Theatre Design & Technology - Spring 2006 - 67
The Challenge
Figures 7, 8, and 9.
Once I had several bags of the electrodes on hand, I gave my
make-up class a challenge to include these "stick-on snaps" in
an upcoming fantasy make-up design.
For this project, one student decided to be "one with
nature...growing from a flower pot." Her feeling was that
more often than not, children's shows have talking flowers and
bushes and that with the electrode method she could achieve a
more three-dimensional effect rather that just painting on
flowers. With painted stems and three-dimensional silk blossoms she achieved the concept. Cutting open a plastic flowerpot for a collar completed the look.(figs. 4, 5, and 6)
Careful examination of the flowers shows that clear vinyl
electrodes were used but were only covered by the green
make-up of the stems if it happened to cross the area. Most of
the electrode was covered by the volume of the flowers so it
was not necessary to cover all the electrode with make-up. The
clear vinyl almost disappears and is barely visible even in a
photo close-up. For this application the student chose this
method so that the character could quickly change from bud
to blossoms just by snapping off one and snapping on the
other. This feature could allow for almost instant on stage
changes. By attaching the electrodes to muscle areas that move
a lot with facial expression, every small facial movement was
amplified by the resulting movement in the flower petals. The
effect was quite magical.
The character could
quickly change
from bud to blossoms just by
one and
snapping off
snapping on the other.
For another application a student chose to use one of the
foam-backed electrodes that are much harder to cover with
make-up. Since the object she was attaching completely covered the area, no make-up was needed and the thickness of
the foam was not an issue. (figs. 10 and 11) Another possible
use for a make-up design would be to create clock face centered around the nose, with an electrode on the tip of the nose
and a female snap hot glued to a rigid hour and minute hand.
The snap/electrode combination would allow the clock hands
to pivot around the face of the performer.
Practical applications
Outside of make-up class, this attachment method can have
other practical applications especially in costuming. The ever
popular Greek and Roman drapery that designers love but will
rarely stay in place can now be secured directly to the body. In
Figures 10 and 11.
66
THEATRE
DESIGN
&
TECHNOLOGY
SPRING
2006
Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2006
Contents
Theatre Design & Technology - Spring 2006 - 1
Theatre Design & Technology - Spring 2006 - 2
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Theatre Design & Technology - Spring 2006 - Contents
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