Theatre Design & Technology - Spring 2010 - 53

photo by harlan taylor

Figure 6. Marc Bovino with oozing wound on top of his head.

Face casts of the three actors playing the brides were taken, and
simple prostheses were sculpted that would cover the top of the head,
the forehead and the temples. Some of the features of The Monster were
echoed in the masks but the lines were kept feminine. The quick changes
prevented the use of any makeup for these characters, so the masks were
matched to the actor's skin tones and color was used to create accents,
shading, and features such as veins.
A redesign of the vampiress masks has begun for the 2010 production featuring a full-head piece that will give the brides long scraggly hair,
feral brows, and twisted noses. Figure 5 is a sketch made in preparation
for sculpting one of the new vampiress.

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More Gore n
Other effects in Dracula include death wounds suffered by various characters. These need to go on easily, be reusable, and, most importantly,
look gory all the way in the back row (fig. 6). less gory, but still necessary,
are the period hairstyles for the more human members of the cast, which
can be as basic as a good nineteenth century haircut for dr. Seweard,
or as complex as building a believable toupee for van Helsing, a wig for
Mina, or facial hair for the Count (figs. 1 and 4).

Endless Opportunities n
One of my favorite opportunities in Dracula is also one of the biggest
challenges-giving patrons the familiar show they know and love each
year, while exploring new makeup and hair ideas to help the actors tell
a story that is always fresh. It is very satisfying to know that no matter
how good or scary (or both) something looks this year, there will be an
opportunity to improve and expand my work next year, and beyond. v
Heather Fleming is responsible for all wigs and makeup at Actors
Theatre of Louisville which includes up to fifteen shows a season.
She also teaches workshops and has given presentations at USITT
conferences. Her Web site is www.wigsforstage.com.

S P R I N G

2010

theatre

design

&

technology

51


http://www.mutualhardware.com http://www.wigsforstage.com

Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2010

Contents
Theatre Design & Technology - Spring 2010 - 1
Theatre Design & Technology - Spring 2010 - 2
Theatre Design & Technology - Spring 2010 - 3
Theatre Design & Technology - Spring 2010 - Contents
Theatre Design & Technology - Spring 2010 - 5
Theatre Design & Technology - Spring 2010 - 6
Theatre Design & Technology - Spring 2010 - 7
Theatre Design & Technology - Spring 2010 - 8
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