Theatre Design & Technology - Spring 1991 - 38
and opera companies from across the
count1y
The work in the exhibition is Vel]
typical of the arts in America: It will
feature desigllS ~}I AmericallS for America
opem companies, desigllS by AmericallS for
international opera companies, international designers working for national
opem companies, and designers who were
born abroad but who are now natllmlized
American citizens. "Alozart in America"
willfeature desigllS by more than 30 artists
represellting works produced at more than
a dozen of America's premier opera
companies.
Designers participating in ''Mowrt in
America" ineludes john Conklin, Zach
Brown, William Ivry Long, GeOlge Tsypin,
Dunya Ramicova and Maurice Sendak.
The desigllS by these artists represent
Mozart operas produced at SIIch major
American companies as Houston Grand
Opem, kfetropolitan Opera, Los Angeles
kfusic Center Opera, Lyric Opera of
Chicago, \%shington Opera, Seattle Opem
and the Opera Theat1·e ofSt. Louis.
The exhibition will be filled with
scen ic and costll me renderings, finished
models, costllmed mannequillS, production
photos, posters of Mozart productiollS,
video monitors and a photo galle,), of the
major American opem houses.
"Mowrt in America" will premiere in
Pmgue on 10 june 1991 and will be open
through june 30. Subsequenr wur plallS for
the American exhibition inelude New York
City, Washington, DC and Seattle, WA
during the 1992 USITT Conference 0Stage Expo.
''Mowrt in America" is a project ofthe
United States Institute for Theatre
Technology, Inc., the non-profit olganization serving design and production
professionals in the performing arts. The
exhibition is being produced by joel E.
Rubin Uoel E. Rubin 6- Associates), chair
of the US Centre of OISTAT and of the
USITT International Liaison Committee.
The designer and commissioner geneml of
the US exhibition is Eric Fielding (LeftHanded Design). The exhibition is being
36
1991
SPRING
TD&T
COIISt1·ucted and mounted at the University
of Texas at Austin under the direction of
FOUR FLUTES: Among the productions
represented in the exhibition are four
productions of The Magic Flute. Top to
bottom: Opera Theatre of St. Louis,
sets & costumes designed by John
Conklin (1984); San Francisco Opera,
sets & costumes designed by David
Hackney (1987); Houston Grand
Opera, sets & costumes designed by
Maurice Sendak (1981 ); Washington
Opera, sets & costumes designed by
Zach Brown (1990).
PRAGUE-THE JEWEL ON THE
VLATAVA: The spires of St. Vitus rise
above the Czechoslovak capital.
Steve Parks.
The ''Mowrt in America" exhibition is
being funded by many sources ineluding
the Arts America division of the United
Stated Information AgenlJ\ the Samuel H.
Scripps Foundation and the United States
Institute for Theatre Technology. In
addition, the exhibit has the endorsement
of a number of olganizations, ineluding
Opem America, the NEA panel on Opem
and Music Theat1·e.
In addition to the "Mozart in
America" exhibition, the United States and
USITT will be represented in Prague b)! a
student exhibit which has been coordinated
by Carolyn Lancet (University of Texas at
Austin) and Ron Naverson (Southern
J!!inois University). There will also be a
delegation ofmore than 50 members ofthe
IlIStitute headed by Leon Bmuner (Indiana
University and USITT Vice-PresidentCommissiollS).
Further details on the various designers,
opera companies, supporters and cont1·ibutors to the United States exhibition to
PQ'91 will appear in the Summer 1991
issue of TD6-T which will contain the
catalog for the "Mozart in America"
exhibit.
In the preceding seven Pmgue Quadrelllzials, the United States has normally
used its space to mount a broadly based
retrospective exhibit. Thanks to the
initiative ofthe l
Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 1991
Contents
Theatre Design & Technology - Spring 1991 - 1
Theatre Design & Technology - Spring 1991 - 2
Theatre Design & Technology - Spring 1991 - 3
Theatre Design & Technology - Spring 1991 - Contents
Theatre Design & Technology - Spring 1991 - 5
Theatre Design & Technology - Spring 1991 - 6
Theatre Design & Technology - Spring 1991 - 7
Theatre Design & Technology - Spring 1991 - 8
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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