Theatre Design & Technology - Fall 1976 - 9

THE INTERNATIONAL ORGANIZATION OF
SCENOGRAPHERS AND THEATRE TECHNICIANS:
O.l.S.T.T.
PRESIDENT,O.I.S.T.T.

DR. JOEL E. RUBIN
Recent issues of Theatre Design and Technology have
carried on the U.S.I.T.T. masthead the statement
"U.S.I.T.T. is the U.S. Center of The International Organization of Scenographers and Theatre Technicians." It
is perhaps appropriate in an issue of Theatre Design and
Technology devoted to the 3rd Prague Quadrennial and
the 4th OISTT Congress to tell something of the history
of O.I.S.T.T. and point out its importance to U.S.I.T.T.
members.
INTERNATIONAL ORGANIZATIONS
O.I.S.T.T. was actually the third "international"
technical and scenographic theatre organization founded
since World War II, and the only one still in existance.
A.I.T.T. {the International Association of Theatre Technicians) was founded in 1960 principally by representatives of France, Italy, Great Britain, Belgium and the
United States. Organized by staff from the Theatre of All
Nations in Paris, A.I.T.T. foundered on paper for four
years, a victim of its lack of "international-ness" and its
inability to finance a conference which might serve to
attract additional members.
A second start, this time by the socialist country
Czechoslovakia, was made in 1966 in the convening of the
"I nterscena" Congress in Prague. This Congress attracted
some two-hundred delegates, largely from the "socialist"
countries with a smattering of delegates from the "western" world as well. The Congress was administered by
the Scenographic Laboratory of Prague under the direction of M. Kouril, its Chief Administrator. For the Westerners present, the Congress was a notable introduction
to the technical theatre practice and personalities of the
socialist countries. Membership in Interscena's "Executive" was by appointment and twelve of seventeen members were socialist country representatives. When Kouril
spoke at Canada's international technical theatre conference in Montreal in 1967 he refused to speak to the
issue of democratic representation in Interscena and most
Western nations thereafter refused further involvement.
Both of these first two attempts at international
organizations failed to stimulate truly viable and truly
international activity.
FORMATION OF OISTT
Shortly, thereafter, Jean Darcante, Secretary-General
of the International Theatre Institute, who had been present in Montreal, took the occasion of an I.T.I. Executive
Committee meeting to present the idea of the I.T.!.
assisting in the establishment of a democratic international preparatory comm~ssion to study the possibilities
for an international organization of scenographers and

I

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technicians. In Prague in June of 1968 on the occasion
of the 20th Anniversary of the I.T.I., representatives of
Czechoslovakia, Hungary, the German Democratic Republic, the German Federal Republ'ic, Israel, Canada, France,
Rumania, Belgium and the United States met under the
guidance of Darcante and in the course of that meeting
agreed on the need for an international organization
and in fact drafted its provisional "Charter",
Article I of this Charter proclaimed:
"Considering the importance of the disciplines of
scenography, architecture and of the several techniques in the evolution of theatrical expression, an
international, professional, autonomous organization
is founded ... which ... has the aim to protect and
maintain international exchanges in the knowledge and
practice of all theatre technique having an artistic
character and artistic aims . . . To spread knowledge
of all kinds in the subject of theatre techniques, to
support every initiative and research concerning the
free development of theatre in the world, to maximally protect the exchange of works, documentation
or persons, and finally to publish all documentation
for facilitating its activities."
A second preparatory committee meeting was held in
February, 1969 in preparation for the forthcoming 1st
Congress of 0 ISTT.
1ST CONGRESS OF OISTT
From 4-6 June, 1969, in Prague, the 1st Congress of
the OISTT met to discuss Experimental and Repertory
Theatre. A highlight of this meeting was an illustrated
report by Dr. Ned Bowman on experimental theatres
of the United States. Over 70 delegates representing
17 countries attended this 1st Congress. By its conclusion the Congress had adopted a name for the organization, agreed upon its Charter, elected its first officers,
established a commission structure and agreed to accept
the offer of the Min istry of Culture of Czechoslovakia
to support the office functions of the elected SecretaryGeneral, Prof. Ota Ornest of Prague. The moving spirit
then (as she is now) in generating and maintaining support
for OIST in the Czech Ministry of Culture, was Dr. Eva
Soupukova of the Theatre Institute of Prague.
The first President of O.I.S.T.T. was Prof. Dip!. Ing.
Walther Unruh of the German Federal Republic with
Dr. Joel Rubin of the United States and Dip!. Ing. Ferenc
Vajda of Hungary serving as Vice-Presidents. The initial
regular members of O.I.S.T.T. were Belgium, Canada,
Czechoslovakia, German Federal Republic, German
Democratic Republic, France, Hungary, Israel and the

THEATRE DESIGN AND TECHNOLOGY

FALL. 1976

9



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1976

Contents
Theatre Design & Technology - Fall 1976 - 1
Theatre Design & Technology - Fall 1976 - 2
Theatre Design & Technology - Fall 1976 - 3
Theatre Design & Technology - Fall 1976 - Contents
Theatre Design & Technology - Fall 1976 - 5
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972May
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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