Theatre Design & Technology - Summer 1975 - 30
gave a textured feeling to the opaque's surface,
hardly modifying the printing at all (Figure 3).
Treatments with other "obscured" glass split up the
image, in other ways changing the printing style
without the use of the pen (Figures 4 and 5). Going
further along the modification scale, another overlay
made the subject barely legible, slashing the printing
into distortion (Figure 6). Still another glass totally
fragmented the printing into abstraction, destroying
the legibility of the text and creating only an
interesting pattern (Figure 7).
One of the most common effects was the addition
of a rough, textured-like surface to the subject. This
texturing was the result of irregular transmission of
light through uneven glass surfaces, causing apparent patterns of highlight and shadow. It was
discovered the more noticeable the texture of the
glass overlay, the more apparent was the final
texture of the treated subject. Such processing gave
the picture a distinctly different textural feeling.
Figure 8 exemplifies how an overlay was used to
texturize an original image, intensifying the visual
action of the comic title page with a feeling of
heightened activity. Such optical texturing as a quick
and simple method to treat drawings was a primary
finding in our investigations.
Several treated subjects developed "special"
overlayi ng characteristics not antici pated. One such
treatment is shown in Figure 9. Because of the
regular surface quality of the glass, a regular pattern
of reflection gave the Life magazine trademark image
additional detail, making it look somewhat like a
theatrical marquee. Figure 10's overlay also modified
the image in a regular fashion; this graphic representation was caused by breaking down the subject
into horizontal and vertical elements, due to the
cross-hatch ing textu re of the overlay. The "I Want
You" poster of Figure 11 became a needleworked
tapestry, when a rectangular pebbled glass overlay
was used. Totally new connotative treatments were
given to the original unmodified prints. Another
picture was heavily treated with a textured plexiglass
overlay of a pyramidal configuration, illustrated in
the flower design of Figure 12. Much of the natural
detail was lost, yet the basic image was transmitted.
The effect was very impressive in color, as the
absorbed colors of the subtracted parts in the image
were reflected onto the sides of the pyram idal
plexiglass .
Fig. 3
Fig. 4
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THEATRE DESIGN AND TECHNOLOGY
SUMMER. 1975
Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1975
Contents
Theatre Design & Technology - Summer 1975 - 1
Theatre Design & Technology - Summer 1975 - 2
Theatre Design & Technology - Summer 1975 - 3
Theatre Design & Technology - Summer 1975 - Contents
Theatre Design & Technology - Summer 1975 - 5
Theatre Design & Technology - Summer 1975 - 6
Theatre Design & Technology - Summer 1975 - 7
Theatre Design & Technology - Summer 1975 - 8
Theatre Design & Technology - Summer 1975 - 9
Theatre Design & Technology - Summer 1975 - 10
Theatre Design & Technology - Summer 1975 - 11
Theatre Design & Technology - Summer 1975 - 12
Theatre Design & Technology - Summer 1975 - 13
Theatre Design & Technology - Summer 1975 - 14
Theatre Design & Technology - Summer 1975 - 15
Theatre Design & Technology - Summer 1975 - 16
Theatre Design & Technology - Summer 1975 - 17
Theatre Design & Technology - Summer 1975 - 18
Theatre Design & Technology - Summer 1975 - 19
Theatre Design & Technology - Summer 1975 - 20
Theatre Design & Technology - Summer 1975 - 21
Theatre Design & Technology - Summer 1975 - 22
Theatre Design & Technology - Summer 1975 - 23
Theatre Design & Technology - Summer 1975 - 24
Theatre Design & Technology - Summer 1975 - 25
Theatre Design & Technology - Summer 1975 - 26
Theatre Design & Technology - Summer 1975 - 27
Theatre Design & Technology - Summer 1975 - 28
Theatre Design & Technology - Summer 1975 - 29
Theatre Design & Technology - Summer 1975 - 30
Theatre Design & Technology - Summer 1975 - 31
Theatre Design & Technology - Summer 1975 - 32
Theatre Design & Technology - Summer 1975 - 33
Theatre Design & Technology - Summer 1975 - 34
Theatre Design & Technology - Summer 1975 - 35
Theatre Design & Technology - Summer 1975 - 36
Theatre Design & Technology - Summer 1975 - 37
Theatre Design & Technology - Summer 1975 - 38
Theatre Design & Technology - Summer 1975 - 39
Theatre Design & Technology - Summer 1975 - 40
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