Theatre Design & Technology - Spring 2009 - 45
7
UndEr
wHITE lIgHT
UndEr
UlTrAVIolET lIgHT
ULTRAVIOLET PAINTS SEMINAR, December 2007
Figures seven through twelve are samples painted during a
seminar on ultraviolet paints at North Carolina School of the
Arts in November 2007. Each project had a designed purpose,
and a specific technique that we wanted to test with the different
brands of paint. We were also able to use the light lab to see how
the samples reacted under different lighting conditions.
The samples in figure 7 were all made with brushing techniques. Notice how dull the colors in the peace signs are on a
black base versus on the white base. In the fish samples, a few
coats of paint helped smooth out the brushstrokes. Which palm
trees look better-starting with a nighttime base (left side) or a
daytime base? The bowling alley scene on the bottom row demonstrates that effects painted with invisibles really can seem to
disappear.
UndEr
wHITE lIgHT
UndEr
UlTrAVIolET lIgHT
8
Brushing Techniques. The top row, painted on muslin,
demonstrates color mixing with fluorescent paints. The left
sides of the peace sign images are painted on black bases
and the right sides are painted on white bases. The fishes
in the second row demonstrate how well fluorescent paints
work on Plexiglass. The palm tree images in the fourth
row, painted on muslin, are examples of using nighttime
or daytime bases with invisible fluorescent paints. In the
bottom row, the invisible paints are tested for how much
they show under regular white light. They are painted on
masonite panels. Photos by Tzuen Yap.
under the incandescent spotlight with a lee 161 gel, the shutter
speed was consistently around 1/4 to 1/2.
The digital images for this article were taken with a bit
density (resolution) of 400 dpi. This setting captured as much
fine detail as possible. Several trials were done on an ink-jet
printer using different types of paper. The best results were on a
matte photo paper with an ISO brightness of 109. (Papers with
lower brightness, such as ISO 98, produced less bright images
with less purity of colors.)
based on the best printed samples, some of the images
for this article were digitally altered to make the printed images
appear as close as possible to painted originals.
Application with Spraying. The graffiti in the top row is
spray painted on muslin using rosco Fluorescent paint.
The second row is also painted on muslin using wildfire
Fluorescent paints over a black latex base. The third row is
an image sprayed on Plexiglass using rosco ClearColour
paints. The bottom row shows wildfire Invisibles sprayed
on muslin over a white latex base. Photos by Tzuen Yap.
S P R I N G
2009
theatre
design
&
technology
43
Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2009
Contents
Theatre Design & Technology - Spring 2009 - 1
Theatre Design & Technology - Spring 2009 - 2
Theatre Design & Technology - Spring 2009 - 3
Theatre Design & Technology - Spring 2009 - Contents
Theatre Design & Technology - Spring 2009 - 5
Theatre Design & Technology - Spring 2009 - 6
Theatre Design & Technology - Spring 2009 - 7
Theatre Design & Technology - Spring 2009 - 8
Theatre Design & Technology - Spring 2009 - 9
Theatre Design & Technology - Spring 2009 - 10
Theatre Design & Technology - Spring 2009 - 11
Theatre Design & Technology - Spring 2009 - 12
Theatre Design & Technology - Spring 2009 - 13
Theatre Design & Technology - Spring 2009 - 14
Theatre Design & Technology - Spring 2009 - 15
Theatre Design & Technology - Spring 2009 - 16
Theatre Design & Technology - Spring 2009 - 17
Theatre Design & Technology - Spring 2009 - 18
Theatre Design & Technology - Spring 2009 - 19
Theatre Design & Technology - Spring 2009 - 20
Theatre Design & Technology - Spring 2009 - 21
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Theatre Design & Technology - Spring 2009 - 27
Theatre Design & Technology - Spring 2009 - 28
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Theatre Design & Technology - Spring 2009 - 30
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Theatre Design & Technology - Spring 2009 - 33
Theatre Design & Technology - Spring 2009 - 34
Theatre Design & Technology - Spring 2009 - 35
Theatre Design & Technology - Spring 2009 - 36
Theatre Design & Technology - Spring 2009 - 37
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Theatre Design & Technology - Spring 2009 - 40
Theatre Design & Technology - Spring 2009 - 41
Theatre Design & Technology - Spring 2009 - 42
Theatre Design & Technology - Spring 2009 - 43
Theatre Design & Technology - Spring 2009 - 44
Theatre Design & Technology - Spring 2009 - 45
Theatre Design & Technology - Spring 2009 - 46
Theatre Design & Technology - Spring 2009 - 47
Theatre Design & Technology - Spring 2009 - 48
Theatre Design & Technology - Spring 2009 - 49
Theatre Design & Technology - Spring 2009 - 50
Theatre Design & Technology - Spring 2009 - 51
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Theatre Design & Technology - Spring 2009 - 84
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