Theatre Design & Technology - Summer 1998 - 83

ubiquitous part of citv life: just trv to travel more than a few
blocks Ivithout slUmbling over a film location. Last vear.
16- productions Ivere shot in the slUdios. streets. and back
allevs of Toronto. This number included thirty-three features. plus mini-series. television specials. and -00 episodes of thirtv-nine dramatic series..-\nd if \'OU sail' a
streetcar on television la t year. it Ivas probablv in one of
the fortv-eight movies-of-the-Iveek in Ivhich Toronto masqueraded as an .-\merican city.
BlIt for L'SITT members. the live performing arts lIill
be the real ceI1ler of iI1lerest. Toronto is a natural site for a
major theatre conference. Within the city. over 180 professional theatre. dance. and opera companies perform in
some seventv venues with a total of -d.UOO seats. The 600
productions mounted each vear have a total annual budget
of over .:;00 million and a payroll of 16.000. This active
theatre scene. the third-busiest in the English-speaking
IIwld after London and \ew York, is one of the features
Ivhich has made Toronto a major tourist destination, and
half of the annual total of -.6 million tickets are sold to
ollt-of-toll'Il visitors.
This activitv does not stop at the city limits. as there
are many active road houses and producing companies in
the region. The tl\'O largest repertorv theatres in \orth
America. the Shaw Festival and the Stratford
Shakespearean Festival. are lI'ithin two hour's drive, and
backstage tours of both of these festivals are being considered for Professional Development Workshops prior to the
conference. The nvo companies preseI1l some iI1leresting
parallels. Each company performs in rep in three theatres-one purpose-built. one historical, and one adapted
space-and each is renOll'Iled for its quality of design and
execution. ~larch Ivill find both companies well into preproduction for the summer season, so vou lI'ill get to see
the scenel'\ยท. prop. and costume shops in high gear.
Back in ToroI1lo, \'OU will be able to choose from an
extraordinarv variety of productions. You might be one of
three thousand Ivatching a nelvlv-choreographed ballet or
an innovative staging of a major opera: one of several hundred watching a modern dance company. an autheI1lic rendition of a baroque opera. or a preseI1lation of a nell'
script: or one of a determined handful Ivatching a piece of
performance art Ivhich defies any attempt at categorization.
If vour taste runs to classical or Ivorld music. there are
three major concert halls-built over the course of more
than a centurv-a well as smaller recital halls and several
churches throughout the citv Ivhich have become popular
musical venues.
Our performance spaces varv as Ividelv as the companies that use them. :\n intimate performance bv an alternative theatre companv might be found in a building that
started life as generating station. a small factorv. or a stable
for streetcar horses. :\ major production or visiting road
shOll' might be performing in one of our historical theatres.
nOli' restored as an active venue for commercial or nonprofit theatre. :\ large musical-created in Toronto and
plaving its first run before transferring to Broadway or

starting a \orth American or Asian tour-might be filling
one of the large nell' commercial houses that has been built
in the last fell' vears. Whatever vour preference. many of
these theatres are lI'ithin a short stroll of the Convention
Centre.
If vour interest in architecture is more general. a
Ivai king tour from vour hotel lI'ill take vou th rough a remarkable selection of buildings. Starting chronologicallv
Ivith a fell' Georgian mansions. the architectural heritage of
Toronto has manv striking \'ictorian bUildings. including a
fell' neo-Gothic "follies." The area includes some interesting earll' IIventieth-century \eo-Classical edifices, ~Iodern-
ist masterpieces bv \'iijo Revell and Mies van del' Rohe, and
one of the most notable conceI1lrations of major Post-~Iod-
ernist buildings on the continent.
Perhaps, at tltis pOiIll, vou lIill feel the need to shock \'Our
architectural sensibilities Ivith something bracingly gaudy and
grandiose. 'lever fear! The ConveIllion CeIllre is bracketed bv the
50,000 seat Skydome to the Ivest and the 1.800-foot C\ TOIver 10
the south. The nell' Air C,Ulada Centre-the latest temple of the
\13:\-is 111'0 blocks 10 the east. and scheduled to open just before
our conference. All culnmtl pretensions aside. our energetic
crOlvd of cilic boosters has never let arcltitectural sensibilities. a
losing team, or questions of financial fe;lSibilill' get in the lray of
another million yards or so of gleefully monolitltic concrete.
To exantine an and artifacts in a slightlv smaller scale tllere
are scores of plirate ,md public gallelies full of painting. sculpnIre. pholOgrapl1\; ,Uld installation an: and dozens of museums.
There are a number of substantial collections of panicular interest
to our members, including a theatre museum. a textile museum
and even a celebrated shoe museum (cosnImers and fetishists
take note).
Once the conference begins, lie lIill ,tiL without doubt.
spend moming, afternoon and evening at the various meetings,
seminars, l\'Orkshops, displavs. and Stage E:\po. But when you
emerge from vour !;lSt evening session at 10 p.m., and if vou are
one of those Ivho feels that a full night's sleep just ruins a good
conference, don't despair-tltis pall of 10\\'11 is just Ivaking up.
Our busiest eIllenainmeI1l disuict stallS a block from the COI1\'ention CeIllre ,Uld extends nonh alld Ivest. Apan from its string of
theatres. it is filled lIith nightclubs. bars. shops. brell' pubs. studios. alld restaurants. ~lallY of these establishmeI1ls. along Ivith offices alld residential buildings in the are;1. are sho\\vieces of
innovative commercial design.
Stan making pl,U1S 10 attettd the .19th L'Srrr Annual Confel'
ence & Stage E.'\po in ToroIllo next ~Iarch 2-J-T. lIith Profe sion,tI Development Workshops (possibly including the Shall' alld
Stratford FeslivallOud beginning on ~Iarch 22. T!~' to plall a fell'
extl~t dal'S to see ,Uld hear evenlhing our city has to otTer bv day
,md bv night: the theatre. the restaur,ulIs. the shops. the museums.
the gallelies. the clubs. ,Uld the energy of a citv that speaks 100
hUlguages.
We'll be reach' 10 Ivelcome vou next spring. *:.
Palll COliI'I is "ssis/rlll/ Proll/o/iolls Coordill((/orfor /be
['SIl'7'" II 1111((/ COllferellce & Stage E.ljJo. Toroll/o.

1D&1

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H

81



Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1998

Contents
Theatre Design & Technology - Summer 1998 - 1
Theatre Design & Technology - Summer 1998 - 2
Theatre Design & Technology - Summer 1998 - 3
Theatre Design & Technology - Summer 1998 - Contents
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979winter
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978winter
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976fall
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975winter
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Oct
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
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