Theatre Design & Technology - Spring 2010 - 28

the impact of

adislav
L
by Don Childs

When TD&T asked me to write a follow-up (thirty-five years later) to an article published in 1974 about a workshop conducted by Professor ladislav vychodil at the University of California
at Santa barbara, associate editor Heidi Hoffer posed two questions: Where are the students who participated now and have they
been successful?; and did the workshop or the article influence
technical/design theatre training in the United States? I can easily
answer the first question by saying that the students I have stayed
in touch with have been very successful. The second question is
more difficult, but I will attempt to answer that as well.

n The back Story
While on a tour of theatres in Eastern block countries in 1972 I
was privileged to meet Professor ladislav vychodil, Chief Stage
designer of the Slovak National Theatre and Head of the Scenography department at the School of Musical Arts in bratislava. during the three days we spent with vychodil we toured
the ateliers (workshops), the theatres, and the school itself.
The workshops were amazing and the theatres interesting, but
the school was the most impressive of the three. My visits to
schools in the U.S., from New York to California, had given
me a fairly good understanding of both facilities and teaching methods. vychodil's school stood out for three reasons: 1)
The workspaces provided to and occupied by each student
resembled those provided to architecture students in the U.S.
but not to theatre design students. 2) As a major part of their

26

theatre

design

&

technology

S P R I N G

2010

education, all students were required to complete internships
in a variety of areas of the bratislava workshops, which serviced most theatres in the area. 3) Student projects were markedly different from those undertaken by students in the U.S. My
personal approach to teaching was brought into question as I
observed the results of the program offered in bratislava. With
only three days to experience vychodil's training techniques, I
could do little more than question my own methods.
A year and a half later, a Regents' Grant from the University of California system brought Professor vychodil to Santa
barbara to design two shows, conduct public lectures, and
teach a month long workshop.

n Where are the students who participated now
and have they been successful?
The eight students who were selected to participate in the workshop were hand-picked undergraduate students. The workshop
was held from 6:00 to 9:00 p.m. three days a week for four weeks.
The classes were conducted in what had been an interior design
classroom for the then defunct department of Home Economics.
This classroom was chosen because it had similarities with those
in which vychodil taught at his own school. One of vychodil's first
actions was to encourage each student to define their work space
and do something to make it clearly their own.
The workshop was based on three concepts that vychodil
wanted to establish in the students' design vocabulary.



Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2010

Contents
Theatre Design & Technology - Spring 2010 - 1
Theatre Design & Technology - Spring 2010 - 2
Theatre Design & Technology - Spring 2010 - 3
Theatre Design & Technology - Spring 2010 - Contents
Theatre Design & Technology - Spring 2010 - 5
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