Theatre Design & Technology - Winter 2018 - 34

Concept sketch for the quilt panel

The NAMES Project Foundation granted USITT a double-size panel measuring six-by-six feet where multiple names
could be inscribed.
Irene Corey, artist, designer, author,
and USITT member, was chosen to design the panel that would be added to
the AIDS Memorial Quilt. The design
is based on a turn of the century "oleo"
drop curtain that featured spaces for
commercial ads. It was in the "ad" spaces
that the names of the deceased were to
be placed. Irene entitled the panel Oleo
Remembrance. C. Lance Brockman, professor emeritus, Department of Theatre
Arts and Dance, University of Minnesota-Twin Cities and USITT member, provided inspirational images to Corey of ad
and mountain drops from the Twin City
Scenic Collection, Performing Arts Archives, University of Minnesota Libraries, Minneapolis, Minnesota.
Ruth Gilmore, a scene painter from
the Chicago Lyric Opera, painted the
scenic mountain design on canvas that
appears near the top of the quilt. The

34 |

THEATRE DESIGN & TECHNOLOGY

|

WINTER 2018

mountain design in Corey's original rendering only suggests the subject. It is not
clear whether Irene Corey designed the
scene painting or if she "suggested" the
design and someone else, maybe Ruth
Gilmore, completed the design as it appears in the finished panel.
Susan Logothetis produced the embroidery on the banner and the USITT
letters on the side panels. The quote is
from Shakespeare's Hamlet Act 4,1:
"There's rosemary, that's for remembrance. Pray, love, remember."
Stuart Goldman, owner of Baer
Fabrics in Louisville, Kentucky, beloved
member of USITT and supplier of fabrics to many USITT members, donated
the fabric and trims. The fabric is dark
blue velvet that became the base for the
whole quilt. Light blue polished cotton
comprises all panels, both squares and
ovals. The squares are bordered with
flat gold braid. The oval at bottom and
the circle in the middle are edged with
gold gimp, as is the scene design. The
4-inch gold fringe appears on the edge,

the overfold, lower edge, and the side
squares. Fabric swatches for the green
sprigs of rosemary that appear on the
overfold, under the scene design, and
around the circle and the oval pieces, are
not swatched, and there is no memory
of what fabric was used. The Baer Fabric invoice, dated Dec. 20, 1989, was in
the amount of $228.99 with the notation
"Contribution-NO CHARGE."
The panel design was delivered
to me, along with the fabric, trim, embroidery, and scenic design, in late December 1989 or early January 1990. I
constructed the panel, with assistance
from theatre students, in the Texas
Christian University Costume Shop, Fort
Worth.
Melanie Hughes designed and built
the commemorative book, while Gary
Miller organized and collected the biographies for the initial 10 names that were
inscribed on the panel. In March 1990,
the completed panel was displayed at
the National USITT Conference in Milwaukee. Gary Miller headed the USITT



Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2018

Contents
Theatre Design & Technology - Winter 2018 - Cover1
Theatre Design & Technology - Winter 2018 - Cover2
Theatre Design & Technology - Winter 2018 - 1
Theatre Design & Technology - Winter 2018 - Contents
Theatre Design & Technology - Winter 2018 - 3
Theatre Design & Technology - Winter 2018 - 4
Theatre Design & Technology - Winter 2018 - 5
Theatre Design & Technology - Winter 2018 - 6
Theatre Design & Technology - Winter 2018 - 7
Theatre Design & Technology - Winter 2018 - 8
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