Recording - January 2010 - 29
reduce the tempo, produce my tracks, and still keep his reference vocal, syncing to fit and adjusting the phrase timing to match the slightly different feel I’d created. Of course, the nagging question: how does Logic’s time-manipulation sound? As expected, much depends on how far the audio is being stretched, but with some experimentation and practice, the results I experienced were generally excellent. A few vocal phrases required multiple attempts, and a bass track which sounded terrible quantized under the expected “monophonic” setting was absolutely perfect under “rhythmic.” Fortunately, all Flex Time edits are nondestructive. Just switch the Flex Mode to Off, and you’re back to the original, unadulterated track. No penalty for experimentation (whew!). Amp Designer and Pedalboard: Logic’s new Guitar Heroes Logic Pro 9 introduces two new plug-ins aimed at the six-string set: Amp Designer and Pedalboard. Together or separately, these simulations raise guitar tone in Logic to a new level and provide new realms of sonic possibilities. Of course, limiting their use to the trusty Strat would be folly; I’ve already put these plugs to work on keyboards, SFX, pedal steel samples and even vocals. Amp Designer is a significant upgrade from Logic’s previous amp modeler, Guitar Amp Pro, although the latter remains in the plug-in offerings. Like GA Pro, Amp Designer models amps, cabinets and mics. The interface, though, has been replaced with detailed graphics picturing amps that look vaguely familiar, although presumably for trademark reasons no official identity is offered. I recognized modeled Marshalls, VOX, Fender, and Orange amps, among others, each featuring the design graphics of the original. The controls, however, remain the same from amp to amp: Gain, 3-band tone controls, Reverb, Tremolo/ Vibrato, Presence, and Master Volume. Also, unlike the real thing, these amps all have “detachable” cabinets, so you can team any amp head with any other amp’s speaker cab. Tone can be further modified by Amp Designer’s complex virtual mic array, which features three models: Dynamic, Condenser and Ribbon (the graphics portray a Shure SM57, Neumann U87 and Royer R-121, respectively). Each mic’s aim and distance can be adjusted over a matrix of fine steps, allowing for precise placement and a range of fine-tuned tone possibilities (see screenshot 3). I had the opportunity to try out Amp Designer on two projects: a country/novelty song with a heavy barroom/twang factor, 3. An Amp Designer plug-in with simulated amp, cabinet, mic and placement settings.
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Recording - January 2010
Table of Contents for the Digital Edition of Recording - January 2010
Recording - January 2010
Fade In.
Contents
Talkback.
2009 AES Convention Report.
Steve Vai.
The Hybrid Guitar Recording Method—A Modern Way of Tracking Serious Tones, Part 2.
Apogee Electronics GiO.
Reviewed & Revisited:Apple Logic Pro 9.
Recording’s Guitar Column.
Reviewed & Revisited: Phonic Helix Board 24 Universal.
Readers’ Tapes.
Zoom G9.2tt.
Once Over—Reviews in Brief.
Line 6 POD X3 Live.
M-Audio Axiom Pro 49.
Advertiser Index.
Fade Out.
Recording - January 2010 - Recording - January 2010
Recording - January 2010 - Cover2
Recording - January 2010 - 1
Recording - January 2010 - Fade In.
Recording - January 2010 - 3
Recording - January 2010 - Contents
Recording - January 2010 - 5
Recording - January 2010 - Talkback.
Recording - January 2010 - 7
Recording - January 2010 - 2009 AES Convention Report.
Recording - January 2010 - 9
Recording - January 2010 - 10
Recording - January 2010 - 11
Recording - January 2010 - 12
Recording - January 2010 - 13
Recording - January 2010 - 14
Recording - January 2010 - 15
Recording - January 2010 - Steve Vai.
Recording - January 2010 - 17
Recording - January 2010 - 18
Recording - January 2010 - 19
Recording - January 2010 - The Hybrid Guitar Recording Method—A Modern Way of Tracking Serious Tones, Part 2.
Recording - January 2010 - 21
Recording - January 2010 - 22
Recording - January 2010 - 23
Recording - January 2010 - 24
Recording - January 2010 - 25
Recording - January 2010 - Apogee Electronics GiO.
Recording - January 2010 - 27
Recording - January 2010 - Reviewed & Revisited:Apple Logic Pro 9.
Recording - January 2010 - 29
Recording - January 2010 - 30
Recording - January 2010 - 31
Recording - January 2010 - Recording’s Guitar Column.
Recording - January 2010 - 33
Recording - January 2010 - Reviewed & Revisited: Phonic Helix Board 24 Universal.
Recording - January 2010 - 35
Recording - January 2010 - Readers’ Tapes.
Recording - January 2010 - 37
Recording - January 2010 - Zoom G9.2tt.
Recording - January 2010 - 39
Recording - January 2010 - 40
Recording - January 2010 - 41
Recording - January 2010 - 42
Recording - January 2010 - 43
Recording - January 2010 - 44
Recording - January 2010 - 45
Recording - January 2010 - Once Over—Reviews in Brief.
Recording - January 2010 - 47
Recording - January 2010 - 48
Recording - January 2010 - 49
Recording - January 2010 - 50
Recording - January 2010 - 51
Recording - January 2010 - Line 6 POD X3 Live.
Recording - January 2010 - 53
Recording - January 2010 - M-Audio Axiom Pro 49.
Recording - January 2010 - 55
Recording - January 2010 - 56
Recording - January 2010 - Advertiser Index.
Recording - January 2010 - 58
Recording - January 2010 - 59
Recording - January 2010 - 60
Recording - January 2010 - 61
Recording - January 2010 - 62
Recording - January 2010 - 63
Recording - January 2010 - Fade Out.
Recording - January 2010 - Cover3
Recording - January 2010 - Cover4
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