Theatre Design & Technology - Feb 1971 - 9
the balcony and the door into a formal framework, with pipes supporting
a very Italian, distorted, fat piece of
header that frames the action. I also
had a little raked platform and a
fountain with the commandatori with
a pigeon sitting on his head, augmented by simple pieces, hanging
fragmented pieces, saying "Seville."
BOMARZO--Bomarzo
was first
done for the Washington Opera Society and it was a premiere directed by
Tito Capobianco. It is based on a
story about the Duke of Orsini who
built the Garden of Monsters outside
Rome, which contains all sorts of
grotesque and horrible sculptures. It is
not known who carved them for him,
but there is speculation that some of
the disciples of Michelangelo did
some of the work as in many cases
the style is similar to his. There is
one figure that looks very like Michelangelo's Moses, but with a snake
across it. There is another figure of
Hercules tearing a woman's legs
apart, and there is also a Hell Mouth.
It is all very grotesque and very sick.
Tito and I decided upon a staircase on both sides that would split
up to form various structures but
eventually come together again. The
two staircases combine and become a
bridge creating still more formations.
We wanted to make it as nightmarish
as possible, and a good deal of it was
based on Fini's painting. We needed
the feeling that veins and nerve endings are all exposed and that the flesh
has deteriorated to nothing. For instance, within the design you will find
the face of a classically pretty lady
with two tails. People who worked on
the show thought I had had a horrible
nightmare.
THE GNADIGES FMULEINThis was for the Broadway production
of Williams' The Gnadiges Fraulein,
Bomarzo (Alberto Ginastera). Tito Capobianco, Director.
~
THEATER DESIGN AND TECHNOLOGY
and the actual set did not look so
well. As usual on Broadway, thetheatre was changed so that we ended
up in a theatre with less room than
we had planned for. We also ran out
of money, so instead of a cyc with
the whorl I planned for we had to
have a drop with black legs on each
side. It was a compromise all around.
It was in this play that Zoe Caldwell made her debut on Broadway.
It also starred Kate Reid and Margaret
Leighton-an all-star cast.
Its locale is what Williams called
the southernmost tip of the southermost tip of the United States, which
is Key West. The architecture in Key
West is strangely like New England
except that all the roofs are silvered
against the sun. The set was extremely grotesque, with the house
leaning and the perspective distorted
in an attempt to reflect the distortions
in the characters themselves.
ew York City Opera.
FEBRUARY, 1971
9
Table of Contents for the Digital Edition of Theatre Design & Technology - Feb 1971
Contents
Theatre Design & Technology - Feb 1971 - 1
Theatre Design & Technology - Feb 1971 - 2
Theatre Design & Technology - Feb 1971 - 3
Theatre Design & Technology - Feb 1971 - Contents
Theatre Design & Technology - Feb 1971 - 5
Theatre Design & Technology - Feb 1971 - 6
Theatre Design & Technology - Feb 1971 - 7
Theatre Design & Technology - Feb 1971 - 8
Theatre Design & Technology - Feb 1971 - 9
Theatre Design & Technology - Feb 1971 - 10
Theatre Design & Technology - Feb 1971 - 11
Theatre Design & Technology - Feb 1971 - 12
Theatre Design & Technology - Feb 1971 - 13
Theatre Design & Technology - Feb 1971 - 14
Theatre Design & Technology - Feb 1971 - 15
Theatre Design & Technology - Feb 1971 - 16
Theatre Design & Technology - Feb 1971 - 17
Theatre Design & Technology - Feb 1971 - 18
Theatre Design & Technology - Feb 1971 - 19
Theatre Design & Technology - Feb 1971 - 20
Theatre Design & Technology - Feb 1971 - 21
Theatre Design & Technology - Feb 1971 - 22
Theatre Design & Technology - Feb 1971 - 23
Theatre Design & Technology - Feb 1971 - 24
Theatre Design & Technology - Feb 1971 - 25
Theatre Design & Technology - Feb 1971 - 26
Theatre Design & Technology - Feb 1971 - 27
Theatre Design & Technology - Feb 1971 - 28
Theatre Design & Technology - Feb 1971 - 29
Theatre Design & Technology - Feb 1971 - 30
Theatre Design & Technology - Feb 1971 - 31
Theatre Design & Technology - Feb 1971 - 32
Theatre Design & Technology - Feb 1971 - 33
Theatre Design & Technology - Feb 1971 - 34
Theatre Design & Technology - Feb 1971 - 35
Theatre Design & Technology - Feb 1971 - 36
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