Theatre Design & Technology - Spring 2002 - 12
The Carolyn Blount Theatre, home of the Alabama Shakespeare Festival.
What we have tried to do over the last seventeen years is make the art that we present
come up to the magnificence of the building.
In my mind, what progress we have made can
be attributed to four things: first, a constant
pursuit of artistic excellence-and in a theatre, that means a messy, thrilling, challenging
and sometimes unpredictable ride. And not always great box office! Second, we have sought to
cultivate the theatre-going habit in a location
where very little theatre exists. In Alabama there
are several strong university theatre departments-including the University of Alabama-
but only one other professional theatre, the
Birmingham Children's Theatre. One way we
have cultivated the habit of theatre-going has
been our student matinees for some 40,000
students each year. And we have sought to
deepen the experience of attending the theatre
PHOTO BY MIKE POST
PHOTO BY PHIL SCARSBROOK
a d d r e s s
Michele Tauber in The Tempest by William Shakespeare.
through an award-winning humanities program for adults, Theatre in the Mind. Third, we
have been blessed by extraordinary governmental, corporate and individual contributions-45% of our $7.5 million budget is
contributed income.
And lastly, we have created a unique artistic endeavor that speaks directly to the region
in which we live. Begun in 1991, the Southern
Writers' Project commissions, develops and
produces new plays by and/or about Southerners. I began the Southern Writers' Project to
take advantage of the rich literary and oral history traditions of the South, but more importantly to find a theatrical expression of the
South-with all its warts, charms, contradictions, surprises and joys. I also hoped that
these new plays-if successful-would attract
industry attention, funding and acclaim for ASF
more than any other program or production.
However much I hoped that the next
Shakespearean play that I directed at ASF
would become the seminal production of the
twenty-first century, in my heart I knew that
this wouldn't happen-not when our shows
are playing only in Montgomery, Alabama.
The Southern Writers Project has been successful beyond my wildest dreams. This season
brings our twelfth world premiere, Doris
Baizley's Shiloh Rules. Past SWP premieres have
included Romulus Linney's A Lesson Before
Dying, Keith Glover's Thunder Knocking on
the Door, Eric Schmiedl's Fair and Tender Ladies, and Regina Taylor's A Night in Tunisia-these and other SWP plays have gone on
to subsequent productions in New York City
and across the country in sister professional
theatres. With new plays upcoming from Eric
TD & T
S P R I N G
2 0 0 2
11
Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2002
Contents
Theatre Design & Technology - Spring 2002 - 1
Theatre Design & Technology - Spring 2002 - 2
Theatre Design & Technology - Spring 2002 - 3
Theatre Design & Technology - Spring 2002 - Contents
Theatre Design & Technology - Spring 2002 - 5
Theatre Design & Technology - Spring 2002 - 6
Theatre Design & Technology - Spring 2002 - 7
Theatre Design & Technology - Spring 2002 - 8
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
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