Theatre Design & Technology - Winter 2012 - 10
a show being built. I was having vision problems at the time,
so he talked me through what had been done. Then there was
a carpenter I had worked with on several films who could
build anything, in record time, and beautifully. He tutored me
about the differences in realism and architectural scale between theatre and movies.
These examples are of special favors, but far more numerous are the times when I was the beneficiary of people just
doing their jobs. I worked in Russia when it had just opened up
to foreigners. Materials from hardware to fabrics were scarce,
and often I relied on the theatre's staff to find alternatives to
what I had specified. What's more, they anticipated problems.
I designed a white three-piece suit for the male star and was
happy that the costume shop found material that they tailored
beautifully. More than that, because their shows played in repertory for several years, they anticipated what I had not, and
built a second white suit.
To paraphrase Blanche DuBois, I have always depended
on the kindness of techies. And I have always learned from
them, because they know more about how to do things than I
do. Well, maybe not always. If I have learned how to do something in one production, even if it was years before, I may be
ahead of a crew that has not faced the same problem. But that
has not been often. Any designer who doesn't listen to a technician's suggestions is foolish.
What is more, the complexity of what can now be done
with computers, lights, and new materials makes designers
more and more dependent on technical experts, the number
of which in a production has multiplied. The designer's job
has now become like a conductor getting everyone to go in the
same aesthetic direction.
The pride of workmanship that technicians
in theatre exhibit gives me confidence that
the world is not yet going to hell.
I have always admired people who do things well, a gardener, plumber, or carpenter, even though I can do what they
do but in an amateurish way. The pride of workmanship that
technicians in theatre exhibit gives me confidence that the
world is not yet going to hell. There are still those who finish a
day's work and can look with satisfaction at something that had
not existed before. Lord knows, it's not the money they get. The
joy of solving problems and bending materials to their will is a
reward in itself.
Years ago in an apartment that had been used for location
filming, a despised production manager tried to hurry a paint
crew that was repairing damage. "Come on, you don't have to
do such a good job." The charge painter smiled, "We only do a
good job." Maybe that could be the motto of theatre techies. v
winter
2012
theatre design
& technology
9
Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2012
Contents
Theatre Design & Technology - Winter 2012 - 1
Theatre Design & Technology - Winter 2012 - 2
Theatre Design & Technology - Winter 2012 - 3
Theatre Design & Technology - Winter 2012 - Contents
Theatre Design & Technology - Winter 2012 - 5
Theatre Design & Technology - Winter 2012 - 6
Theatre Design & Technology - Winter 2012 - 7
Theatre Design & Technology - Winter 2012 - 8
Theatre Design & Technology - Winter 2012 - 9
Theatre Design & Technology - Winter 2012 - 10
Theatre Design & Technology - Winter 2012 - 11
Theatre Design & Technology - Winter 2012 - 12
Theatre Design & Technology - Winter 2012 - 13
Theatre Design & Technology - Winter 2012 - 14
Theatre Design & Technology - Winter 2012 - 15
Theatre Design & Technology - Winter 2012 - 16
Theatre Design & Technology - Winter 2012 - 17
Theatre Design & Technology - Winter 2012 - 18
Theatre Design & Technology - Winter 2012 - 19
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Theatre Design & Technology - Winter 2012 - 21
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Theatre Design & Technology - Winter 2012 - 27
Theatre Design & Technology - Winter 2012 - 28
Theatre Design & Technology - Winter 2012 - 29
Theatre Design & Technology - Winter 2012 - 30
Theatre Design & Technology - Winter 2012 - 31
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Theatre Design & Technology - Winter 2012 - 35
Theatre Design & Technology - Winter 2012 - 36
Theatre Design & Technology - Winter 2012 - 37
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