Theatre Design & Technology - Spring 1996 - 68

' October 1995: "\eII' Consll1letion of the Opem House in Goteborg" b\' Hor~l BittneI: Wolf-Guido
Panen :md Giimher :\nderlohr: ":\nim,ued Pictures ,-\.Iread\' Existed -1,000 Yem'S Ago" bl' Wolfg;mg Gmu:
"Cost of '\on-Qualit\,'-Qualil\ Costs ~Ionel: \on-Quali~'CoslS \lore" b\' Ileim \\: :\chum :md Siegfiied
Stiiblein: "\Iaimelltem5--.-\ Org:miz.11ion Tool for the ~Iaimenance
and RWUling ofTecJmicu Eqlupmem for Ule Emert:tiJunel1l" bl' Hmls-Lllich \\aJdJn:uUl: "Sind ie schon
l'el11etzt?" bl' Nuin Felix: "\hLiIlten,mce of Eleeu'ohydJ~\lIlic Dri\'es in 111eru'e Teclmiqlle" by FI~lZ X,1l'er
Feiclll: "Old Opem HOltse in a Sell' Dress': RecOllSUlletion :md RenOl~Uion of Ule \,Uional Opera HOltse of
Rig.1" bl'.-\sc :\mptOllll: "111e :\tuibuuon of Responsibilil\" by Rolf \Ieiel~ "nle Mech,'mized \lm1ll:u Countenl'eight FlI''' by Stell'en Rlmlberg: "It Is the SOlmd 111at ~Iakes the Sholl-:md ule SOlmd \L1Sler IIlakes It"
by Giimer Gliellisch: "Conceit :\n :\udio Mi"ing Console S~stem Ilith Digitu Comm:md" byWK-Audio: "111e
:\dJttiJtisu~uon of Props, Etc." bl' .-\bacon,
Ughung + SOlmdintel11auonal (Great Blitain),.Jlul' 1995: "C1I:uoglle Collection"; "On TOlu': Tanita Tiku~n mld
J:unes L1Sl" bl' Stel'e ~Ioles: "1110raughJy ~loclel11 Rod" bl' Mm'k ClilUtiJlghanl: ".-\ Dec:tde OfOI:Ulge" bl'
Stel'e ~Ioles: "Rosco: IIlasters at M:u'keung" byJolUl Offord: ".-\udio Technology '95" bl' IIl:u'k CluutiJlgh:un;
"One Stop Emel11aimnel1l" byStel'e \Ioles: ".-\sleep in the Stalls" bl' hm Herbert: "Second Take" byJolm
\\'an: "Points of L111" by:\le" QUlel~Silk: "\iellpoim" by Peter S:U11eI:
_ _ _' \01 ember 1995: Sped:u Tenul :\mu\'el'S<'UY Ediuon: "Ten Yeus After" by Ton\' GonelieI: Ken Sell'ell,
Peter Brooks, GlWl:un \\'a1ne mld JOIUl OfIord: " 'RO\" of ule Radio ROl'el~" by ~L'U'k CluutiJlgh:un: "Les
Misembles" bl'JIIli:Ul \\iIli:m1S: "Second Take" byJolUl \\an: "On ToLU~ Mmillion :Uld 11llmder" bl'Stel'e
~ loles: ".-\sleep in ule Stalls" by l:Ul Herbel1: "\iellpoint" by ~ Uchael RobellSOn,
___' December 1995: "dassicu Speaaculm'" by t!'le ~Ioles; "111e ughung Confection" bl'JolUl Offord:
"On ToLU~ Big ColmUY :Ule! Peter FI~npton" by tel'e ~Ioles: ".-\sleep in the Stalls" bl'lan Herbel1: "IIUanu
Ughts" by Rob Hallidal' mld Tony Goneliel~ "Second Take" byJolm W:m: "Oasis's E\CltiJlg Glol~" bl'Mm'k
CluutiJlghmlt: "Purring on the S~je" by RUUl Rossington: "Pmis ~L'Uch" bl' M:u'k C1uutiJlghmll: "\iellpoint"
by Ray Frendl,
" ProScen (Sll'eden), September 1995: "\oTT-.-\ Success!" by Gustaf Kull: "\oTT '95": "\oTT '95: AFirem:m's
\iellpoint on the Fire Safetl' Conferences" bl' GOI~l Bergstrom: "PQ '95" by Gustaf Kull: "Educ:Uion Repoll
#3" bl' Gustaf Kull: "111e FI~\\'ire M:U1ll:u-.-\ \ecessil\" bl' E1ik WesterilUld: "OlSl\T in Prague" by Guslaf
Kull: "A Floating Open-.-\ir 111eatl'e in ule XL'Uld Ishmcls" bl' Per Sinton Ec!su'om.
'"
, December 1995: ".-\gne Beijer's Dremt: 111eJuicu HistOly by C'Ulcllelight" byOuisuml Ludligsen;
"From C'Uldles to Clberlight" by Per Simon Edsu'om: "Anuque ughung Demonsu~lted in Goteborg" byJoe
Al'eline: '111eau'es" byTOI~len \obling; "An Accident at Rosenllmd 111eau'e" by Elik WesteriLUld; "\\1]:lt in
the World Is hnpJA\\\\l:Iujmegen.inter.nLnet/ltsersioistaLorgfl " by Gustaf Kull.
"ZicilIlijnen (111e \etherL'Ulcls), August 1995: "Tllice El'elYSeat Sold in Soccer StadiLUn for Rene Frager" by
Rinus Bakker: "\otes &'om Pmgue" bl' Saskia de LeeU\I': "SlmUller Festi\~tls" by Genit Reus: 'Y:uiable
.-\coustics in 111e:ru'e Halls, \\al'efield ~11thesis" by Peter Yogel; "\iem:md pm:u meer O\er het tonee\. en zo
hool1 het ookJ" bl' Freek Bloemel~: "111e RO 111emer Has a Pbce of [ts Q\\1l" bl' £sUler .-\gticoL1:
"HycbIIlics" by.-\b I~ Ginhol'en: "Bedin ShO\I'Tech '95" bl' Flits I~m den Haspel: "\Yf en ham'leden op het
Intemet" bl' LoIUsJmtssen.
"
, Oaober 1995: "\Iagnificent and Fascinaung Olasse '111e:uer in Breda" bl' £sUler .-\gticoL't "lmpressil'e UghtshO\\' on the \\'orld's L'U'gest Indoor Squ:tl'e" by E1ic Korsten: "111e FUUll"C of Eleeuico-acousucs"
by Peler Yogel: "111ememmllen in \ederL'Uld" by PaIU I~ 0011: "Mag het een onsje meer zijn/" bl' FI"CCk
B1oemel~: "Olaiml'Ork. Pml r by Rinus Bakkec "PL1~\llights Risen &'om the Deld" by Pauline Bel:m:
"Scholingsfoncls 1'001' KWl51 en CltlUllu' I~l 51:U1 geg.1.'Ul" by Dlu:Ul Si:mg Ue: "\elI'TImes, \!'II' OPPOI11UUties" by Gaby \\ijel~,
"
, December 1995: "111e GI:1SS Is Sacred" by SltiJiey Con51apel: "HI'CU:lltlics" bl':\b I~m Ginhol'en:
"5.'Uluago del Conw:.-\ Modest POllI~t" by Ren:ue ~Ieijer: "FifuIlntel11:Uion:u Project Week" bl' Fl:U1k
Yeerk.'Unp: "5.l£el\' in ule Enterw.ilUnent Indusu~" by Rinus Bakkec "Problemen op tafel: een selie
gesprekken met teclmici" bl' MmimUle BlutenhlUs: "Beursagenda" bl' LoIUSJmtssen: "CurSliS hl'dJ~lltliek"
by B:U'1 K,llkhol'en,
* Indicues an offici:tl jOUI11a1 of Ule Imel11ational OrgmtiL1uon of Scenogmphel~, Teclutici,Uls, ;md :\rchitects of
111eJu'e (OIS'W)
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Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 1996
