Louisiana Cultural Vistas - Winter 2005-2006 - (Page 100) BOOKSTAND book review by Thomas Uskali Pirates of panache Romanticized and reviled, the Brothers Laffite played pivotal roles along the Gulf Coast In his poetic preface to The Pirates Laffite, William C. Davis writes: “In the virtues and crimes of [the brothers Laffite] lay not just the stuff of romance, but zephyrs to fill the sails of the nascent American character.” Davis formally acknowledges the pirate’s deep romantic lure, and then spends the rest of this remarkable volume deconstructing his myth with clear and compelling evidence. First, a primer of basic terms: Piracy is “highway robbery at sea.” It contrasts with privateering, the taking of merchant trade during war. A privateering vessel carries letters of marque from a sponsoring government, with whom the captain shares a percentage of his profit. Of course, a letter of marque’s illegitimacy, or that of its sponsoring government, can turn a privateer into a pirate. And vice versa. The Laffite brothers’ ancestors came from the “lawless” margin of the Pyrenees between France and Spain, in Pauillac. Pierre and Jean were born (probably) in 1770 and 1782 to a middle-class family. They grew up when the power of the merchant class was growing, as were the French Revolution’s democratizing effects. The first 20 years of their lives is mostly undocumented, and exact timing is sketchy, but at some point, elder brother Pierre went to the Caribbean and traveled back to France at least once. Pierre witnessed the 1793 slave rebellion in Port-au-Prince, Haiti, and may have helped privateers move refugees to New Orleans in 1803. This occupation is only a side step away from the slave trade that Pierre would later become involved in. New Orleans was in flux yet again, taking in waves of immigrants, including free blacks from Haiti. The city was changing its government, and it is likely that Pierre was in the city on December 3, 1803 for the formal ceremony turning over jurisdiction from France to the United States at Place d’Armes. To maintain a base in foreign territory, The Pirates Laffite: The Treacherous World of the Corsairs of the Gulf by William C. Davis Harcourt: New York 2005 Pierre moved to Baton Rouge, still a part of Spanish-held West Florida. He kept a home in New Orleans, and began a plaçage (arranged) relationship with Marie Villard, a woman of mixed race. Ironically, he had also begun actively dealing in the illegal slave trade at Point Coupée. This he accomplished with the help of his brother Jean, who had recently arrived in New Orleans. Jean Laffite’s early background is equally murky, but fascinating. He was likely the captain of La Soeur Cherie, an American ship that had been stolen in Jamaica. Slaves that had been aboard were reported to have been “lost” along the way to the port of New Orleans, and its cargo was probably unloaded downriver of the city. When inspectors discovered that they had been deceived, the ship and captain were already gone. Davis explains, “domestic affairs in America encouraged privateering” — the goods and slaves acquired by privateers found a strong market. The newly-independent Haiti commissioned privateers, which “spawned their heydey,” and the Laffites were well-placed to take advantage of the situation, particularly since importation of African slaves was declared illegal in 1808. He summarizes: “The ingredients were all in place: a market starving for slaves and luxury goods regardless of the source; a district attorney and court system [in New Orleans] inclined to cast blind eyes on malefactors who provided consumer goods; a large population primarily of French origin who felt hostility toward their new American masters a Gulf teeming with newly made privateers and Spain’s New World colonies on the verge of widespread revolt.” Grand Terre Island (barely solid marsh in Barataria Bay) and Grand Isle became the base for Jean and Pierre Laffite’s trade. They served as middlemen for other privateers, and by 1809 their operation was well-founded. “Baratarian” goods were dutyfree, and therefore very profitable for everyone in this black market. In short: “The French regarded them as colorful heroes who brought them bargains while thumbing a nose at Spain, Washington, and the resented local Americans at the same time.” Pierre likely suffered a stroke in late 1810, making him less able to travel and keeping him in New Orleans most of the time. This put younger brother Jean in charge of most of their operations, although Pierre remained remarkably active despite his physical disabilities. For the Laffites, the War of 1812 was an opportunity to control the entire supply chain, from confiscated raw material to fin- 100 LOUISIANA ENDOWMENT FOR THE HUMANITIES\Winter 2005-06
Table of Contents Feed for the Digital Edition of Louisiana Cultural Vistas - Winter 2005-2006 Louisiana Cultural Vistas - Winter 2005 Contents Letters Editor’s Column Louisiana Endowment for the Humanities Louisiana State Museum After Katrina: “It’s time somebody woke us us up.” Missing New Orleans On Perilous Ground The Buildings of Louisiana (Architectural History by Karen Kingsley) Historic New Orleans Collection Louisiana Association of Museums Back to New Orleans Diary of a Displaced Person Jazz Notes (Music History by Bruce Raeburn) Cradle of the Stars The Terrible and the Brave Bookstand (Book Review by Thomas Uskali) Sound Advice (Music Review by Ben Sandmel) Forum (Commentary by James Lee Burke) Louisiana Cultural Vistas - Winter 2005-2006 Louisiana Cultural Vistas - Winter 2005-2006 - Louisiana Cultural Vistas - Winter 2005 (Page Cover1) Louisiana Cultural Vistas - Winter 2005-2006 - Louisiana Cultural Vistas - Winter 2005 (Page Cover2) Louisiana Cultural Vistas - Winter 2005-2006 - Contents (Page 1) Louisiana Cultural Vistas - Winter 2005-2006 - Letters (Page 2) Louisiana Cultural Vistas - Winter 2005-2006 - Editor’s Column (Page 3) Louisiana Cultural Vistas - Winter 2005-2006 - Louisiana Endowment for the Humanities (Page 4) Louisiana Cultural Vistas - Winter 2005-2006 - Louisiana Endowment for the Humanities (Page 5) Louisiana Cultural Vistas - Winter 2005-2006 - Louisiana Endowment for the Humanities (Page 6) Louisiana Cultural Vistas - Winter 2005-2006 - Louisiana Endowment for the Humanities (Page 7) Louisiana Cultural Vistas - Winter 2005-2006 - Louisiana State Museum (Page 8) Louisiana Cultural Vistas - Winter 2005-2006 - Louisiana State Museum (Page 9) Louisiana Cultural Vistas - Winter 2005-2006 - Louisiana State Museum (Page 10) Louisiana Cultural Vistas - Winter 2005-2006 - Louisiana State Museum (Page 11) Louisiana Cultural Vistas - Winter 2005-2006 - After Katrina: “It’s time somebody woke us us up.” (Page 12) Louisiana Cultural Vistas - Winter 2005-2006 - After Katrina: “It’s time somebody woke us us up.” (Page 13) Louisiana Cultural Vistas - Winter 2005-2006 - After Katrina: “It’s time somebody woke us us up.” (Page 14) Louisiana Cultural Vistas - Winter 2005-2006 - After Katrina: “It’s time somebody woke us us up.” (Page 15) Louisiana Cultural Vistas - Winter 2005-2006 - After Katrina: “It’s time somebody woke us us up.” (Page 16) Louisiana Cultural Vistas - Winter 2005-2006 - After Katrina: “It’s time somebody woke us us up.” (Page 17) Louisiana Cultural Vistas - Winter 2005-2006 - Missing New Orleans (Page 18) Louisiana Cultural Vistas - Winter 2005-2006 - Missing New Orleans (Page 19) Louisiana Cultural Vistas - Winter 2005-2006 - Missing New Orleans (Page 20) Louisiana Cultural Vistas - Winter 2005-2006 - Missing New Orleans (Page 21) Louisiana Cultural Vistas - Winter 2005-2006 - Missing New Orleans (Page 22) Louisiana Cultural Vistas - Winter 2005-2006 - Missing New Orleans (Page 23) Louisiana Cultural Vistas - Winter 2005-2006 - Missing New Orleans (Page 24) Louisiana Cultural Vistas - Winter 2005-2006 - Missing New Orleans (Page 25) Louisiana Cultural Vistas - Winter 2005-2006 - Missing New Orleans (Page 26) Louisiana Cultural Vistas - Winter 2005-2006 - Missing New Orleans (Page 27) Louisiana Cultural Vistas - Winter 2005-2006 - Missing New Orleans (Page 28) Louisiana Cultural Vistas - Winter 2005-2006 - Missing New Orleans (Page 29) Louisiana Cultural Vistas - Winter 2005-2006 - Missing New Orleans (Page 30) Louisiana Cultural Vistas - Winter 2005-2006 - Missing New Orleans (Page 31) Louisiana Cultural Vistas - Winter 2005-2006 - On Perilous Ground (Page 32) Louisiana Cultural Vistas - Winter 2005-2006 - On Perilous Ground (Page 33) Louisiana Cultural Vistas - Winter 2005-2006 - On Perilous Ground (Page 34) Louisiana Cultural Vistas - Winter 2005-2006 - On Perilous Ground (Page 35) Louisiana Cultural Vistas - Winter 2005-2006 - On Perilous Ground (Page 36) Louisiana Cultural Vistas - Winter 2005-2006 - On Perilous Ground (Page 37) Louisiana Cultural Vistas - Winter 2005-2006 - On Perilous Ground (Page 38) Louisiana Cultural Vistas - Winter 2005-2006 - On Perilous Ground (Page 39) Louisiana Cultural Vistas - Winter 2005-2006 - On Perilous Ground (Page 40) Louisiana Cultural Vistas - Winter 2005-2006 - On Perilous Ground (Page 41) Louisiana Cultural Vistas - Winter 2005-2006 - On Perilous Ground (Page 42) Louisiana Cultural Vistas - Winter 2005-2006 - On Perilous Ground (Page 43) Louisiana Cultural Vistas - Winter 2005-2006 - The Buildings of Louisiana (Architectural History by Karen Kingsley) (Page 44) Louisiana Cultural Vistas - Winter 2005-2006 - The Buildings of Louisiana (Architectural History by Karen Kingsley) (Page 45) Louisiana Cultural Vistas - Winter 2005-2006 - The Buildings of Louisiana (Architectural History by Karen Kingsley) (Page 46) Louisiana Cultural Vistas - Winter 2005-2006 - The Buildings of Louisiana (Architectural History by Karen Kingsley) (Page 47) Louisiana Cultural Vistas - Winter 2005-2006 - Historic New Orleans Collection (Page 48) Louisiana Cultural Vistas - Winter 2005-2006 - Historic New Orleans Collection (Page 49) Louisiana Cultural Vistas - Winter 2005-2006 - Historic New Orleans Collection (Page 50) Louisiana Cultural Vistas - Winter 2005-2006 - Historic New Orleans Collection (Page 51) Louisiana Cultural Vistas - Winter 2005-2006 - Louisiana Association of Museums (Page 52) Louisiana Cultural Vistas - Winter 2005-2006 - Louisiana Association of Museums (Page 53) Louisiana Cultural Vistas - Winter 2005-2006 - Back to New Orleans (Page 54) Louisiana Cultural Vistas - Winter 2005-2006 - Back to New Orleans (Page 55) Louisiana Cultural Vistas - Winter 2005-2006 - Back to New Orleans (Page 56) Louisiana Cultural Vistas - Winter 2005-2006 - Back to New Orleans (Page 57) Louisiana Cultural Vistas - Winter 2005-2006 - Back to New Orleans (Page 58) Louisiana Cultural Vistas - Winter 2005-2006 - Back to New Orleans (Page 59) Louisiana Cultural Vistas - Winter 2005-2006 - Back to New Orleans (Page 60) Louisiana Cultural Vistas - Winter 2005-2006 - Back to New Orleans (Page 61) Louisiana Cultural Vistas - Winter 2005-2006 - Back to New Orleans (Page 62) Louisiana Cultural Vistas - Winter 2005-2006 - Back to New Orleans (Page 63) Louisiana Cultural Vistas - Winter 2005-2006 - Back to New Orleans (Page 64) Louisiana Cultural Vistas - Winter 2005-2006 - Back to New Orleans (Page 65) Louisiana Cultural Vistas - Winter 2005-2006 - Back to New Orleans (Page 66) Louisiana Cultural Vistas - Winter 2005-2006 - Back to New Orleans (Page 67) Louisiana Cultural Vistas - Winter 2005-2006 - Diary of a Displaced Person (Page 68) Louisiana Cultural Vistas - Winter 2005-2006 - Diary of a Displaced Person (Page 69) Louisiana Cultural Vistas - Winter 2005-2006 - Diary of a Displaced Person (Page 70) Louisiana Cultural Vistas - Winter 2005-2006 - Diary of a Displaced Person (Page 71) Louisiana Cultural Vistas - Winter 2005-2006 - Diary of a Displaced Person (Page 72) Louisiana Cultural Vistas - Winter 2005-2006 - Diary of a Displaced Person (Page 73) Louisiana Cultural Vistas - Winter 2005-2006 - Diary of a Displaced Person (Page 74) Louisiana Cultural Vistas - Winter 2005-2006 - Diary of a Displaced Person (Page 75) Louisiana Cultural Vistas - Winter 2005-2006 - Diary of a Displaced Person (Page 76) Louisiana Cultural Vistas - Winter 2005-2006 - Jazz Notes (Music History by Bruce Raeburn) (Page 77) Louisiana Cultural Vistas - Winter 2005-2006 - Cradle of the Stars (Page 78) Louisiana Cultural Vistas - Winter 2005-2006 - Cradle of the Stars (Page 79) Louisiana Cultural Vistas - Winter 2005-2006 - Cradle of the Stars (Page 80) Louisiana Cultural Vistas - Winter 2005-2006 - Cradle of the Stars (Page 81) Louisiana Cultural Vistas - Winter 2005-2006 - Cradle of the Stars (Page 82) Louisiana Cultural Vistas - Winter 2005-2006 - Cradle of the Stars (Page 83) Louisiana Cultural Vistas - Winter 2005-2006 - Cradle of the Stars (Page 84) Louisiana Cultural Vistas - Winter 2005-2006 - Cradle of the Stars (Page 85) Louisiana Cultural Vistas - Winter 2005-2006 - Cradle of the Stars (Page 86) Louisiana Cultural Vistas - Winter 2005-2006 - Cradle of the Stars (Page 87) Louisiana Cultural Vistas - Winter 2005-2006 - Cradle of the Stars (Page 88) Louisiana Cultural Vistas - Winter 2005-2006 - Cradle of the Stars (Page 89) Louisiana Cultural Vistas - Winter 2005-2006 - The Terrible and the Brave (Page 90) Louisiana Cultural Vistas - Winter 2005-2006 - The Terrible and the Brave (Page 91) Louisiana Cultural Vistas - Winter 2005-2006 - The Terrible and the Brave (Page 92) Louisiana Cultural Vistas - Winter 2005-2006 - The Terrible and the Brave (Page 93) Louisiana Cultural Vistas - Winter 2005-2006 - The Terrible and the Brave (Page 94) Louisiana Cultural Vistas - Winter 2005-2006 - The Terrible and the Brave (Page 95) Louisiana Cultural Vistas - Winter 2005-2006 - The Terrible and the Brave (Page 96) Louisiana Cultural Vistas - Winter 2005-2006 - The Terrible and the Brave (Page 97) Louisiana Cultural Vistas - Winter 2005-2006 - The Terrible and the Brave (Page 98) Louisiana Cultural Vistas - Winter 2005-2006 - The Terrible and the Brave (Page 99) Louisiana Cultural Vistas - Winter 2005-2006 - Bookstand (Book Review by Thomas Uskali) (Page 100) Louisiana Cultural Vistas - Winter 2005-2006 - Bookstand (Book Review by Thomas Uskali) (Page 101) Louisiana Cultural Vistas - Winter 2005-2006 - Sound Advice (Music Review by Ben Sandmel) (Page 102) Louisiana Cultural Vistas - Winter 2005-2006 - Sound Advice (Music Review by Ben Sandmel) (Page 103) Louisiana Cultural Vistas - Winter 2005-2006 - Forum (Commentary by James Lee Burke) (Page 104) Louisiana Cultural Vistas - Winter 2005-2006 - Forum (Commentary by James Lee Burke) (Page Cover3) Louisiana Cultural Vistas - Winter 2005-2006 - Forum (Commentary by James Lee Burke) (Page Cover4)
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