Theatre Design & Technology - Spring 2018 - Public - 53

Y

ears ago, as a secondyear undergraduate student employee, I was
making a plaid, Watteau
back, robe à l'anglaise
for Mrs. Fezziwig. I had learned patterning and costume history, but had
never cut a high-period dress with
this many pieces or matched plaid
before. Apparently, or so they tell me,
I sat for hours on top of the cutting
table cross-legged with my tongue
sticking out, and the most quizzi-

cal expression on my face. I was in
the zone. Everyone in the shop was
staring at me, yet I cut that dress out
and sewed it together, and everything matched, even on the princess
seams. From that moment on I was
in love with technical theatre. In the
years since, I have enjoyed other
positive experiences in my chosen
profession, as well as some negative
ones, including a few lukewarm days
as a theatre artist. Yet, memories of
the intense enjoyment, of being in
the zone, are important reminders
that moments of intense work and
concentration are not always easy to
achieve. And, they're even harder to
come by as artists progress through
their careers.
Even when you work in a field
you adore, day-to-day tasks can become routine and boring, conflicts
can arise, and apathy can fester. In
order to consistently enjoy a job and
be productive, it's important to create environments that are conducive
to enjoyment. But what makes an
experience enjoyable? This question
was posed by prominent psychologist Mihály Csíkszentmihályi in his
research into the optimum experience. Csíkszentmihályi coined the
term "flow" to describe these optimal experiences, which he defines
as "the state in which people are so
involved in an activity that nothing
else seems to matter; the experience
itself is so enjoyable that people
will do it even at great cost, for the
sheer sake of doing it" (Csíkszentmihályi 1990, 4). Csíkszentmihályi
first published his research in 1975
and published the definitive book on
the subject, Flow: The Psychology of
the Optimum Experience, in 1990.
Since then, he has published many

Pictured: Lindsey Hearon.
Photo by Jesus Lopez V.

other books, articles, and collections
on the topic. Numerous scholars
have built upon his research in the
relatively new field of positive psychology. Companies like Facebook,
Google, and Toyota use the concept
of flow to guide their business practices and foster happier, more productive employees (Kotler 2014).
In technical theatre, these concepts
can also be used to increase job satisfaction in a way that befits our artistry.
This optimum experience is
often described in examples of artists being absorbed in their work,
such as "what a painter feels when
the colors on the canvas begin to
set up a magnetic tension with each
other, and a new thing, a living form,
takes shape... a violinist, mastering
an intricate musical passage" (Csíkszentmihályi 1990, 3). Consider
a dancer's description of being in
the zone: "A strong relaxation and
calmness comes over me. I have no

SPRING 2018

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THEATRE DESIGN & TECHNOLOGY

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Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2018 - Public

Contents
Theatre Design & Technology - Spring 2018 - Public - Cover1
Theatre Design & Technology - Spring 2018 - Public - Cover2
Theatre Design & Technology - Spring 2018 - Public - 1
Theatre Design & Technology - Spring 2018 - Public - Contents
Theatre Design & Technology - Spring 2018 - Public - 3
Theatre Design & Technology - Spring 2018 - Public - 4
Theatre Design & Technology - Spring 2018 - Public - 5
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Theatre Design & Technology - Spring 2018 - Public - 9
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Theatre Design & Technology - Spring 2018 - Public - 12
Theatre Design & Technology - Spring 2018 - Public - 13
Theatre Design & Technology - Spring 2018 - Public - 14
Theatre Design & Technology - Spring 2018 - Public - 15
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Theatre Design & Technology - Spring 2018 - Public - 18
Theatre Design & Technology - Spring 2018 - Public - 19
Theatre Design & Technology - Spring 2018 - Public - 20
Theatre Design & Technology - Spring 2018 - Public - 21
Theatre Design & Technology - Spring 2018 - Public - 22
Theatre Design & Technology - Spring 2018 - Public - 23
Theatre Design & Technology - Spring 2018 - Public - 24
Theatre Design & Technology - Spring 2018 - Public - 25
Theatre Design & Technology - Spring 2018 - Public - 26
Theatre Design & Technology - Spring 2018 - Public - 27
Theatre Design & Technology - Spring 2018 - Public - 28
Theatre Design & Technology - Spring 2018 - Public - 29
Theatre Design & Technology - Spring 2018 - Public - 30
Theatre Design & Technology - Spring 2018 - Public - 31
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Theatre Design & Technology - Spring 2018 - Public - 33
Theatre Design & Technology - Spring 2018 - Public - 34
Theatre Design & Technology - Spring 2018 - Public - 35
Theatre Design & Technology - Spring 2018 - Public - 36
Theatre Design & Technology - Spring 2018 - Public - 37
Theatre Design & Technology - Spring 2018 - Public - 38
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Theatre Design & Technology - Spring 2018 - Public - 40
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Theatre Design & Technology - Spring 2018 - Public - 42
Theatre Design & Technology - Spring 2018 - Public - 43
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Theatre Design & Technology - Spring 2018 - Public - 46
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Theatre Design & Technology - Spring 2018 - Public - 49
Theatre Design & Technology - Spring 2018 - Public - 50
Theatre Design & Technology - Spring 2018 - Public - 51
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Theatre Design & Technology - Spring 2018 - Public - 53
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Theatre Design & Technology - Spring 2018 - Public - 56
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Theatre Design & Technology - Spring 2018 - Public - 68
Theatre Design & Technology - Spring 2018 - Public - Cover3
Theatre Design & Technology - Spring 2018 - Public - Cover4
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http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
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http://www.nxtbookMEDIA.com