Theatre Design & Technology - Winter 2005 - 75

WILLA
KIM

Building the Successful Theater Company

USITT presents

✦

✦
the theatrical designs of WILLA KIM

The first book in the USITT
monograph series is an
appreciation of the legendary
costume designer Willa
Kim. Written by Bobbi Owen,
it will include a detailed
account of Kim's life and
career, from her beginning as
a fashion illustrator in Los
Angeles to numerous awardwinning Broadway shows
such as The Will Rogers
Follies, Sophisticated
Ladies, and Dancin' and
international acclaim for her
work with dance companies
such as Eliot Feld/Ballet
Tech. Dozens of full-color
photographs and a complete
design chronology ensure
this book will be a valuable
theatre design reference for
years to come.
Published in March 2005.
$35.00 list price
$30.00 member price
USITT
6443 Ridings Rd. Rm 134
Syracuse, NY 13206
800.938.7488
www.usitt.org

By Lisa Mulcahy. New York: Allworth Press,
2002. ISBN: 158115237X, 240 pages, $19.95,
softcover.
They say a leopard can't change its spots, an
old dog can't learn new tricks, that true
change is hard to come by. That last part is
probably more me than they. Anyway, I know
that this is a most peculiar manner in which to
begin a book review, but please, stay with me,
there is definitely a point to it.
I live, work and teach in the Atlanta
metro area. At any given time, sometimes
depending literally on the day, there are between thirty-five and forty "professional"
theatre companies in Atlanta and its surrounding communities. This does not include community or solely educational
theatre.
In the past, as I have watched my students
and young theatre artists yearn to found new
and exciting theatre organizations in the
area, I offered up a rather pessimistic
thought. I would plead with them to go and
through their energy and desire for the art,
make existing organizations better. With the
number of theatre companies already floundering in the area, scraping for an audience,
begging us to hear, all we needed was another one, more than likely making what we
all fear, bad theatre. Surely there must be a
group that would share their particular
taste, interest, and/or mission. I was resigned to my destiny as a veritable Scrooge
for the impassioned young theatre artist,
those clamoring to speak, to be heard. What I,
these young performers, writers, designers,

managers and (sorry) some of the existing theatre companies were missing were notes of
those who had been there, survived, and maintained the passion that drives us and our art.
This is where Building the Successful
Theater Company by Lisa Mulcahy steps in.
It fans a spark within the theatre artist, who
might have thought they should start their
own theatre company. She interviews a veritable multitude of theatre artists who have.
They are candid, honest and professional
without having lost their passion, and their
drive. There are cheers, jeers, happy endings and numerous challenges to beware.
The process is not represented as insurmountable, if you want it, are not afraid to
work and can persevere. When one finishes
the book, you will not imagine that starting a
theatre company is any easier than one
might have thought prior to the reading. You
will, however, have the shared experiences
of those who have done it, and the man behind the curtain will have stepped out to
speak to you and shared his knowledge of
how he got there.
The book is divided into sections beginning with an examination of how each company began, including how the people got
together, what mission was met by their existence, and how they found a space in which to
exist and perform. The subsequent chapters
titled "Into the Fire" follows moving over those
first "humps," if you will, and how to progress
through those initial trials and tribulations.
There are two particular looks at the "Biggest
Problem" and "Biggest Victory" encountered
by each organization. This certainly adds to the
"no bones about it" approach of the book. The
final section(s) of the text evaluates where the
companies are at present and where they're
headed and then the book offers a very helpful
series of appendices referencing different resources one might investigate along the way if
an actual attempt was made to start anew a theatre company.
Anyone who would embark upon such a
journey, those who share in this hardnosed determination exhibited by the contributors to
this book, would benefit from the information
gathered within. I'm sure there are questions
that may arise that are not addressed. There is
no way to offer a comprehensive "how-to"
book on the subject. But, why would you not


http://www.usitt.org

Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2005

Contents
Theatre Design & Technology - Winter 2005 - 1
Theatre Design & Technology - Winter 2005 - 2
Theatre Design & Technology - Winter 2005 - 3
Theatre Design & Technology - Winter 2005 - Contents
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