Theatre Design & Technology - Summer 2017 - 22

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S u m m e r   2 0 1 7

Sustainability is suffused throughout society and
has seeped into theatre design and production as well.
Today, we know more than ever about the human role
in climate change, and a growing collection of literature examines the intersection of sustainability and
theatre arts, further legitimizing this small pioneering
field of study (see sidebar on p. 25). A recent year-long
case study investigated how to make an academic theatre production more sustainable from beginning to
end, and from bottom to top. Indiana University (IU)
Theatre's February 2017 production of The Duchess of
Malfi pursued sustainable change in almost every aspect
from stage management to set construction. Theatre is a
change agent, and this case study identifies and suggests
strategies to overcome impediments to change that are
common to most academic theatres, including bureaucracy, novelty, turnover, and communication.
Theatre designers, production professionals, and
technologists develop team-oriented and innovative solutions, working under tight time constraints to clearly
identify problems, seek solutions, and carry out ideas. As
such, they are well prepared to envision new approaches
to making art-solutions that can have profound and
positive impacts on our communities. If theatre is to assume a leadership role as a change agent for sustainability, then it's important to understand how to better
identify the reasons for resistance and discuss methods
to overcome them in academic theatres.
EXPLORATORY GROUNDWORK, 2015-2016
In August 2015, the IU Office of Sustainability
launched the 2020 Sustainability Scholars Program,
which pairs qualifying undergraduate students with
faculty research mentors to pursue an on-campus
sustainability-related project. Professor Paul Brunner
proposed a project titled, "The Waste Stream in Theatre Production and a Vision for the Future" and was
matched with Olivia Ranseen because of her interest
in theatre. The pair developed a research plan that focused on the waste stream of the facility operations
side of IU's Department of Theatre, Drama, and Contemporary Dance. In the study, waste constitutes both
physical landfill-bound waste from set construction
such as lumber, scenery, and props, as well as amorphous energy waste produced by the facility. The authors sought to measure waste (where possible) and
enact sustainable, plausible change with the hopes of
positive impact. This exploration defined positive impact broadly to represent any reduction in the waste of
materials or resources and included landfill diversion
as well as changes in processes.
Ranseen, an environmental management major,
identified waste-generating areas within the department and determined what sort of waste reduction was
feasible by conducting observations. Any plan requires


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Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 2017

Contents
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