Recording - December 2009 - 32

Times are gettin’ hard—gee, you noticed it too? Tough times put a crimp in our obsession; even if your name isn’t Lehman, this probably isn’t the best time to spring for a big gear purchase. Bad times call for creative solutions; we don’t want to give this thing up completely. So it’s time to regroup; maybe haul out the old mixer that’s been in the basement since before the kids arrived. Or maybe look at Ebay with a gimlet eye; it’s possible to get older gear for peanuts if you’re careful. We’re not talking “vintage” here, just old. Why bother? Because some of that older stuff, properly rehabbed, can outperform a lot of modern equivalents. If you take a gadget in workingbut-worn condition and do some simple cleanup and replacement work on it, you can wind up with a more-than-respectable piece of gear. A few restrictions: In this article I’ll be talking about small-signal solid-state devices. While the basic rules apply to all electronics, tubed gear has its own set of rules (and hazards) deserving separate treatment. Power amps have pitfalls of their own; goof up one of them, and your monitor speakers are history. So we’ll be talking about the smaller stuff: mic preamps, mixers, compressors, eqs, etc.. to let water drip anyplace; be extra careful around fader slots. Okay, let’s make the connectors better, through chemistry. The secret potions are DeoxIt® (a super contact cleaner) and PreservIt® (which coats contacts to inhibit oxidation). Both are made by the Caig Corp., and are available in electronic tinkering stores and hi-fi shops, or online. For this kind of work, small bottles of liquid are preferable to aerosol cans; these chemicals are oily, and the aerosol gets goo everywhere. You’ll need a box of QTips®, too—the brand-name, with cardboard shafts, not plastic or wooden ones. Dip the end of a Q-Tip into the DeoxIt, squeeze against the inside of the bottle until it’s nearly dry, and apply liquid sparingly to 1/4" jacks, the pins of male XLR connectors, and the outsides of RCA connectors. Break a Q-Tip in half, dip the broken end of the cardboard shaft into the DeOxit, and apply to the holes of female XLR connectors and RCA connectors. (The cardboard absorbs just enough DeOxit to work as a “mini-swab”.) Wait at least 5 minutes, then clean off the DeoxIt (and a lot of crud) using a clean Q-Tip, either the cotton end or a broken-off shaft. Repeat using PreservIt, New (or maybe better) B Y PA U L J . S TA M L E R Good As Creative rehab for tough times The first step Let’s get cracking. The first step, of course, is to make sure the piece actually works; we’re talking rehab here, not major repair. Plug it in, hook it up, turn it on, run some signal to the input. Is there smoke? Does signal, even imperfect signal, appear at the output? If there’s signal and no smoke we’re ready to roll; if not, the piece needs major repairs—which is a different article. I’m going to assume here that you know the basics of soldering and have a soldering iron (not a gun!). Check the sidebar for some tips on the more esoteric art of desoldering. The average piece of old gear passes signal, but the controls are scratchy and noisy, the jacks are dubious, intermittent and encrusted with crud, and the switches are iffy. It also may hum more than it should. Rude mechanicals Begin by cleaning it up. Open the box, saving the screws in an old medicine bottle. Take a vacuum cleaner, set it to gentle suction, and vacuum inside and out to remove dust, fuzz and mouse hairs. If necessary, follow the vacuuming with a few blasts of “canned air”. While it’s open, look for loose or wiggling wires; if you see any, solder them back in place. While you’re at it, go over the outside of the piece with a barely damp paper towel, to remove the grime of years. Be very careful notRECORDING DECEMBER 2009 and you’ll have drastically improved the connectors’ connections. If the equipment uses edge connectors, you should clean them too. Remove the circuit board from its connector and apply DeoxIt to the edge terminals. Slip it in and out of the connector once or twice, then leave it out for 5 minutes. Plug, unplug, clean the edge terminals with a QTip, apply PreservIt, and replace. In effect, you’ve used the board itself as an applicator for its edge connector. You can do the same with the plugs at the ends of ribbon cables. Control freak Time for a pot party. Controls—faders, eq controls, and the like, known collectively as potentiometers, or “pots”—accumulate crud on the carbon or plastic resistance tracks, and on the metal sliders that roll across the tracks. The solution in this case is another Caig product, CaiLube®, a combined contact cleaner and lubricant for pots and switches. Unfortunately, with CaiLube you’re pretty much limited to using aerosol, so you should take steps to minimize the mess. Use the thin plastic tube, or “schnoz”, which fits into the hole on the spray dispenser, to make sure the spray is concentrated on a narrow area; cover the surroundings with a dropcloth equivalent, such as rags or paper towels. CaiLube’s supposed to be pretty harmless, but you still might want to wear a face mask to avoid inhalation.

Recording - December 2009

Table of Contents for the Digital Edition of Recording - December 2009

Recording - December 2009
Fade In
Contents
Talkback
Fast Forward
Recording’s 2009 Holiday Gift Guide
More Bass, Less Muck
Mojave Audio MA-201fet
Good As New (Or Maybe Better)
TASCAM DR-07
Recording’s Keyboard Column
ATC SCM 11 Passive Monitors
Preview: Novation Launchpad
Recording’s Vocal Column
The Colton 7 Vocal Booth
Readers’ Tapes
Advertiser Index
2009 Annual Index
Fade Out
Recording - December 2009 - Recording - December 2009
Recording - December 2009 - Cover2
Recording - December 2009 - 1
Recording - December 2009 - Fade In
Recording - December 2009 - 3
Recording - December 2009 - Contents
Recording - December 2009 - 5
Recording - December 2009 - Talkback
Recording - December 2009 - 7
Recording - December 2009 - Fast Forward
Recording - December 2009 - 9
Recording - December 2009 - 10
Recording - December 2009 - 11
Recording - December 2009 - Recording’s 2009 Holiday Gift Guide
Recording - December 2009 - 13
Recording - December 2009 - 14
Recording - December 2009 - 15
Recording - December 2009 - 16
Recording - December 2009 - 17
Recording - December 2009 - 18
Recording - December 2009 - 19
Recording - December 2009 - 20
Recording - December 2009 - 21
Recording - December 2009 - 22
Recording - December 2009 - 23
Recording - December 2009 - 24
Recording - December 2009 - 25
Recording - December 2009 - More Bass, Less Muck
Recording - December 2009 - 27
Recording - December 2009 - 28
Recording - December 2009 - 29
Recording - December 2009 - Mojave Audio MA-201fet
Recording - December 2009 - 31
Recording - December 2009 - Good As New (Or Maybe Better)
Recording - December 2009 - 33
Recording - December 2009 - 34
Recording - December 2009 - 35
Recording - December 2009 - 36
Recording - December 2009 - 37
Recording - December 2009 - TASCAM DR-07
Recording - December 2009 - 39
Recording - December 2009 - Recording’s Keyboard Column
Recording - December 2009 - 41
Recording - December 2009 - ATC SCM 11 Passive Monitors
Recording - December 2009 - 43
Recording - December 2009 - Preview: Novation Launchpad
Recording - December 2009 - 45
Recording - December 2009 - 46
Recording - December 2009 - 47
Recording - December 2009 - 48
Recording - December 2009 - 49
Recording - December 2009 - Recording’s Vocal Column
Recording - December 2009 - 51
Recording - December 2009 - The Colton 7 Vocal Booth
Recording - December 2009 - 53
Recording - December 2009 - Readers’ Tapes
Recording - December 2009 - Advertiser Index
Recording - December 2009 - 56
Recording - December 2009 - 57
Recording - December 2009 - 58
Recording - December 2009 - 59
Recording - December 2009 - 60
Recording - December 2009 - 61
Recording - December 2009 - 2009 Annual Index
Recording - December 2009 - 63
Recording - December 2009 - Fade Out
Recording - December 2009 - Cover3
Recording - December 2009 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com