Theatre Design & Technology - Summer 1978 - 19
We may make those nearest the stage removable to allow for
forestage entrances in the older manner. We have learnt now
that the best improvement for today's actor is to restore the
past, in this case 1871. Only thereby can we restore the
immediacy and the intimacy of the actor/audience relationship appropriate to English classics from Shakespeare to
Sheridan no less than for that new writing which largely dispenses with scenic effect.
Royal Shakespeare Theatre
My second point concerning the Royal Shakespeare
Theatre at Stratford-on-Avon, England, is introduced in case
you think that mere antiquarianism is the motive for restoring
the past. Mr. Izenour is an advocate of the fan-shaped auditorium in preference to the horseshoe-shaped auditorium on
the grounds that the former better fulfills his scientific criteria
for seeing and hearing. Onno Greiner, on the other hand,
explained how, under the influence of the cinema, the "show
box" theatre sacrificed all to obtain good sightlines "in the
direction of the scene." He called the results "cinemas," "terrible theatres."
I agree with Mr. Greiner, and with Mr. Golding who spoke
of theatre empathy. I will show an example of how theatre
people will, if at all possible, change a fan-shaped auditorium
with perfect sightlines and first class acoustics into a bUsy,
bursting, focused, galleried playhouse, even to the extent of
adding seats with less good sightlines so that the whole becomes a better playhouse. At no time at Stratford was the
prime motive economic although it is only just over fifteen
years since Stratford was first subsidized. s This alteration was
a slow one. There was never enough money for a total transformation; rather, there were small changes made over fortyfour years, the sum total of which has been to transform this
theatre.
Figure XII shows the fan-shaped auditorium for the fi rst season in 1932. The Architect, Elizabeth Scott, never designed
another theatre.
Figure XIII shows the same auditorium for the 1976 season.
The photo is taken from the same angle. In 1976 the audience
totally encircled the actor as at the Globe (Figure XIV).
Figure XV shows the two plans and sections compared. Two
important points: 1) the 1932 simple fan held 1,000, while the
o
Figure 11/ Old Vic, 1977
(plan and section redrawn by
Eric Jordan from drawings in
the possession of the GL which
are dated 1871 and 1880).
USITT/Summer, 1978
'"
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Theatre Design & Technology
17
Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1978
Contents
Theatre Design & Technology - Summer 1978 - 1
Theatre Design & Technology - Summer 1978 - 2
Theatre Design & Technology - Summer 1978 - 3
Theatre Design & Technology - Summer 1978 - Contents
Theatre Design & Technology - Summer 1978 - 5
Theatre Design & Technology - Summer 1978 - 6
Theatre Design & Technology - Summer 1978 - 7
Theatre Design & Technology - Summer 1978 - 8
Theatre Design & Technology - Summer 1978 - 9
Theatre Design & Technology - Summer 1978 - 10
Theatre Design & Technology - Summer 1978 - 11
Theatre Design & Technology - Summer 1978 - 12
Theatre Design & Technology - Summer 1978 - 13
Theatre Design & Technology - Summer 1978 - 14
Theatre Design & Technology - Summer 1978 - 15
Theatre Design & Technology - Summer 1978 - 16
Theatre Design & Technology - Summer 1978 - 17
Theatre Design & Technology - Summer 1978 - 18
Theatre Design & Technology - Summer 1978 - 19
Theatre Design & Technology - Summer 1978 - 20
Theatre Design & Technology - Summer 1978 - 21
Theatre Design & Technology - Summer 1978 - 22
Theatre Design & Technology - Summer 1978 - 23
Theatre Design & Technology - Summer 1978 - 24
Theatre Design & Technology - Summer 1978 - 25
Theatre Design & Technology - Summer 1978 - 26
Theatre Design & Technology - Summer 1978 - 27
Theatre Design & Technology - Summer 1978 - 28
Theatre Design & Technology - Summer 1978 - 29
Theatre Design & Technology - Summer 1978 - 30
Theatre Design & Technology - Summer 1978 - 31
Theatre Design & Technology - Summer 1978 - 32
Theatre Design & Technology - Summer 1978 - 33
Theatre Design & Technology - Summer 1978 - 34
Theatre Design & Technology - Summer 1978 - 35
Theatre Design & Technology - Summer 1978 - 36
Theatre Design & Technology - Summer 1978 - 37
Theatre Design & Technology - Summer 1978 - 38
Theatre Design & Technology - Summer 1978 - 39
Theatre Design & Technology - Summer 1978 - 40
Theatre Design & Technology - Summer 1978 - 41
Theatre Design & Technology - Summer 1978 - 42
Theatre Design & Technology - Summer 1978 - 43
Theatre Design & Technology - Summer 1978 - 44
Theatre Design & Technology - Summer 1978 - 45
Theatre Design & Technology - Summer 1978 - 46
Theatre Design & Technology - Summer 1978 - 47
Theatre Design & Technology - Summer 1978 - 48
Theatre Design & Technology - Summer 1978 - 49
Theatre Design & Technology - Summer 1978 - 50
Theatre Design & Technology - Summer 1978 - 51
Theatre Design & Technology - Summer 1978 - 52
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
https://www.nxtbookmedia.com