Theatre Design & Technology - Spring 2012 - 53
Figure 2. View of inside and outside of corset.
corset to preserve the corset and protect the wearer's skin
against chafing. Our chemise, which was pulled from stock,
was unfortunately cut too full in the body to allow it to lie flat
around the corset's neckline. After we considered making a
more fitted chemise, we switched to a modern option instead:
a man's short-sleeve T-shirt. The neckline of the T-shirt was cut
to match the corset's neckline. Small snaps were sewn on the
T-shirt and to the inside of the corset. The snaps prevented any
movement of the T-shirt while being worn and made it possible
to remove the T-shirt from the corset for cleaning.
Before sewing the corset together, the coutil and linen fabrics for each pattern piece were flatted together with rows of
topstitching. In addition to strengthening the fabrics and giving
the corset a more period look, the topstitching created channels
into which the corset bones could be inserted. Bones were cut to
size and inserted between the two fabrics for the final fitting. Any
bones running horizontally, crossing over the already enclosed
bones, were first inserted into bone tape and then hand sewn
inside the corset (fig. 2).
Before the final fitting, the edges of the corset were finished. To add to the period look, the bottom edge of the corset,
tabs and shoulder straps were bound with bias tape. The tape
was made from a medium-weight, lighter tan-colored cotton
fabric. The front and back of the neckline were piped with the
same tan cotton. The ends of the cord in the piping were left
unstitched so when the corset was fitted, the cord could still be
pulled. By slightly tightening the cord, the neckline of the corset
would fit closer into the body.
A log-shaped piece of foam covered with T-shirt fabric
was sewn inside the front of the corset. This "shelf" was placed
where the bottom of the bust should hit inside the corset. The
purpose of the shelf is to keep larger, heavier breasts in place
Figure 3. Dress form with corset and petticoat.
spring
2012
theatre design
& technology
51
Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2012
Contents
Theatre Design & Technology - Spring 2012 - 1
Theatre Design & Technology - Spring 2012 - 2
Theatre Design & Technology - Spring 2012 - 3
Theatre Design & Technology - Spring 2012 - Contents
Theatre Design & Technology - Spring 2012 - 5
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
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