Theatre Design & Technology - Winter 2018 - 37

Sharing a passion for characters and storytelling,
theatre technicians create costumes for
self-expression and escapism
BY JESSICA CHAMPAGNE HANSEN

I

t is no secret that working as a
theatre technician demands long
hours, hard work, and fast deadlines. Glamorous is a word not
often used to describe behind-thescenes jobs in the theatre. However, when the lights are turned off, the
irons grow cold, and the shop door is
locked after a long day, many theatre artists begin to work on personal projects
that are glamorous. These are the afterhours projects of theatre artists who cosplay.
Many theatre technicians have found
a place in cosplay, perhaps because cosplay combines beloved elements of
theatrical craft: dynamic characters, engaging stories, and innovative costumes.
Some cosplayers spend months of their
free time experimenting with state-ofthe-art technology in their living rooms,
creating accurately detailed cosplay costumes for the moment when they step
out from behind the scenes and embody
a character. They are like superheroes
with an alter ego, theatre artists by day
and cosplayers by night. Capes are optional.

Creative Outlet

Maggie Hofmann, Amanda Fehlner,
and Denise Chukhina are professional
theatre costume designers and technicians who also cosplay. These talented
women represent a link between the
theatre community and the cosplay community, which have remained separate
until recently. In the 1980s, Takahashi
Nobuyuki attended World-Con, a sci-

Elsa and Anna from Frozen (2013) and Jack Frost from Rise of the Guardians (2012)-Cosplay by Denise
Chukhina. Denise Chukhina as Elsa, Crystal Mackey Free as Anna, and Dmitriy Chukhin as Jack Frost.
Photo by Nathan Clendenin.

ence fiction convention, and used the
term kosupure, which translates to costume play or cosplay, to describe fans
dressed up in costumes (Winge 2006,
66). Cosplay has long been regarded as
a hobby by many because, while formal
education and training in theatre is available, cosplayers rely on more informal
training opportunities. This essential
difference has created a stigma around
cosplay in some segments of the theatre
community. On the surface, cosplay and
theatre have many differences. After all,
cosplay is not presented in a traditional

theatre and there are many collaborators
missing from the process, such as directors and stage managers. But when one
digs a little deeper, at the heart of both
cosplay and theatre is a genuine admiration for characters, costumes, storytelling, and design. As more trained theatre
professionals share their talents in the
realm of cosplay, what was once a hobby
is turning into a professional outlet to
exhibit specialized skills, develop one's
career, and create portfolio pieces.
Cosplayers all have their own origin
stories, much like the characters they
WINTER 2018

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THEATRE DESIGN & TECHNOLOGY

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Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2018

Contents
Theatre Design & Technology - Winter 2018 - Cover1
Theatre Design & Technology - Winter 2018 - Cover2
Theatre Design & Technology - Winter 2018 - 1
Theatre Design & Technology - Winter 2018 - Contents
Theatre Design & Technology - Winter 2018 - 3
Theatre Design & Technology - Winter 2018 - 4
Theatre Design & Technology - Winter 2018 - 5
Theatre Design & Technology - Winter 2018 - 6
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Theatre Design & Technology - Winter 2018 - 8
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Theatre Design & Technology - Winter 2018 - 37
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Theatre Design & Technology - Winter 2018 - Cover3
Theatre Design & Technology - Winter 2018 - Cover4
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