Theatre Design & Technology - Fall 1982 - 19

tended concern.
One phrase used in this type of
liability is Res Ipsa Loquiror. The fact
that an incident or accident happened.
or occurred. presumes that this fact can
stand on its own merits. There is a
presumption of negligence just because
it did occur. We call this absolute or
strict liability. All the people which we
have talked about can be liable in these
cases.
9 PRODUCT LIABILITY. This
type of liability may be connected with
COMPLETED OPERATIO S
LIABILITY or with PROFESSIONAL
LIABILITY. A product fails and a loss
occurs. This product was specifically intended for a particular use and failed in
that use. The product was defective in
some way (Res Ipsa Loquitor). There
could be some presumption of
negligence here. and strict liability might
be directed to the manufacturer of the
product.
10 COMPLETED OPERATIONS
LIABILITY. A specific contractor (person or company) installed some rigging
equipment. for instance. Whoever contracted for this equipment and its installation accepted the rigging. If the rigging fails and some loss occurs. and
negl igence can be shown (by the fact
that it failed). then the contractor would
come under the COMPLETED
OPERATIONS LIABILITY. not
STRICT LIABILITY. Remember
negligence must be shown in all cases.
11 GE ERAL LIABILITY. In
every case. if the technician. by his or
her skills and experience knows or discovers any equipment or system that is
defective or malfunctioning or presently
and potentially hazardous (not working
properly or correctly). and he or she
continues to use that piece of equipment
or system. or directs others to do so until
it fails or a loss occurs. the technician
could be found negligent in a law suit.
In fact. there is the possibility that
if the technician continued to use the
equipment. this continued use of the
defective equipment could be an "intervening cause" and reduce the liability of
the contractor.
12 PREMISES LIABILITY. This
exposure is derived from the use of the
property 0
or II which any type of
production occurs: locations. stadiums.
fair grounds. auditoriums. streets. centers. mountain tops. and fields.
Particular hazards which can cause
slipping. tripping. falling. or striking
against. are potential areas for legal action. We must take into consideration in
USITT Fall. 1982

all of these sites and their separate situations. that there are laws and ordinances. federal and state. which mandate safe equipment. a safe and
healthful working environment. and
systems to back up the compliance with
these directives. Fiscal reasons are
always ever present: fines and lawsuits.
13 LIABILITY I SURA CEo
Anyone can sue and for any reason.
even if the reason is fradulent. You have
to defend yourself. This can be very expensive. The technician. because of his
or her unique position. should very
carefully examine the type of work he or
she does. and what is required. Perhaps
it would be wise and fiscally sound to
carry your own liability insurance. (This
at least would pay for the lawsuit and
defense. even if the suit is fraudulent.
Consider what might occur to you if you
are not covered by liability insurance.)
There are many technicians who do not
have liability insurance or insurance of
any kind. I have talked to hundreds of
technicians who say they cannot afford
to have insurance. It seems to me that
you cannot afford not to be covered by
liability insurance.
14
OTHER
POSSIBLE
COVERAGES. If you don't have a
policy of your own. determine whether
or not you are covered by a policy
purchased by your employer. If you are
not covered. then the burden is upon
you - whether you are a professional.
amateur. or volunteer - to take this action. Every volunteer hour. at any work
site, for anyone. is a potential problem.
If you are named in a lawsuit. you must
be proven negligent. and to defend yourself you will need money for attorney
fees, time off. and the normal expenses
for your daily and monthly routine. Be
prepared.
15 POSSIBLE SOLUTIO S. To
handle pure risks to which you are exposed. you might consider two approaches: RISK FI A CI G. i.e .. the
transferring of the payment of a loss to
someone else. usually a third party (the
insurance company) the previous
coverages we have discussed could all
be considered in this class: or LOSS
COt TROL or RISK MA AGEME T
in which the intention is to control. prevent. and reduce losses. How does the
technician apply these controlsĀ·J
a. Refuse to use unsafe equipment
(a courageous act). I venture to say.
based on some opinion and some factual
data. that if technicians refused to operate unsafe equipment and work in unsafe environments. a great number of

productions would not be in operation.
b. Require all equipment you use to
be checked-out for safety.
c. Require safety personnel to inspect and monitor all locations.
d. Develop specific. realistic standards for all situations. Encourage
others to support these safety efforts.
Organize and join groups or organizations which sponsor and further health
and safety practices. These groups will
usually aid in your efforts (PEPS.
USITT. ASSE. AT A. IATSE. ABET).
e. Firmly request. with conviction
based on facts. safe equipment. and
push for procedures to bring about
safety guidelines for the design.
man ufacture. and installation of all
equipment.
f. Recommend all repairs to any
material in writing. Document your
need by anecdotal material and photography.
You. as the entertainment technician, must take the bull by the horns to
protect yourself and your environment.
No one else will protect your future.
This is the best remedy in the liability
arena.
16 LIABILITY HAZARDS.
Technicians need to be able to recognize
hazards. Our experience and observation indicates that most technicians
become oblivious to hazards they work
with day by day. Some hazards are
designed into some facilities and
systems. as well as the equipment and
relegated to the acceptable in work practice. We tend to adjust to them and to
work around them. or we jerry-rig some
things and work with them. The show
must go on. Temporary wiring, slicing
into cables. moving items which block
exits and fire prevention gear, using toxic substances. leaving out a process to
save time, taking guards off equipment.
not wearing protective gear. overloading
camera cars, not grounding all electrical
units. reaching into developing tanks for
broken film and not washing up afterward. and a million other hazardous
situations - the short cuts are always
with us. But they are insidious. and they
become a way of working. and a way of
thinking. and they end in accidents.
injuries. and sometimes fatalities.
What then is our responsibility. our
obligation to control these losses. to
avoid the hazards and recognize them'?
17 K OW THE REQUIREME TS OF EACH WORKING U IT.
a. What Codes or Guidelines apply to
each area in which you are supposed to
work':' If there are no Codes there may
Theatre Design & Technology

17



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1982

Contents
Theatre Design & Technology - Fall 1982 - 1
Theatre Design & Technology - Fall 1982 - 2
Theatre Design & Technology - Fall 1982 - 3
Theatre Design & Technology - Fall 1982 - Contents
Theatre Design & Technology - Fall 1982 - 5
Theatre Design & Technology - Fall 1982 - 6
Theatre Design & Technology - Fall 1982 - 7
Theatre Design & Technology - Fall 1982 - 8
Theatre Design & Technology - Fall 1982 - 9
Theatre Design & Technology - Fall 1982 - 10
Theatre Design & Technology - Fall 1982 - 11
Theatre Design & Technology - Fall 1982 - 12
Theatre Design & Technology - Fall 1982 - 13
Theatre Design & Technology - Fall 1982 - 14
Theatre Design & Technology - Fall 1982 - 15
Theatre Design & Technology - Fall 1982 - 16
Theatre Design & Technology - Fall 1982 - 17
Theatre Design & Technology - Fall 1982 - 18
Theatre Design & Technology - Fall 1982 - 19
Theatre Design & Technology - Fall 1982 - 20
Theatre Design & Technology - Fall 1982 - 21
Theatre Design & Technology - Fall 1982 - 22
Theatre Design & Technology - Fall 1982 - 23
Theatre Design & Technology - Fall 1982 - 24
Theatre Design & Technology - Fall 1982 - 25
Theatre Design & Technology - Fall 1982 - 26
Theatre Design & Technology - Fall 1982 - 27
Theatre Design & Technology - Fall 1982 - 28
Theatre Design & Technology - Fall 1982 - 29
Theatre Design & Technology - Fall 1982 - 30
Theatre Design & Technology - Fall 1982 - 31
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