Theatre Design & Technology - Spring 2013 - 61

Senior guest curator Deborah
Nadoolman Landis poses
with three classics: Carole
Lombard's shimmering
gown and cape from My
Man Godfrey (1936)
designed by Travis Banton,
Barbra Streisand's gold
gown from Hello, Dolly!
(1969) designed by Irene
Sharaff, and Keira Knightly's
green evening dress from
Atonement (2007) designed
by Jacqueline Durran.
In the background is Judy
Garland's unmistakable
dress from The Wizard of Oz
(1939) designed by Adrian.
Hollywood Costume opened at the Victoria & albert museum in London on october 20, 2012.
while the exhibition closed in London on January 27, 2013, it will be possible to see it again on its
international tour:
	 *		Australian	Center	for	the	Moving	Image	in	Melbourne:	April	24	to	August	18,	2013;
	 *		Virginia	Museum	of	Fine	Arts	in	Richmond:	November	2,	2013,	to	February	17,	2014;
	 *		Phoenix	Art	Museum:	March	26	to	July	6,	2014.
the exhibition catalog is available from the museum at vandashop.com.

Deborah Nadoolman Landis, senior guest curator, is a costume designer-Animal House, Raiders of the Lost
Ark, Coming to America (academy award nomination), and Burke & Hare-author-Screencraft: Costume
Design (reviewed in winter 2013 issue of TD&T and Dressed: A Century of Hollywood Costume Design (2009
Golden	Pen	book	award	winner)-and	the	David	C.	Copley	Chair	and	founding	director	of	the	David	C.	
Copley Center for Costume design at the uCLa school of theater, film, and television. she served for two
terms as president of the Costume designer's guild and also teaches at the university of the arts, London.
Sir Christopher Frayling,	guest	curator,	is	author	of	eighteen	books	on	popular	culture	and	film.	He	was	a	
governor of the British film institute and a trustee of the V&a, and is professor emeritus of Cultural history at
the royal College of art. he has curated many well-received exhibitions and contributed to their catalogs
and is the recipient of numerous awards.
Keith Lodwick,	assistant	curator,	is	a	member	of	the	V&A	Theatre	and	Performance	Department,	specializing	
in web and digital projects. he studied set and costume design at the Central school of speech and drama
in	London.	His	designs	have	been	exhibited	in	the	UK	and	at	the	Prague	Quadrennial,	and	his	essays	have	
been included in exhibition catalogs.
Harry Winston, sponsor of the exhibition, is "jeweler to the stars." near the end of the exhibition, in a glass case, was
a	facsimile	version	of	his	diamond	and	yellow	sapphire	necklace	worn	by	Kate	Hudson	as	Andie	Anderson	in	
How to Lose a Guy in 10 Days (2003). it's the only thing in the exhibition that was not an authentic costume.

s p r i n g 2013

theatre design

& technology

59


http://www.vandashop.com

Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2013

Contents
Theatre Design & Technology - Spring 2013 - 1
Theatre Design & Technology - Spring 2013 - 2
Theatre Design & Technology - Spring 2013 - 3
Theatre Design & Technology - Spring 2013 - Contents
Theatre Design & Technology - Spring 2013 - 5
Theatre Design & Technology - Spring 2013 - 6
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