematographer - December 2015 - 50
American Cinematographer - December 2015 - 51
American Cinematographer - December 2015 - 52
American Cinematographer - December 2015 - 53
American Cinematographer - December 2015 - 54
American Cinematographer - December 2015 - 55
American Cinematographer - December 2015 - 56
American Cinematographer - December 2015 - 57
American Cinematographer - December 2015 - 58
American Cinematographer - December 2015 - 59
American Cinematographer - December 2015 - 60
American Cinematographer - December 2015 - 61
American Cinematographer - December 2015 - 62
American Cinematographer - December 2015 - 63
American Cinematographer - December 2015 - 64
American Cinematographer - December 2015 - 65
American Cinematographer - December 2015 - 66
American Cinematographer - December 2015 - 67
American Cinematographer - December 2015 - 68
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American Cinematographer - December 2015 - 70
American Cinematographer - December 2015 - 71
American Cinematographer - December 2015 - 72
American Cinematographer - December 2015 - 73
American Cinematographer - December 2015 - 74
American Cinematographer - December 2015 - 75
American Cinematographer - December 2015 - 76
American Cinematographer - December 2015 - 77
American Cinematographer - December 2015 - 78
American Cinematographer - December 2015 - 79
American Cinematographer - December 2015 - 80
American Cinematographer - December 2015 - 81
American Cinematographer - December 2015 - 82
American Cinematographer - December 2015 - 83
American Cinematographer - December 2015 - 84
American Cinematographer - December 2015 - 85
American Cinematographer - December 2015 - 86
American Cinematographer - December 2015 - 87
American Cinematographer - December 2015 - 88
American Cinematographer - December 2015 - 89
American Cinematographer - December 2015 - 90
American Cinematographer - December 2015 - 91
American Cinematographer - December 2015 - 92
American Cinematographer - December 2015 - 93
American Cinematographer - December 2015 - 94
American Cinematographer - December 2015 - 95
American Cinematographer - December 2015 - 96
American Cinematographer - December 2015 - 97
American Cinematographer - December 2015 - 98
American Cinematographer - December 2015 - 99
American Cinematographer - December 2015 - 100
American Cinematographer - December 2015 - 101
American Cinematographer - December 2015 - 102
American Cinematographer - December 2015 - 103
American Cinematographer - December 2015 - 104
American Cinematographer - December 2015 - 105
American Cinematographer - December 2015 - 106
American Cinematographer - December 2015 - 107
American Cinematographer - December 2015 - 108
American Cinematographer - December 2015 - 109
American Cinematographer - December 2015 - 110
American Cinematographer - December 2015 - 111
American Cinematographer - December 2015 - 112
American Cinematographer - December 2015 - Cover3
American Cinematographer - December 2015 - Cover4
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