Theatre Design & Technology - Summer 2017 - 45

the author worked with Vectorworks' development from
the beginning and uses it with students. However, the
pedagogical approaches discussed below can be employed with all brands of theatrical software.
Approaching education in layers bases each lesson
on an actionable step in a real-world design process.
Rather than teaching students technical skills for the
sake of ensuring they know how to use design software
during their career, integrating each lesson into an overarching design lesson plan may help students retain the
information better and have a stronger point of reference for grasping the integrated nature of the creative
concept and its implementation.
This type of purpose-driven course is quite easy
to implement in a pre-standing curriculum. Instead of
explaining what action results from a combination of
commands, discuss a possible design scenario. Next, give
a few, simple ways in which that goal is achievable within a software program. Students are taught an aspect of
design using a small set of a software's features. Then
the following lesson teaches another aspect of design
and extends the use of the software's toolset a bit more.
The process continues, each lesson building on the last,

layering the student with artistic concepts and technical
knowledge, and allowing their designs to grow in sophistication, and their skills in competence.
For example, let's say an assignment focuses on
massing, and the students must demonstrate the development of a shape or a group of shapes. Give students
three tools to work with: polygon, circle, and extrude.
Ask students to solve the problem with these three tools
only. From there, each lesson will add additional tools
like move and reshape, until the full suite of traditional
design exercises and software functionality is covered.
Let them explore the software as a tool alongside traditional tools like cardboard or clay. Young designers
can express their creativity while incrementally exploring the principles of design, and avoid becoming overwhelmed by the possibilities available in software. By
focusing on developing design solutions while simultaneously exploring how one may achieve them with the
available tool's capabilities, a student's design process
and professional workflow evolves and progresses naturally, without dividing the student's attention.
If your class format includes a charrette, also known
as a critique element, present projects using computers

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45


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Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 2017

Contents
Theatre Design & Technology - Summer 2017 - Cover1
Theatre Design & Technology - Summer 2017 - Cover2
Theatre Design & Technology - Summer 2017 - 1
Theatre Design & Technology - Summer 2017 - 2
Theatre Design & Technology - Summer 2017 - Contents
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