Theatre Design & Technology - Fall 2009 - 73
Fisher assistant, is leading a project to put the work of great
lighting designers online.)
Yet another iteration of Fisher's career began in 1971
when he stepped into a void to produce Lenny. Fisher said of
the experience, "I'd never produced anything in my life, but
I had frequently been involved with more than just the lighting. I found that producing was frequently just common sense,
how to solve the problem of the day." Since then, Fisher has
produced Tommy, The Rink, Dancin', Big Deal, Dangerous
Games, a Rolling Stones tour, and several other rock-and-roll
tours.
To my eye, one of Fisher's most memorable and unique
designs emerged from the impossible-to-light scenery of Grand
Hotel on broadway. I saw the scenic model in Tony Walton's
studio and thought, "Thank God I'm not on the team that has
to solve those problems!" Unruh explains how it was accomplished. director Tommy Tune is quoted, "The lighting was
gorgeous. Every light cue in that show was stunning." I have
thanked Jules Fisher silently many times since that production
for my introduction to the dazzling secondary color combination of intense purple and green.
The book is titled The Designs of Jules Fisher, so Fisher's
private life is mostly missing, although considering his accomplishments it would be easy to believe he doesn't have time
for one. Unruh mentions that he met choreographer Graciela
daniele during the production of Chicago in 1975. They lived
together for twenty-eight years before marrying in 2004.
Fisher's personality is revealed in a statement describing
his approach to his first movie lighting project-A Star is Born
in 1976. He said to the cinematographer, "I don't know how to
light movies so I'm not a threat. I'm not here to take your job.
I will light the number, the moment, the piece, whatever it is I
am asked to do as if it was in the theatre. You have to balance
the light. You have to tell me if I have too much front light or too
much backlight so it will look good on film. I am here to serve
you." Unruh continues with a goal for every lighting designer:
"Fisher is innately a bit shy and wishes to avoid conflict, but he
is also a gracious, quiet, incredibly persistent professional who
helps to bring out the best in his co-workers through tact and
diplomacy."
Fisher dug into his inventor's brain and his bag of magic
tricks to win his first Tony award for Pippin in 1972. There is
F
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L
L
2009
theatre
design
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technology
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Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2009
Contents
Theatre Design & Technology - Fall 2009 - 1
Theatre Design & Technology - Fall 2009 - 2
Theatre Design & Technology - Fall 2009 - 3
Theatre Design & Technology - Fall 2009 - Contents
Theatre Design & Technology - Fall 2009 - 5
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
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