Theatre Design & Technology - Summer 2010 - 12
the
subtext
a risky business by Beeb Salzer
I don't understand people who like to jump out of airplanes or
sleep in hammocks fastened to vertical cliffs a thousand feet up.
Movies that are designed to frighten are not in my list of things
to see. A life in the theatre has been risk enough for me. Whatever bravery I may have has been dedicated to threading my
way through the shoals of an uncertain and fickle profession.
Very often the best students who have technical
skill and have been praised for their designs
reach a point where they repeat themselves and
cling to what brought them success.
Courage and bravery, which are pretty well synonymous,
take many forms: physical, moral, artistic, political, and social.
but while some people may think they are being brave or others
may think them brave, they may be ignorant of the risks or trying to be different with shocking behavior.
Any number of authors, philosophers, and clergy have
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S U M M E R
2010
written basically the same thing, that bravery or courage comes
from acting even though afraid. The other side of the coin is
taking risks out of stupidity. The news is filled with stories of
young people doing stupid things, taking risks because they are
thoughtless. The New York Times reports that about half of all
teenagers admit to texting while driving.
Ignorance may play a part in taking professional risks.
I hear from colleagues that even graduate students have little
idea of the fees they might get and are surprised by the thought
of poverty staring them in the face-even if they get work. And
since universities have been producing more and more theatre
people, the competition is daunting.
These same students may be risk adverse. very often the
best students who have technical skill and have been praised
for their designs reach a point where they repeat themselves
and cling to what brought them success. Many find comfort in
symmetrical designs. Others hold on to a set color palette or
materials that they know. Teaching them then becomes a way
of coaxing them to be bolder, brave, even if at first they think
Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 2010
Contents
Theatre Design & Technology - Summer 2010 - 1
Theatre Design & Technology - Summer 2010 - 2
Theatre Design & Technology - Summer 2010 - 3
Theatre Design & Technology - Summer 2010 - Contents
Theatre Design & Technology - Summer 2010 - 5
Theatre Design & Technology - Summer 2010 - 6
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
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