Theatre Design & Technology - Spring 2013 - 59

ones. A large circular platform below the screens contained numerous stills, costumes, and film clips interspersed with each other. They
were organized into genres and featured technological innovations (sound, color, digital technology, etc.) and changing social conventions (including the Code and censorship).
Epics and westerns were examined in Changing Contexts, as were science fiction films, and historical films, including Anna Karenina (2012), which was released just before exhibition opened. The subject of censorship, and the changes related to the depiction of
sex and violence in films over the past 100 years, could in themselves lead to an entire exhibition.
A special scene, Digital Frontiers, compared the technological innovations that allowed the creation of the character of Dolores in
Who Framed Roger Rabbit (1988) and all the characters in Avatar (2009). A video also elaborated on the way an actor is transformed
into a cartoon or computer-enhanced character, as was so effectively used in Shrek (2001).
A brief scene used film clips to compare remakes, revealing as much about changing technology as about changes in society
and taste: Scarface (1932 and 1983), Cleopatra (1934 and 1963), Ocean's Eleven (1960 and 2001), The Nutty Professor (1963
and 1996), and Cape Fear (1962 and 1991) created a bottleneck as visitors to the exhibition wanted to see the brief clips more than
once, evoking many memories and much conversation about when they first saw each of the films.
The final tableau-scene in this part of the exhibition featured two actors chosen as much for their star power as for their insights into how costumes shape character, Meryl Streep and Robert DeNiro. Both actors have played diverse characters during their
long and successful careers and have embraced the transformation that costume designers created for them.
As a costume designer, Deborah Landis has collaborated with many top actors and directors, but she reported in interviews accompanying the opening of the exhibition that she was nervous about "casting" Robert DeNiro and Meryl Streep in the exhibition. In
spite of her initial reluctance, the interviews she conducted were highly effective and a wonderful addition to the costumes and film
clips on display. Visitors could listen to the performers talk about costumes they wore in several films while looking at them.
DeNiro's costumes for Sam "Ace" Rothstein in Casino (1995, designed by John Dunn and Rita Ryack), Rupert Pupkin in The
King of Comedy (1983, designed by Richard Bruno), The Creature in Mary Shelley's Frankenstein (1994, designed by James
Acheson), Travis Bickle in Taxi Driver (1976, designed by Ruth Morley) and Jake LaMotta in Raging Bull (1980, designed by

Signature suits and neckwear. Sacha Baron Cohen as Borat in Borat: Cultural Learnings of America for Make Benefit Glorious Nation of
Kazakhstan (2006); costume design by Jason Alper. Reese Witherspoon as Elle Woods in Legally Blonde 2: Red, White & Blonde (2003);
costume design by Sophie De Rakoff. Kate Hudson as Andie Anderson in How to Lose a Guy in 10 Days (2003); costume design by Karen
Patch. John Travolta as Tony Manero in Saturday Night Fever (1977); costume design by Patrizia von Brandenstein. John Belushi and
Dan Aykroyd as Jake and Elwood in The Blues Brothers (1980); costumes by Deborah Nadoolman. Mike Myers as Austin Powers in Austin
Powers: International Man of Mystery (1997); costume design by Deena Appel.
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Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2013

Contents
Theatre Design & Technology - Spring 2013 - 1
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Theatre Design & Technology - Spring 2013 - 3
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Theatre Design & Technology - Spring 2013 - 5
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