Theatre Design & Technology - Winter 2001 - 18

I also liked the sense of empowerment
they gained. As a designer who has frequently
been the victim of a director whose knowledge, vision and talent were unequal to the
job, I liked breathing the air in the ESC's environment-where the designer is the co-equal
of anyone on the creative team, where the
scenographer can be the instigator or prime
creator of a theatrical event.
I left London with many questions, some
of which I offer here hoping to stimulate further analysis of the program's successes, perhaps five years from now.
* What are the indicators of success for this next
generation of students? What will they accomplished that is comparable to winning the
Linbury Prize?
* Has the course director found a way to identify
young artists who have stories to tell that are of
interest to a wide public?
* Are the students acquiring the skills needed to
shape a time-based narrative in a dramatically
compelling way?
* What is the practicality and effectiveness of coauthorship? How does this practice relate to the
established tradition of a solitary artist telling a
story, shaping an image, communicating a vision?
* Has there been a growth in the acceptance of
the scenographer as an equal to the director
or author in theatrical productions?
The founding director's admirable goals
for the course offered through the European
Scenography Centres were to redefine the
boundaries of scenography and to develop students who have the ability to expand scenographic practice and change how we create a
theatrical performance. The achievements of
the first generation of students demonstrated
the course's initial success. The next generation aspires to redefine the scenographer as
the author or co-author of the text and scenography as "the complete text, or score of a performance or event." I eagerly look forward to
learning how this innovative and vital program
contributes to the future of scenography. ❖
Linda Sarver serves as dramaturg for the
Pioneer Theatre Company in Salt Lake City
and has designed costumes internationally.
She is co-author and illustrator of several
books including Another Opening, Another
Show and A Novel Approach to Theatre.
Editor's Note: Pamela Howard will present the keynote
address at the USITT Annual Conference & Stage Expo,
10 a.m. Wednesday, March 21, Long Beach Convention
& Entertainment Center, Long Beach, California.
TD & T

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Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2001

Contents
Theatre Design & Technology - Winter 2001 - 1
Theatre Design & Technology - Winter 2001 - 2
Theatre Design & Technology - Winter 2001 - 3
Theatre Design & Technology - Winter 2001 - Contents
Theatre Design & Technology - Winter 2001 - 5
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