Theatre Design & Technology - Summer 2017 - 64

book
Erika Guay

editor

review

Workers at Work and
How They Got There
Unbuttoned: The Art and Artists of Theatrical
Costume Design
by E. Shura Pollatsek with Mitchell D.
Wilson
Focal Press, 2017; 176 pages
Paperback $49.95; E-book $49.95
Reviewed by Emily Gill
My first reading of Unbuttoned: The Art
and Artists of Theatrical Costume Design by
E. Shura Pollatsek, with photos by Mitchell
D. Wilson, was interrupted by the arrival of
a prospective student and her supportive,
but uninitiated parents (into either theatre
or higher education) escorted by an admissions staff member. This student had a
phone full of images of some very impressive crafts projects she had completed for
a community theatre, part of her "enrichment" section in her home-school curriculum. Her parents beamed with pride, as
they should have, but we in arts education
can sense parental anxiety for job security
immediately. I have a speech about seeking
opportunities and finding a part of the job
you cannot wait to do when you get up, but
it was me talking-the salesperson, in this
scenario.
On this day, I had in hand this volume:
pages of clear job descriptions, testimonials
of fulfilled and accomplished professionals, and to seal the deal, photos of working
hands and faces-diverse hands and faces.
In this masterful composition, each section
(Design, Sourcing Materials, Draping and
Cutting, Fabric Embellishment, Construction, Crafts and Millinery, Wigs and Hair,
and finally "Putting It All Together") opens
with a clear, accurate, and evocative summary of the area to be covered. Then what
follows are frank and frequently funny artisan interview summaries with photos focusing not on the products, but workers at
work. Yes, you can see sneak peeks of new
and treasured designs and garments, but
the main focus is on the people.
True to the prologue, in which Pollatsek calls attention to the general ten64

theatre design

& technology

S u m m e r   2 0 1 7

dency of media to skip over the lengthy
and masterful process of creating clothing
objects, this book lovingly documents the
creation process secondary to the product.
It is this quality that made me immediately recommend this book, after a cursory
leaf-through, to the student and her family.
My hope was she would see people working like she does and think: "That could
be me and this lady who suggested it will
teach me these things," [but that's another
article].
My second and third readings were
thankfully relatively uninterrupted, and
that leads to my second use of this book:
a required text for a combined levels and
interests costume design course next fall.
In this course, I have a strong candidate
for design assistant work-a natural craftsperson, an intended entrepreneur, a strong
wardrobe manager, a pageant makeup artist, a design as performance artist, and finally a theatrical cultural anthropologist.
What text can address all those career goals
without shoehorning them into a repertory
syllabus, leaving them to make the connections on their own or trust me that there is
a place for them in the art? How can I address all those creative individual goals with
a common reading?
I had a stack of copied articles, anecdotes, and websites, and then this book
landed in my lap. Inspirational, evocative,
and entertaining, this book looks like it will
solve my problem. For example, none of the
artists featured in the aforementioned "often funny and frank" artisan profiles came
to the profession in the same way. I think
the diversity of path and process presented


http://www.eartec.com

Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 2017

Contents
Theatre Design & Technology - Summer 2017 - Cover1
Theatre Design & Technology - Summer 2017 - Cover2
Theatre Design & Technology - Summer 2017 - 1
Theatre Design & Technology - Summer 2017 - 2
Theatre Design & Technology - Summer 2017 - Contents
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Theatre Design & Technology - Summer 2017 - Cover3
Theatre Design & Technology - Summer 2017 - Cover4
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