Theatre Design & Technology - Winter 2013 - 27
Clara, with her nutcracker and in the opening scene. Costume design by
Robert Perdziola. The Nutcracker, Boston Ballet, 2012.
Courtesy Boston Ballet.
the
Nutcracker
ornaments and 766 embedded fiber optic points, a genuine
wow effect. At the end of Act I, the snow does indeed fell on the
corps de ballet of snowflakes dancing in a white birch forest.
Arguably no stage production is more American than The
Nutcracker. But here's the paradox: this spectacle-ballet first
came to life in Czarist Russia more than one 120 years ago. Unveiled at the Maryiinsky Theatre in St. Petersburg on December
6, 1892, with a score by Peter Ilyich Tchaikovsky and choreography by Lev Ivanov (assistant to the ballet-master Marius Petipa), The Nutcracker on stage appropriated its plot from "The
Tale of the Nutcracker," Alexander Dumas père's translation
of E.T.A. Hoffman's 1816 short story, "The Nutcracker and the
Mouse King." Despite the ballet's current popularity, the work
was not well received at its premiere.
By mid- twentieth century, ballet performers, choreographers, and teachers had left Russia to settle in America, many
arriving after the Revolution and World War I. In 1944, the San
Francisco Ballet mounted the first full-length production of
the ballet in America, with the help of some Russian émigrés.
Excerpts and condensed versions had been seen here before,
most notably on tour by the Ballet Russe de Monte Carlo, which
had presented a compact staging in the years before and during
World War II. But the San Francisco Nutcracker and a production created by the Russian-born expatriate George Balanchine
in 1954 for New York City Ballet are considered the sparks that
ignited the national passion for the work. The 1940 Disney film
Fantasia, using a portion of the Tchaikovsky score to animate
dancing mushrooms and thistles, no doubt made the music familiar to a wider audience.
Since then, given the large numbers of ballet schools
throughout the country, the hoards of children groomed for the
casts, and the ticket-buying families and friends who flock to
see them, The Nutcracker has become the financial mainstay
of professional and amateur companies in America-the "ham
and eggs" in ballet world parlance. In addition to mountings
that refer back to the original staging of the traditional story
set in middle Europe sometime during the nineteenth century,
there have been wildly divergent themes, including The Hard
Nut, the sardonic, contemporary send-up choreographed by
Mark Morris, and Donald Byrd's Harlem Nutcracker, set to
Duke Ellington's transcription of the score. The major troupes
in New York-New York City Ballet at Lincoln Center and
w i n t e r 2013
theatre design
& technology
25
Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2013
Contents
Theatre Design & Technology - Winter 2013 - 1
Theatre Design & Technology - Winter 2013 - 2
Theatre Design & Technology - Winter 2013 - 3
Theatre Design & Technology - Winter 2013 - Contents
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