Theatre Design & Technology - Summer 2017 - 27

conducted in a large theatre department with layers of
distributed authority. To ensure progress towards positive change, one must first develop a plan to gain support at all levels in the production organization.
A systematic approach was used to garner support,
beginning with the department chair who also serves
as producer. He was eager to express his support and
offered his assistance as the case study took shape. The
director and production designers were individually approached (to be as nonthreatening as possible) about
how to engender sustainable ideas into the design and
production of The Duchess of Malfi. They were included
in the initial thinking about the case study and made
good-faith efforts to support new and unfamiliar elements of sustainability into the production, largely due
to the nonthreatening manner in which the idea was
introduced. Each area of design embraced sustainability
to different degrees.
The non-threatening approach was key to fostering
an atmosphere of positive change. Approaching each
member of the production team individually, during
pre-production, to discuss sustainability helped alleviate uncertainty and prompted immediate dialogue that
is not always present in larger group discussions concerning new ideas and organizational change. The entire
design and production team was aware of the authors'
desire to explore new suitable ways to produce the show
well in advance of any design work or staging rehearsals.
Second, it was important that Ranseen was a sophomore undergraduate student. The entire design and
production team (director, designers, technical director,
etc.) were graduate or undergraduate students. Her approach to introducing sustainability into this production was received in a more positive way because it came
from a motivated student peer and colleague. Successful
organizational change requires a strong grassroots element, and a peer-to-peer approach proved valuable in
this case study. A project introduced by a faculty member may have been perceived as an edict from the top
down and received with far less optimism.
Despite bureaucratic constraints imposed by their
large size and policies, a large research university can
also function as a catalyst and encourage the adoption
of new practices. At Indiana University, the IU Office of Sustainability and the Integrated Program for
the Environment administer the 2020 Sustainability
Scholar program with funding from the vice provost for
undergraduate education; the program supported the
exploratory research for this study. While the program
receives top-level support, its participants seek to tackle
local, campus-based sustainability issues, and it creates
working relationships between operations and faculty.
In an interview, Andrew Predmore, associate director of
IU's Office of Sustainability and coordinator of the program, states "Greater engagement with sustainability is

suggest more effective means of improving overall lighting efficacy by
applying a holistic approach to reduce energy consumption throughout
an entire theatre facility.
Pedagogy and Sustainability
Curriculum resources to provide academic theatres with approaches
that have environmentally sustainable benefits are scarce. Most recently, Ellen Jones authored A Practical Guide to Greener Theatre: Introduce Sustainability into Your Productions, in 2013, that provides an
introduction to greener theatre and a foundation for how to begin integrating sustainable ideas into theatre production. It's the only text
available that provides an introduction to the burgeoning world of
sustainable theatre. The other major book on the subject appeared in
1994, Greening Up Our Houses: A Guide to a More Ecologically Sound
Theatre by Larry K. Fried and Theresa J. May. This is the first serious
work to explore the intersection of ecology and theatre production.
The momentum created by conferences, symposia, and this body of literature calls on theatre to assume a leadership role in thinking about
sustainable solutions for performing arts. These texts are aimed at different audiences: Jones provides practical tips for smaller scale theatres
while Fried & May address more philosophical issues and offer guiding
principles for theatres of all sizes.
Scholar, Vendor, and Practitioner Collaborations
The increasing number of presentations concerning sustainable design
and production at major professional conferences provides an additional framework and considerable momentum in the field. LDI (Live
Design International) hosted a full-day of sessions, "Green Day" from
about 2009 to 2011 and brought together vendors and professional
practitioners to explore sustainable production and products in a "think
tank." In 2012 USITT teamed with the BGA (Broadway Green Alliance)
to host a set of solution-oriented sessions at the USITT National Conference. Recurring themes including how to build greener scenery models, evaluation of and advancement in LED lighting for the stage, closing
green, and a green theatre roundtable that promotes discussion and
sharing of ideas among theatres and experts. The BGA also promotes its
successful College Green Captain Program and Tool Kit through USITT.
Ranseen received the BGA College Green Captain Prize at the 2017
USITT National Conference for the case study presented in this article
(www.broadwaygreen.com/college-green-captains). Also, the Staging
Sustainability conferences (2011, 2014) hosted by York University in Toronto brought together a diverse international collection of artists and
environmental experts to explore sustainable arts events, programing,
and perspectives. Finally, the Earth Matters On Stage Ecodrama Festival and Symposium, founded in 2004, is held every three years and is
a "consortium of artists, educators, activists, and scholars who believe
that theatre and the performing arts must respond to the environmental crisis." Centered on the Ecodrama Playwrights Contest, the festival
and symposium "illuminates global and local ecological issues across
cultures" (www.earthmattersonstage.org).

S u m m e r   2 0 1 7

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http://www.broadwaygreen.com/college-green-captains http://www.earthmattersonstage.org

Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 2017

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http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
http://www.nxtbookMEDIA.com