Theatre Design & Technology - Summer 2004 - 42
DREW FRANCIS
Picasso at
the Lapin Agile
SCENIC designer
by Steve Martin
BIOGRAPHY
Associate professor, director of design arts, holds
endowed chair, class of 1961 at Lehigh University. At
Lehigh since 1995, Drew designed the sets for The
Cripple of Inishmaan, Macbeth, Talk Radio,
Arcadia, Curse of the Starving Class, Fences, and
others. Drew is the resident set designer for
Shadowland Theatre in New York, currently designing Proof. This past year's designs include: The Café
Society, Tribeca Performing Arts Center, NYC; Madwoman of Chaillot, Neighborhood Theatre, NYC;
International Ballet Competition, Lincoln Center;
Cinderella, Lilly's Purple Plastic Purse, Hansel &
Gretel for Pennsylvania Youth Theatre.
Lehigh University
Scenic Design: Drew Francis
Costume Design: Emily Huffman
Lighting Design: Jeffrey Milet
Director: Joshua Bombino
DESIGN CONCEPT
This play moves across all sorts of boundaries
with effortless ease and humor. Separate times,
spaces, ideas, genders, and many other conditions that seemingly cannot coexist, intermingle
and offer a new paradigm of potential human
conditions. Two visual forces inspired my scenic
approach: the three-dimensional frame and the
two-dimensional drawing surface. I tried to create a space that could be a three-dimensional
cubist frame. Picasso and Einstein were significantly responsible for shifting and changing the
way we frame our universe. I attempted to iterate
the frame within the frame and codify the frame
as a device that could be used physically and
metaphysically. When the stars appear in the end,
they appear first within the frame of the set (done
with fibre optic lighting throughout the frame).
The other significant activity I chose was the twodimensional drawing upon the surface. I imagined
the entire set to be similar to a canvas or a mathematical theorem on a board and the drawings and
formulas scrawled all over the walls (there were
thousands; the sources came from alchemical
icons, Commedia dell'Arte, and fractal math)
suggested the furor of all previous activity leading
up the inevitability of Picasso and Einstein.
top
Act II, "Stars appear"
middle
Scale model (photo by Hub Wilson)
bottom
Act I, "Freddie and Germaine"
(production photos
by Drew Francis)
TD & T
S U M M E R
2 0 0 4
41
Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 2004
Contents
Theatre Design & Technology - Summer 2004 - 1
Theatre Design & Technology - Summer 2004 - 2
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Theatre Design & Technology - Summer 2004 - Contents
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