Recording - February 2010 - 9

Modartt Releases Pianoteq Pro Modartt is now shipping Pianoteq Pro, the advanced version of its Pianoteq physically modelled piano plug-in. The new program offers the ability to tailor each of 22 parameters for each note in the range of the piano, including tuning, unison width, hammer hardness, strike point, string length, spectrum profile, soundboard impedance, damper position, and much more. This allows users to effectively model an entirely original piano soundboard that can then be saved as a program and shared with other Pianoteq users. The original version of Pianoteq, now called Pianoteq Standard, is at version 3.5, and includes many improvements to the model that were incorporated in the Pro version, including a richer soundboard model, a realistic model for duplex scale resonances that provides richer harmonic content, improvements to the dampers, release velocity control, user-modifiable velocity curves for the sustain pedal and release velocity, and much more. Users can purchase add-on models for electric pianos, vibes, and a modern “rock” grand piano. Free add-ons now include historical instruments pianofortes, harpsichords, electric grand piano, bells, carillons, and cimbalom. Trial versions are available for free download from the Modartt website; as the program contains almost no sample data, it is very small in size. Prices: Pro version, 399 Euros; Standard version, 249 Euros More from: Modartt, www.pianoteq.com. Audix Releases New Fusion Drum Mics and Kits Audix has presented a new set of Fusion drum mics, updating the original designs released seven years ago. The new mics include the F2, F5, and F6 dynamic mics, all hypercardioid designs with low-mass diaphragms and neodymium magnets, and the F9 condenser mic, with a 16mm gold diaphragm and a 40 Hz–20 kHz stated frequency response. The Fusion mics are available separately and in mounting kits, each packaged in an aluminum carrying case with room for up to 11 mics. Each kit has one F6 for kick, one F5 for snare, and F2s for toms (two in the FP4, three each in the FP5 and FP7), all with D-CLIP mic stand adapters. The FP7 kit also includes two F9 mics with MC1 nylon clips for overhead use. Optional mounting accessories allow for customized drum mount options per each user’s needs. Prices: F2, $129; F5, $129; F6, $239; F9, $189; FP4 kit, $449; FP5 kit, $559; FP7 kit, $749; D-VICE rim mount, $29.95; D-FLEX butterfly mounting clip, $19.95; D-CLAMP lug nut mount, $29.95; STAND-KD pedestal mic stand for kick drum and guitar cabinets, $44.95. More from: Audix, www.audixusa.com. RealTraps Ships Ultimate Bass Trapping Product RealTraps is now shipping the MegaTrap, which the company claims absorbs more bass and at lower frequencies than any other bass trap product ever made. MegaTraps are corner-placement devices that can be stacked from floor to ceiling for maximum absorption and use the proprietary RealTraps limp mass membrane behind the fabric front cover. The traps are sold in pairs and come in white, wheat, grey, and black. For $25 extra, a MegaTrap can be purchased with a 1/4" thick Masonite rigid top, allowing them to be used as corner tables or speaker stands when stacked one or two units high. Price: $249.99 each, $224.99 each when ordered in quantities of 8 or more. More from: RealTraps, www.realtraps.com. RECORDING FEBRUARY 2010
http://www.pianoteq.com http://www.audixusa.com http://www.realtraps.com

Recording - February 2010

Table of Contents for the Digital Edition of Recording - February 2010

Recording - February 2010
Fade In
Contents
Talkback
Fast Forward
Recording Lead Vocals—All About Isolation and Rejection
Euphonix MC Control
Avant Electronics BV-1
Avid Digidesign Eleven Rack
Recording’s Vocal Column
PreSonus Studio Channel
KRK ERGO System
Readers’ Tapes
Recording’s Keyboard Column
TASCAM DR-100
Camel Audio Alchemy
Advertiser Index
Fade Out
Recording - February 2010 - Recording - February 2010
Recording - February 2010 - Cover2
Recording - February 2010 - 1
Recording - February 2010 - Fade In
Recording - February 2010 - 3
Recording - February 2010 - Contents
Recording - February 2010 - 5
Recording - February 2010 - Talkback
Recording - February 2010 - 7
Recording - February 2010 - Fast Forward
Recording - February 2010 - 9
Recording - February 2010 - Recording Lead Vocals—All About Isolation and Rejection
Recording - February 2010 - 11
Recording - February 2010 - 12
Recording - February 2010 - 13
Recording - February 2010 - 14
Recording - February 2010 - 15
Recording - February 2010 - 16
Recording - February 2010 - 17
Recording - February 2010 - 18
Recording - February 2010 - 19
Recording - February 2010 - Euphonix MC Control
Recording - February 2010 - 21
Recording - February 2010 - 22
Recording - February 2010 - 23
Recording - February 2010 - Avant Electronics BV-1
Recording - February 2010 - 25
Recording - February 2010 - Avid Digidesign Eleven Rack
Recording - February 2010 - 27
Recording - February 2010 - 28
Recording - February 2010 - 29
Recording - February 2010 - 30
Recording - February 2010 - 31
Recording - February 2010 - Recording’s Vocal Column
Recording - February 2010 - 33
Recording - February 2010 - PreSonus Studio Channel
Recording - February 2010 - 35
Recording - February 2010 - KRK ERGO System
Recording - February 2010 - 37
Recording - February 2010 - 38
Recording - February 2010 - 39
Recording - February 2010 - Readers’ Tapes
Recording - February 2010 - 41
Recording - February 2010 - 42
Recording - February 2010 - 43
Recording - February 2010 - 44
Recording - February 2010 - 45
Recording - February 2010 - Recording’s Keyboard Column
Recording - February 2010 - 47
Recording - February 2010 - 48
Recording - February 2010 - 49
Recording - February 2010 - 50
Recording - February 2010 - 51
Recording - February 2010 - TASCAM DR-100
Recording - February 2010 - 53
Recording - February 2010 - Camel Audio Alchemy
Recording - February 2010 - 55
Recording - February 2010 - 56
Recording - February 2010 - Advertiser Index
Recording - February 2010 - 58
Recording - February 2010 - 59
Recording - February 2010 - 60
Recording - February 2010 - 61
Recording - February 2010 - 62
Recording - February 2010 - 63
Recording - February 2010 - Fade Out
Recording - February 2010 - Cover3
Recording - February 2010 - Cover4
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