Theatre Design & Technology - Oct 1971 - 22
INTERNATIONAL HOUSE
STREET THEATRE
SYMPOSIUM
A Report by
Nathan Sonny Sonnenfeld
The symposium was held at International
House on Saturday, April 3d, and Sunday,
April 4th, 1971, and was sponsored by the
Technical Training Program Theatre Arts Division, Columbia University, in cooperation with
Hazel Bryant
Tom Munn
Ernest Baxter
Steve Carter
Buddy Butler
Tom Fitzgerald
Ed Bagwell
Jose Colon
Delano Stewart
Paul West
Courtney Collendas
Bernard Gersten
Harold Youngblood
Floyd Garrell
Geraldine Fitzgerald
Che Santiago
Miriam Colon
Douglas Turner Ward
Ernie McClintock
Roger Fierman
Edward Taylor
Marc Premus
Richard Levy
This was one of the most exciting weekends in
the theatre I have ever experienced. It was theatre
in its fullest sense, complete with new ideas,
suspense, drama, comedy, pathos, frustration, and
most important, hope.
Right off, we found that there is a great difference between "Street Theatre" and "Theatre of
the Street." Street Theatre was defined as theatre
that comes to the street. It could be in the form
22
the Department of Cultural Affairs of New York
City and the New York area Section of USITT.
The event was hosted by the Afro-American
Total Theatre.
The panel consisted of the following:
Director, Afro-American Total Theatre
Director, Technical Training Program, Columbia U.
Lighting Designer, Negro Ensemble Co.
Production Coordinator, Negro Ensemble Co.
Director, Theatre Black
Partner, Sound Associates
President, News Voice International
Director, Bedford-Stuyvesant Theatre
Administrative Director, Jazz Mobile
Deputy Com., Dept. of Cultural Affairs NYC
Administrator, N. Y. Shakespeare Festival
N. Y. State Council on the Arts
Administrative Director, Negro Ensemble Co.
Director, Everyman Street Theatre Co.
Third World Revelationists
Puerto Rican Traveling Theatre
Artistic Director, Negro Ensemble Co.
Artistic Director, Afro-American Studio for Acting
and Speech
Artistic Director, New Heritage Theatre
Harlem Cultural Council
N. Y. State Council on the Arts
Co-director, City Street Theatre.
of a dramatic play, a jazz concert, a dance group,
Shakespeare, or whatever. Itsdistinguishingfeature
is that the performance comes to the street.
Theatre of the Street was defined as theatre
that comes from the street. It can also be a dramatic play, a jazz concert or a dance group. It
could not be Shakespeare. It must come from the
street, not necessarily the street on which it is
being performed, but one very much like it.
[§Q THEATER DESIGN AND TECHNOLOGY
OCTOBER, 1971
Table of Contents for the Digital Edition of Theatre Design & Technology - Oct 1971
Contents
Theatre Design & Technology - Oct 1971 - 1
Theatre Design & Technology - Oct 1971 - 2
Theatre Design & Technology - Oct 1971 - 3
Theatre Design & Technology - Oct 1971 - Contents
Theatre Design & Technology - Oct 1971 - 5
Theatre Design & Technology - Oct 1971 - 6
Theatre Design & Technology - Oct 1971 - 7
Theatre Design & Technology - Oct 1971 - 8
Theatre Design & Technology - Oct 1971 - 9
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Theatre Design & Technology - Oct 1971 - 40
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