Louisiana Cultural Vistas - Fall 2005 - (Page 15)

left: Three fingers from a statue of Jesus Christ were broken off when a tree toppled behind St. Louis Cathedral in the French Quarter. photograph by Louis Sahuc Superdome, while makeshift shelters and hotels and hospitals struggled. And where was everyone else during all this? Oh, help is coming, New Orleans was told. We are a rich country. Congress is acting. Someone will come to stop the looting and care for the refugees. And it’s true: eventually, help did come. But how many times did Gov. Kathleen Blanco have to say that the situation was desperate? How many times did Mayor Ray Nagin have to call for aid? Why did America ask a city cherished by millions and excoriated by some, but ignored by no one, to fight for its own life for so long? That’s my question. I know that New Orleans will win its fight in the end. I was born in the city and lived there for many years. It shaped who and what I am. Never have I experienced a place where people knew more about love, about family, about loyalty and about getting along than the people of New Orleans. It is perhaps their very gentleness that gives them their endurance. They will rebuild as they have after below: A military amphibious vehicle patrols flooded streets surrounding New Orleans’ St. Louis Cemetery No. 1. photograph courtesy of FEMA storms of the past; and they will stay in New Orleans because it is where they have always lived, where their mothers and their fathers lived, where their churches were built by their ancestors, where their family graves carry names that go back 200 years. They will stay in New Orleans where they can enjoy a sweetness of family life that other communities lost long ago. But to my country I want to say this: During this crisis you failed us. You looked down on us; you dismissed our victims; you dismissed us. You want our Jazz Fest, you want our Mardi Gras, you want our cooking and our music. Then when you saw us in real trouble, when you saw a tiny minority preying on the weak among us, you called us “Sin City,” and turned your backs. Well, we are a lot more than all that. And though we may seem the most exotic, the most atmospheric and, at times, the most downtrodden part of this land, we are still part of it. We are Americans. We are you. In 1976 Anne Rice published Interview With The Vampire. Within a decade it became the best-known vampire novel since Bram Stoker’s Dracula. She was born and spent most of her life in New Orleans, the city that forms the background against which most of her stories of vampires, witches and mummies take place. Reprtined with permission from The New York Times Op-Ed page, September 4, 2005. Well, here's an answer. Thousands didn’t leave New Orleans because they couldn't leave. They didn’t have the money. They didn’t have the vehicles. They didn't have any place to go. They are the poor, black and white, who dwell in any city in great numbers; and they did what they felt they could do — they huddled together in the strongest houses they could find. There was no way to up and leave and check into the nearest Ramada Inn. What’s more, thousands more who could have left stayed behind to help others. They went out in the helicopters and pulled the survivors off rooftops; they went through the flooded streets in their boats trying to gather those they could find. Meanwhile, city officials tried desperately to alleviate the worsening conditions in the Fall 2005/LOUISIANA CULTURAL VISTAS 15

Table of Contents Feed for the Digital Edition of Louisiana Cultural Vistas - Fall 2005

Louisiana Cultural Vistas - Fall 2005 Contents Editor’s Column Louisiana Endowment for the Humanities Louisiana State Museum After Katrina and Rita Tabasco: Edmund McIlhenny and the Birth of a Louisiana Pepper Sauce Historic New Orleans Collection Louisiana Association of Museums New Orleans’ Coffee Connection No Man’s Land Louisiana Department of Culture, Recreation and Tourism Bookstand (Book Review by Thomas Uskali) Sound Advice (Music Review by Ben Sandmel) Forum (Commentary by Roy Blount, Jr. )

Louisiana Cultural Vistas - Fall 2005

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