Theatre Design & Technology - Spring 2008 - 27
Se ing with Three Eyes
design for live performance:
theatre and themed entertainment
part one of this series, published in the winter 2008 issue, explored how
designers make decisions as visual storytellers by seeing with what i
call their three eyes: intent, immersion and interaction. Being aware
of these three different aspects of storytelling helps designers translate
visual and verbal information into design elements for a specific story and
medium. part two of this series explores designing for live performance-
theater (including opera and dance) and themed entertainment.
the three eYes: intent, immersion, interaction
The intent of the story governs how we translate content into a
poetic space and the degree of realism or stylization appropriate for the project. Does the story happen to the audience
directly or is it one step removed, with events happening to another party the audience identifies with? The degree of realism
or stylization reinforces that experience. Stories with intricate
plot points or complex word play often take place within a receding environment, one that deemphasizes the setting, so the
mind can focus on verbal information. Storytellers often choose
overt, presentational environments for stories that manipulate
human emotions such as thrillers, musicals or comedy.
The second designer's eye, immersion, encompasses the
audience's ability to lose itself in the story. Designers aid immersion through clarity-a vivid impression of story reality-
and through evoking emotional response in the audience. The
third eye is interaction, the relative mixture of verbal and visual information or shifting between design areas to create a
changing rhythm and focus.
26
theatre
design
&
technology
S P R I N G
2008
Holly Poe Durbin
Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2008
Contents
Theatre Design & Technology - Spring 2008 - 1
Theatre Design & Technology - Spring 2008 - 2
Theatre Design & Technology - Spring 2008 - 3
Theatre Design & Technology - Spring 2008 - Contents
Theatre Design & Technology - Spring 2008 - 5
Theatre Design & Technology - Spring 2008 - 6
Theatre Design & Technology - Spring 2008 - 7
Theatre Design & Technology - Spring 2008 - 8
Theatre Design & Technology - Spring 2008 - 9
Theatre Design & Technology - Spring 2008 - 10
Theatre Design & Technology - Spring 2008 - 11
Theatre Design & Technology - Spring 2008 - 12
Theatre Design & Technology - Spring 2008 - 13
Theatre Design & Technology - Spring 2008 - 14
Theatre Design & Technology - Spring 2008 - 15
Theatre Design & Technology - Spring 2008 - 16
Theatre Design & Technology - Spring 2008 - 17
Theatre Design & Technology - Spring 2008 - 18
Theatre Design & Technology - Spring 2008 - 19
Theatre Design & Technology - Spring 2008 - 20
Theatre Design & Technology - Spring 2008 - 21
Theatre Design & Technology - Spring 2008 - 22
Theatre Design & Technology - Spring 2008 - 23
Theatre Design & Technology - Spring 2008 - 24
Theatre Design & Technology - Spring 2008 - 25
Theatre Design & Technology - Spring 2008 - 26
Theatre Design & Technology - Spring 2008 - 27
Theatre Design & Technology - Spring 2008 - 28
Theatre Design & Technology - Spring 2008 - 29
Theatre Design & Technology - Spring 2008 - 30
Theatre Design & Technology - Spring 2008 - 31
Theatre Design & Technology - Spring 2008 - 32
Theatre Design & Technology - Spring 2008 - 33
Theatre Design & Technology - Spring 2008 - 34
Theatre Design & Technology - Spring 2008 - 35
Theatre Design & Technology - Spring 2008 - 36
Theatre Design & Technology - Spring 2008 - 37
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Theatre Design & Technology - Spring 2008 - 40
Theatre Design & Technology - Spring 2008 - 41
Theatre Design & Technology - Spring 2008 - 42
Theatre Design & Technology - Spring 2008 - 43
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
https://www.nxtbookmedia.com