Recording - December 2009 - 51
• If you only like half the line, place a slash either before or after the number of the take to denote the front or back half of the line. • If you don’t like the take on a particular line, leave it blank. Looking at your notes after several takes will give you an indication of which takes work on each line. This way, you’ll usually have several choices of takes per line for the best possible comp. Emotional insights It is possible to be a truly technically gifted engineer and still not get the desired results from your vocalist due to your lack of good communication skills. The analogy would be that patients have been shown to heal more slowly when their brilliant surgeon has a horrible bedside manner. What you’re looking for as a producer/engineer is a vocal performance where the vocalist sounds relaxed, emotional and sincere—not hesitant, careful or self-conscious. The way to get a great performance is to keep the singer engaged in what they’re doing by talking to them, encouraging them and keeping them informed as to what’s happening at all times. A vocalist is in a vulnerable position and generally seeking approval once they’ve done a take and the music stops. Even a momentary pause can be mistaken by the vocalist as disapproval by the producer or engineer. Consider a vocal tracking session like a conversation and don’t leave the vocalist hanging. Use the talkback mic like it’s a lifeline. For the record, the word “flat” is as unpleasant to hear as the actual note. Even if you’re just making an observation, it’s still nicer and more constructive to either ask the singer to try that line again or mention that the note was “a little under” or “almost there.” It’s simply less discouraging. Being a producer/engineer is like being a therapist/rocket scientist. It requires staying on top of your technical game while remaining aware of the emotional climate in the studio. If you can achieve this delicate balance, your vocalist will give you a strong performance that reflects your attention to their needs. Cliff Goldmacher (goldmacher@recording mag.com) runs Cliff Goldmacher Music Production, dividing his time between his studios in Manhattan and Nashville. Learn more at www.cliffgoldmacher.com. RECORDING DECEMBER 2009
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http://www.recordingworkshop.com
Recording - December 2009
Table of Contents for the Digital Edition of Recording - December 2009
Recording - December 2009
Fade In
Contents
Talkback
Fast Forward
Recording’s 2009 Holiday Gift Guide
More Bass, Less Muck
Mojave Audio MA-201fet
Good As New (Or Maybe Better)
TASCAM DR-07
Recording’s Keyboard Column
ATC SCM 11 Passive Monitors
Preview: Novation Launchpad
Recording’s Vocal Column
The Colton 7 Vocal Booth
Readers’ Tapes
Advertiser Index
2009 Annual Index
Fade Out
Recording - December 2009 - Recording - December 2009
Recording - December 2009 - Cover2
Recording - December 2009 - 1
Recording - December 2009 - Fade In
Recording - December 2009 - 3
Recording - December 2009 - Contents
Recording - December 2009 - 5
Recording - December 2009 - Talkback
Recording - December 2009 - 7
Recording - December 2009 - Fast Forward
Recording - December 2009 - 9
Recording - December 2009 - 10
Recording - December 2009 - 11
Recording - December 2009 - Recording’s 2009 Holiday Gift Guide
Recording - December 2009 - 13
Recording - December 2009 - 14
Recording - December 2009 - 15
Recording - December 2009 - 16
Recording - December 2009 - 17
Recording - December 2009 - 18
Recording - December 2009 - 19
Recording - December 2009 - 20
Recording - December 2009 - 21
Recording - December 2009 - 22
Recording - December 2009 - 23
Recording - December 2009 - 24
Recording - December 2009 - 25
Recording - December 2009 - More Bass, Less Muck
Recording - December 2009 - 27
Recording - December 2009 - 28
Recording - December 2009 - 29
Recording - December 2009 - Mojave Audio MA-201fet
Recording - December 2009 - 31
Recording - December 2009 - Good As New (Or Maybe Better)
Recording - December 2009 - 33
Recording - December 2009 - 34
Recording - December 2009 - 35
Recording - December 2009 - 36
Recording - December 2009 - 37
Recording - December 2009 - TASCAM DR-07
Recording - December 2009 - 39
Recording - December 2009 - Recording’s Keyboard Column
Recording - December 2009 - 41
Recording - December 2009 - ATC SCM 11 Passive Monitors
Recording - December 2009 - 43
Recording - December 2009 - Preview: Novation Launchpad
Recording - December 2009 - 45
Recording - December 2009 - 46
Recording - December 2009 - 47
Recording - December 2009 - 48
Recording - December 2009 - 49
Recording - December 2009 - Recording’s Vocal Column
Recording - December 2009 - 51
Recording - December 2009 - The Colton 7 Vocal Booth
Recording - December 2009 - 53
Recording - December 2009 - Readers’ Tapes
Recording - December 2009 - Advertiser Index
Recording - December 2009 - 56
Recording - December 2009 - 57
Recording - December 2009 - 58
Recording - December 2009 - 59
Recording - December 2009 - 60
Recording - December 2009 - 61
Recording - December 2009 - 2009 Annual Index
Recording - December 2009 - 63
Recording - December 2009 - Fade Out
Recording - December 2009 - Cover3
Recording - December 2009 - Cover4
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