Theatre Design & Technology - Spring 2013 - 28

photo by tuomas uusheimo

kristansand

usitt merit award
Architect
Associate Architect
Theatre Consultant
Acoustical Consultant

n
n
n
n

AL A Architects Ltd.
SMS Arkitekter AS
Theatre Projects Consultants
Arup Acoustics and Brekke &
Strand Akustikk AS

The Kilden Performing Arts Center in Kristiansand, Norway, was designed by ALA Architects and SMS Arkitekter AS. Theatre Projects,
Arup Acoustics, and Brekke & Strand Akustikk AS rounded out the project team. This port-side venue sits at the pier like a ship
ready to sail. The graceful curves of the angled wood-planked wall cantilever over the pier with a glass façade at the base mirroring
the water below as if a bow were breaking the waves. The lobby area for the performance halls is at the intersection of the massive
façade and the lightweight glazing wall. The wood façade undulates within the lobby to provide a better acoustic experience for the
patrons. Wrapping the other faces are walls painted "theatre black" that help the main façade seem to float forward.
The Kilden Center houses all of the performing arts institutions of Kristiansand under one roof. The venue accommodates a
1,200-seat rectilinear concert hall for the symphony orchestra, a 700-seat adjustable theatre for both spoken word and musicals, a
studio stage for more modern fare, and a flat-floored multi-purpose space for a variety of activities. Packing this many performance
spaces into one venue can be tricky, especially if performances are running concurrently. The design team accomplishes this masterfully by arranging them in a row by function and organizing the back of house and patron amenity services to share a common area
on the side opposite the public foyer.
Inside the concert hall is a dark skyward-reaching ceiling space in which the absence of light hides the volume necessary to
accomplish its task of quality reverberance in this grand concert hall. The walls are covered in black faceted acoustic fiber concrete
elements to shape the sound resonating within the hall. All of this darkness is attenuated by a wrap of light-colored wood that emits
a gentle glow and helps to focus attention on the performers in front and below. The theatre hall, in contrast, has an industrial feel
akin to the edge-of-your-seat experience found in more avant-garde establishments. It doesn't seek to hide the technology but to
assimilate the audience in it. The studio stage and flat-floored multi-purpose rooms are also well-appointed and technologically rich
environments, which easily accommodate a variety of events and performances.
26

theatre design

& technology

s p r i n g 2013



Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2013

Contents
Theatre Design & Technology - Spring 2013 - 1
Theatre Design & Technology - Spring 2013 - 2
Theatre Design & Technology - Spring 2013 - 3
Theatre Design & Technology - Spring 2013 - Contents
Theatre Design & Technology - Spring 2013 - 5
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