Louisiana Cultural Vistas - Winter 2007 - (Page 96) Embracing our blues The day before he was indicted by the federal government on 16 counts of racketeering, fraud, money laundering and obstruction of justice, Congressman William Jefferson participated in a celebration of Father Jerome LeDoux’s 50th anniversary as a priest. During the ceremony, held at St. Augustine’s Roman Catholic Church, Jefferson saluted LeDoux by reciting Robert Hayden’s poem “Frederick Douglass.” “When it is finally ours,” Hayden begins, “this freedom, this liberty, this beautiful and terrible thing, needful to man as air…; when it belongs at last to all … when it is more than the gaudy mumbo jumbo of politicians: this man…this Negro beaten to his knees…visioning a world where none is lonely, none hunted…this man, superb in logic and love, this man shall be remembered…” Hayden adds that Douglass will be enshrined not just with the usual honorifics but more importantly, “with the lives grown out of his life, the lives fleshing his dream of the beautiful, needful thing.” When I heard Jefferson’s recitation that Sunday morning in St. Augustine’s, I mainly thought how perfectly the phrase “this man, superb in logic and love” described Father LeDoux’s central ambition. And I was impressed that Jefferson would have some Hayden stashed in his public-speaking arsenal. It’s a cut above the usual drivel political and civic leaders work into their presentations. But at the end of the week, when Jefferson reacted to the federal indictment by declaring his innocence of all the charges and vowing to fight to the last penny to restore his family’s good name and to stay out of jail, I thought again of Hayden’s description of freedom — “this beautiful and terrible thing, needful to man as air.” I don’t know whether the congressman will keep his word or cop a plea to spare his family further legal troubles and embarrassment. After all, he is reported to have told a government informant that his efforts to acquire stakes in lucrative African enterprises were intended primarily to secure the future for his children, “the lives grown out of his life.” Maybe love and logic dictate that he get beaten to his knees and deprived of his freedom in order for his offspring to enjoy theirs. It’s the stuff of literature — the twists and turns of a family’s struggles on the long journey to salvation and security. It’s also the stuff of routine crime dramas. Of course, the truth is often much more poetic than make-believe. In a novel it would seem corny and trite for a former policeman named Barré to plead guilty to crimes that would land him a lengthy term behind bars. The symbolism would be too obvious to be credible, wouldn’t it? And who thinks it believable for a character named DeCay to turn out to be a rotten civil servant? Or that he would pour his illgotten gains into an almost egregiously lavish lifestyle? Did he think no one would notice? Did he think no one would care? Same thing goes for the Orleans Parish School Board, the rest of City Hall, the courts, the Regional Transit Authority, the Sewerage & Water Board and other public entities. What Kool-Aid have these people been imbibing? Somehow, many of us have lost our way, our minds, our moral compass — even in places of worship. It’s stunning to think about the numbers of “respectable” people who have been and will be convicted of felonies before the year ends. The elderly, the middle-aged and the barely pubescent among us have all been severely afflicted with this urge to cheat, steal, swindle, embezzle, and even kill to acquire trinkets, chump change and other miniscule scraps from the global economic stockpile. Forty years ago, Martin Luther King and many others decried the triple evils of materialism, militarism and racism. Humankind’s lust for Things had driven us slightly insane, they suggested. We had increasingly relied on military might to take what belonged to others and we had used racism and other excuses to justify the thefts and killings. King called for America to undergo a “radical revolution of values” that would lead to a redistribution of wealth. Many people scoffed at the notion. They said it was the obsession with materialism, militarism and white supremacy that had made America great and they weren’t about to abandon any parts of the formula. They said it was the only way to keep the world safe from communism. Oodles of black folk agreed with this line of reasoning. They said King’s admonitions about materialism, in particular, were misguided. They said they were poor and lacking in material goods. They needed to get more things to have a good life — more to eat and drink, more to wear, more to drive, more to live in. They were the downtrodden have-nots of the world. Some cast themselves as freedom fighters, liberators, servants of the people. There was no way they would ever allow themselves to be corrupted. Now it’s clear King was absolutely on target. His warnings about the dangers of materialism, militarism and racism are more relevant today than ever before. We just have to muster up the courage to admit it to ourselves. As George Orwell explained, “In a time of universal deceit, telling the truth is a revolutionary act.” Novelist Ralph Ellison once described the blues as “an impulse to keep the painful details and episodes of brutal experience alive in one’s aching consciousness, to finger its jagged grain, and to transcend it, not by the consolation of philosophy but by squeezing from it a near-tragic, near-comic lyricism.” I mention Ellison’s observation because New Orleans has been chest-deep in the blues since Katrina. But we are only now finding the lyricism to squeeze from our situation. One of those bits of lyricism is an end to the blatant corruption that has stymied our city’s economic and spiritual development. Any good doctor will tell you that the best way to cure a wound is to open it up and disinfect it. That’s what’s happening in our city now. We’re using the truth as a disinfectant. Sure, it stings every time we pour a little on. But doing so speeds the healing process. As we’re healing, though, we can go back to engaging “this beautiful, needful thing” called freedom. It demands constant protection if it is to be more than the “gaudy mumbo jumbo of politicians” and the politically connected. There is plenty of lyricism yet to be wrung from these new New Orleans blues. I can’t wait to hear them being sung. J.B. Borders is a cultural commentator and consultant specializing in capacity-building strategies for nonprofit organizations. 96 LOUISIANA ENDOWMENT FOR THE HUMANITIES\Winter 2007-08
Table of Contents Feed for the Digital Edition of Louisiana Cultural Vistas - Winter 2007 Louisiana Cultural Vistas - Winter 2007 Contents Friends Editor’s Column Louisiana Endowment for the Humanities Katrina: Days of Terror, Months of Anguish Paintings by Rolland Golden The Historic New Orleans Collection The Great Ouachita River Flood of 1932 Jazz Notes Louisiana Architecture Louisiana: Where Land Meets Water Louisiana State Museum Through A Lens Sharply: An Interview with Michael Lewis MR-GO: A “miracle” mired in controversy Louisiana Foodways Louisiana Association of Museums New Orleans: An Autopsy Bookstand Sound Advice Forum Louisiana Cultural Vistas - Winter 2007 Louisiana Cultural Vistas - Winter 2007 - Louisiana Cultural Vistas - Winter 2007 (Page Cover1) Louisiana Cultural Vistas - Winter 2007 - Louisiana Cultural Vistas - Winter 2007 (Page Cover2) Louisiana Cultural Vistas - Winter 2007 - Contents (Page 1) Louisiana Cultural Vistas - Winter 2007 - Friends (Page 2) Louisiana Cultural Vistas - Winter 2007 - Editor’s Column (Page 3) Louisiana Cultural Vistas - Winter 2007 - Louisiana Endowment for the Humanities (Page 4) Louisiana Cultural Vistas - Winter 2007 - Louisiana Endowment for the Humanities (Page 5) Louisiana Cultural Vistas - Winter 2007 - Louisiana Endowment for the Humanities (Page 6) Louisiana Cultural Vistas - Winter 2007 - Louisiana Endowment for the Humanities (Page 7) Louisiana Cultural Vistas - Winter 2007 - Katrina: Days of Terror, Months of Anguish Paintings by Rolland Golden (Page 8) Louisiana Cultural Vistas - Winter 2007 - Katrina: Days of Terror, Months of Anguish Paintings by Rolland Golden (Page 9) Louisiana Cultural Vistas - Winter 2007 - Katrina: Days of Terror, Months of Anguish Paintings by Rolland Golden (Page 10) Louisiana Cultural Vistas - Winter 2007 - Katrina: Days of Terror, Months of Anguish Paintings by Rolland Golden (Page 11) Louisiana Cultural Vistas - Winter 2007 - Katrina: Days of Terror, Months of Anguish Paintings by Rolland Golden (Page 12) Louisiana Cultural Vistas - Winter 2007 - Katrina: Days of Terror, Months of Anguish Paintings by Rolland Golden (Page 13) Louisiana Cultural Vistas - Winter 2007 - Katrina: Days of Terror, Months of Anguish Paintings by Rolland Golden (Page 14) Louisiana Cultural Vistas - Winter 2007 - Katrina: Days of Terror, Months of Anguish Paintings by Rolland Golden (Page 15) Louisiana Cultural Vistas - Winter 2007 - Katrina: Days of Terror, Months of Anguish Paintings by Rolland Golden (Page 16) Louisiana Cultural Vistas - Winter 2007 - Katrina: Days of Terror, Months of Anguish Paintings by Rolland Golden (Page 17) Louisiana Cultural Vistas - Winter 2007 - Katrina: Days of Terror, Months of Anguish Paintings by Rolland Golden (Page 18) Louisiana Cultural Vistas - Winter 2007 - Katrina: Days of Terror, Months of Anguish Paintings by Rolland Golden (Page 19) Louisiana Cultural Vistas - Winter 2007 - The Historic New Orleans Collection (Page 20) Louisiana Cultural Vistas - Winter 2007 - The Historic New Orleans Collection (Page 21) Louisiana Cultural Vistas - Winter 2007 - The Historic New Orleans Collection (Page 22) Louisiana Cultural Vistas - Winter 2007 - The Historic New Orleans Collection (Page 23) Louisiana Cultural Vistas - Winter 2007 - The Great Ouachita River Flood of 1932 (Page 24) Louisiana Cultural Vistas - Winter 2007 - The Great Ouachita River Flood of 1932 (Page 25) Louisiana Cultural Vistas - Winter 2007 - The Great Ouachita River Flood of 1932 (Page 26) Louisiana Cultural Vistas - Winter 2007 - The Great Ouachita River Flood of 1932 (Page 27) Louisiana Cultural Vistas - Winter 2007 - The Great Ouachita River Flood of 1932 (Page 28) Louisiana Cultural Vistas - Winter 2007 - The Great Ouachita River Flood of 1932 (Page 29) Louisiana Cultural Vistas - Winter 2007 - The Great Ouachita River Flood of 1932 (Page 30) Louisiana Cultural Vistas - Winter 2007 - The Great Ouachita River Flood of 1932 (Page 31) Louisiana Cultural Vistas - Winter 2007 - The Great Ouachita River Flood of 1932 (Page 32) Louisiana Cultural Vistas - Winter 2007 - The Great Ouachita River Flood of 1932 (Page 33) Louisiana Cultural Vistas - Winter 2007 - The Great Ouachita River Flood of 1932 (Page 34) Louisiana Cultural Vistas - Winter 2007 - The Great Ouachita River Flood of 1932 (Page 35) Louisiana Cultural Vistas - Winter 2007 - Jazz Notes (Page 36) Louisiana Cultural Vistas - Winter 2007 - Jazz Notes (Page 37) Louisiana Cultural Vistas - Winter 2007 - Louisiana Architecture (Page 38) Louisiana Cultural Vistas - Winter 2007 - Louisiana Architecture (Page 39) Louisiana Cultural Vistas - Winter 2007 - Louisiana: Where Land Meets Water (Page 40) Louisiana Cultural Vistas - Winter 2007 - Louisiana: Where Land Meets Water (Page 41) Louisiana Cultural Vistas - Winter 2007 - Louisiana: Where Land Meets Water (Page 42) Louisiana Cultural Vistas - Winter 2007 - Louisiana: Where Land Meets Water (Page 43) Louisiana Cultural Vistas - Winter 2007 - Louisiana: Where Land Meets Water (Page 44) Louisiana Cultural Vistas - Winter 2007 - Louisiana: Where Land Meets Water (Page 45) Louisiana Cultural Vistas - Winter 2007 - Louisiana: Where Land Meets Water (Page 46) Louisiana Cultural Vistas - Winter 2007 - Louisiana: Where Land Meets Water (Page 47) Louisiana Cultural Vistas - Winter 2007 - Louisiana: Where Land Meets Water (Page 48) Louisiana Cultural Vistas - Winter 2007 - Louisiana: Where Land Meets Water (Page 49) Louisiana Cultural Vistas - Winter 2007 - Louisiana: Where Land Meets Water (Page 50) Louisiana Cultural Vistas - Winter 2007 - Louisiana: Where Land Meets Water (Page 51) Louisiana Cultural Vistas - Winter 2007 - Louisiana: Where Land Meets Water (Page 52) Louisiana Cultural Vistas - Winter 2007 - Louisiana: Where Land Meets Water (Page 53) Louisiana Cultural Vistas - Winter 2007 - Louisiana State Museum (Page 54) Louisiana Cultural Vistas - Winter 2007 - Louisiana State Museum (Page 55) Louisiana Cultural Vistas - Winter 2007 - Louisiana State Museum (Page 56) Louisiana Cultural Vistas - Winter 2007 - Louisiana State Museum (Page 57) Louisiana Cultural Vistas - Winter 2007 - Through A Lens Sharply: An Interview with Michael Lewis (Page 58) Louisiana Cultural Vistas - Winter 2007 - Through A Lens Sharply: An Interview with Michael Lewis (Page 59) Louisiana Cultural Vistas - Winter 2007 - Through A Lens Sharply: An Interview with Michael Lewis (Page 60) Louisiana Cultural Vistas - Winter 2007 - Through A Lens Sharply: An Interview with Michael Lewis (Page 61) Louisiana Cultural Vistas - Winter 2007 - Through A Lens Sharply: An Interview with Michael Lewis (Page 62) Louisiana Cultural Vistas - Winter 2007 - Through A Lens Sharply: An Interview with Michael Lewis (Page 63) Louisiana Cultural Vistas - Winter 2007 - Through A Lens Sharply: An Interview with Michael Lewis (Page 64) Louisiana Cultural Vistas - Winter 2007 - Through A Lens Sharply: An Interview with Michael Lewis (Page 65) Louisiana Cultural Vistas - Winter 2007 - Through A Lens Sharply: An Interview with Michael Lewis (Page 66) Louisiana Cultural Vistas - Winter 2007 - Through A Lens Sharply: An Interview with Michael Lewis (Page 67) Louisiana Cultural Vistas - Winter 2007 - Through A Lens Sharply: An Interview with Michael Lewis (Page 68) Louisiana Cultural Vistas - Winter 2007 - Through A Lens Sharply: An Interview with Michael Lewis (Page 69) Louisiana Cultural Vistas - Winter 2007 - MR-GO: A “miracle” mired in controversy (Page 70) Louisiana Cultural Vistas - Winter 2007 - MR-GO: A “miracle” mired in controversy (Page 71) Louisiana Cultural Vistas - Winter 2007 - MR-GO: A “miracle” mired in controversy (Page 72) Louisiana Cultural Vistas - Winter 2007 - MR-GO: A “miracle” mired in controversy (Page 73) Louisiana Cultural Vistas - Winter 2007 - MR-GO: A “miracle” mired in controversy (Page 74) Louisiana Cultural Vistas - Winter 2007 - MR-GO: A “miracle” mired in controversy (Page 75) Louisiana Cultural Vistas - Winter 2007 - MR-GO: A “miracle” mired in controversy (Page 76) Louisiana Cultural Vistas - Winter 2007 - MR-GO: A “miracle” mired in controversy (Page 77) Louisiana Cultural Vistas - Winter 2007 - Louisiana Foodways (Page 78) Louisiana Cultural Vistas - Winter 2007 - Louisiana Foodways (Page 79) Louisiana Cultural Vistas - Winter 2007 - Louisiana Association of Museums (Page 80) Louisiana Cultural Vistas - Winter 2007 - Louisiana Association of Museums (Page 81) Louisiana Cultural Vistas - Winter 2007 - New Orleans: An Autopsy (Page 82) Louisiana Cultural Vistas - Winter 2007 - New Orleans: An Autopsy (Page 83) Louisiana Cultural Vistas - Winter 2007 - New Orleans: An Autopsy (Page 84) Louisiana Cultural Vistas - Winter 2007 - New Orleans: An Autopsy (Page 85) Louisiana Cultural Vistas - Winter 2007 - New Orleans: An Autopsy (Page 86) Louisiana Cultural Vistas - Winter 2007 - New Orleans: An Autopsy (Page 87) Louisiana Cultural Vistas - Winter 2007 - New Orleans: An Autopsy (Page 88) Louisiana Cultural Vistas - Winter 2007 - New Orleans: An Autopsy (Page 89) Louisiana Cultural Vistas - Winter 2007 - New Orleans: An Autopsy (Page 90) Louisiana Cultural Vistas - Winter 2007 - New Orleans: An Autopsy (Page 91) Louisiana Cultural Vistas - Winter 2007 - Bookstand (Page 92) Louisiana Cultural Vistas - Winter 2007 - Bookstand (Page 93) Louisiana Cultural Vistas - Winter 2007 - Sound Advice (Page 94) Louisiana Cultural Vistas - Winter 2007 - Sound Advice (Page 95) Louisiana Cultural Vistas - Winter 2007 - Forum (Page 96) Louisiana Cultural Vistas - Winter 2007 - Forum (Page Cover3) Louisiana Cultural Vistas - Winter 2007 - Forum (Page Cover4)
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