Theatre Design & Technology - Spring 2010 - 6

from the

e ditor

The recent USITT Conference & Stage Expo in Kansas City,
celebrating USITT's fiftieth anniversary, was different in many
ways. There was lots of free food, extra sessions commemorating influential people and milestone events, and several
special exhibits featuring historical products and accomplishments. And yet, the conference was delightful in its ordinariness. like USITT, which has come a long way in fifty years,
the Annual Conference & Stage Expo feels so, well, mature
and smart and well-organized. because of the late date of the
conference this year, TD&T was in production while we were
in Kansas City so conference coverage will begin in the summer issue.
This issue is about learning. Heather Fleming, the wig and makeup artist at Actors Theatre of
louisville, demonstrates how she adapts and learns new ways to scare the audience for ATl's annual
production of Dracula. Tim Kelly recounts how members of the Physically Handicapped Actors and
Musical Artists league have learned to adapt props and set pieces in order to accommodate their
performers. Robert Smith traces the development of theatre training programs in the U.S. Mark
Reaney teaches a few techniques for creating realistic lighting effects in computer models. And, don
Childs looks at possible lasting influences of a workshop taught by the Czechoslovakian designer
ladislav vychodil at the University of California, Santa barbara, in 1974. In addition, this issue contains a new USITT publication. It's a compilation, sponsored by the lighting Commission and edited
by vickie J. Scott, of thirty job descriptions with their specific responsibilities and qualifications for
positions within the lighting industry.
looking back just briefly, a few mistakes in the Winter issue need to be corrected. On page
35, Richard d. Stephens' name was misspelled. Since Rick is a longtime contributor and editor
of TD&T, this mistake is especially embarrassing and we sincerely apologize. Also regretful is our
omission of Madeleine Sobota's name as co-designer of USITT's USA PQ 2007 exhibit as pictured
in the timeline on page 68. And on page 22, Kathleen Widomski was indeed the winner of 1999
USITT Scene design Award sponsored by Rose brand. Unfortunately, the photo is not Kathleen. It
is Kim Morris, who won the 1999 Kryolan Makeup design Award. Our sincere apologies to both
talented women.
Since the Winter issue was an attempt to chronicle events and people in USITT's first fifty years,
I would very much like to have the opportunity to correct any other mistakes and omissions readers
might notice. Please send me your notes and not only will I publish corrections in future issues of
TD&T, I will update the permanent electronic archive issue which is available on the TD&T Web site
at ww4.usitt.org/tdt.index/. -dr
U s i t t M i s s i o n s tat e M e n t
United States Institute for Theatre Technology, Inc. (USITT) connects performing arts design and technology communities
to ensure a vibrant dialogue among practitioners, educators, and students.

theatre
design &
technology
T he peer-review jour nal
for design, production and
technolog y professionals
in the perfor ming arts and
entertainment industr y.

EdITORIAl OFFICE
david rodger
editor

deborah hazleTT
art director

*
3001 Springcrest dr.
louisville, KY 40241-2755
502-426-1211 fax: 502-423-7467
e-mail: TdT@broadwaypress.com

ASSOCIATE EdITORS
raYmond KenT
architecture

peggY roSefeldT

Costume design & Technology

paTriCK m. finelli

Computers & Software

William KenYon
education

jerrY gorrell
engineering

david C. gloWaCKi
health & Safety

riChard devin
lighting design

riChard peTerSon
management

roberT l. SmiTh & heidi hoffer
Scenic design

dave ToSTi-lane
Sound design

bill broWning

Technical production

arnold WengroW
book reviews

William j. bYrneS
inside USiTT

CONTRIbUTING EdITORS
arnold aronson * eric fielding *
sarah nash gates * joel e. rubin *
beeb salzer * delbert unruh *
tom watson * arnold wengrow

AdvERTISING
jim lUCaS

member Services & ad Sales associate

Statements and opinions expressed in articles or editorials in TD&T are the expressions of the individual contributors and do
not necessarily represent the policies or opinions of the United States Institute for Theatre Technology, Inc. Advertisements
appearing in this publication are the sole responsibility of the advertiser.
TD&T (ISSN 1052-6765) is published five times a year-Winter, Spring, Summer, Special Issue, and Fall-by United States
Institute for Theatre Technology, Inc., 315 So. Crouse Ave., Suite 200, Syracuse, NY 13210. Subscription to TD&T, also known
as Theatre Design & Technology, is a benefit of USITT membership. Fourteen dollars is deducted from membership dues
to cover cost of publication. Periodicals postage paid at Syracuse, NY and additional mailing offices. POSTMASTER: Send
address changes to TD&T, c/o USITT, 315 So. Crouse Ave., Suite 200, Syracuse, NY 13210. COPYRIGHT © 2010 by United
States Institute for Theatre Technology, Inc. All rights reserved. Material in this publication may not be reproduced in any form
without permission.

4

theatre

design

&

technology

S P R I N G

2010

315 South Crouse avenue, Suite 200
Syracuse, nY 13210
800-938-7488 / 315-463-6463
fax: 866-398-7488 / 315-463-6525
e-mail: jim@office.usitt.org

INTERNATIONAl AFFIlIATION
USiTT is the United States Center of oiSTaT: The
international organization of Scenographers,
Theatre architects and Technicians.


http://ww4.usitt.org/tdt.index/

Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2010

Contents
Theatre Design & Technology - Spring 2010 - 1
Theatre Design & Technology - Spring 2010 - 2
Theatre Design & Technology - Spring 2010 - 3
Theatre Design & Technology - Spring 2010 - Contents
Theatre Design & Technology - Spring 2010 - 5
Theatre Design & Technology - Spring 2010 - 6
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