M
y room is an “artist’s room”—which is just a nice way of saying it’s a big mess. There are always scraps of paper, inkless pens, and bent staples waiting to be twisted and constructed into a sculpture of sorts. A whale, maybe, or perhaps a sheep? All these useless items can spark a creative flame. That’s how I began experimenting with stop-motion animation. On a boring Saturday morning in March 2009, I looked around my extremely artistic room, picked up a camera and an eraser, and brought to life the next chapter in my life.
Table of Contents for the Digital Edition of Imagine Magazine - Johns Hopkins - May/June 2011